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Your kid is so good that he uses a foot pedal?
The pedal is not very good, and the child will develop a habit of posture if he plays it like this, and he will not get used to it when he takes it off.
Also, even if you stretch the height, what can you do? Could it be that he will always play at home? If you use your mind to adapt here, then you won't be invested in playing the piano, and the music will naturally not be so beautiful!
So I suggest that you don't have to use the pedal for now, wait until you are older, and concentrate on practicing now"Etudes"Lay the foundation for the future and for your children!
I hope your child's piano will get better and better and become a future pianist! After all, they are the hope of the new century!
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The pedals of the piano are immovable.
But I know that there is a pedal aid, which is like a small box with two pedals on it, and the lever inside the box is applied to the pedal of the piano to help the short child use the pedal.
You can go to the piano shop and ask.
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There is a tool to make the pedals higher! Just put this tool into the pedal to increase a certain height. And it can be removed at any time, and it is also very convenient to install, about a few seconds.
I saw it at my teacher's house, it was black, and I recommend going to the piano shop and asking. Unfortunately, I don't know what it's called......After all, it's long enough when I pedal......(I'm crying when I'm old).
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Wow, 5 years old is going to use pedals! That's amazing! I've never seen a pedal higher before, so try tying a piece of wood to the pedal. However, when playing the piano, stepping on the pedal with your feet in the air can easily deform your child's posture.
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There is no need to rush to pedal.
Wait until the child's legs are long enough to be happy to step on it.
Now you can choose to get a tune without pedaling.
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It's hard to pedal when that thing is installed!!
It is recommended not to use it.
My mom bought me one when I was a kid.
Never used at all.
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I look at what has been said above. It's better to change to an electronic one. ~
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The tips for using the piano pedal are as follows:
1. Right pedal:
The right pedal is also called a damper pedal, sustain pedal, strong sound pedal, and legato pedal. The principle and effect are the same on the upright piano orange and grand piano. When pressed, all the damper that is normally pressed on the strings immediately lifts away from the keys, allowing all the strings to vibrate freely and continuously, so that the sound continues to be played until it disappears naturally.
When you lift your foot and release the pedal, all the dampers immediately press on the strings, stopping the strings from vibrating and the sound stops immediately. The right pedal can play a role in prolonging the sound, connecting the sound to the sound, increasing the volume, increasing the color, etc.
2. Middle pedal:
On an upright piano, it is called a muted pedal, which is to lower the thin pile between the hammer and the strings to change the timbre and volume. The middle pedal on an upright piano is not used in normal music playing, and it is mainly used to reduce the volume without affecting others when practicing. There are also some upright pianos that have a middle pedal made entirely on the principle of a grand piano.
The middle pedal is called a hold pedal, a sustained pedal or a hold pedal on a grand piano.
When the player plays a note or chord and presses or hits the pedal at the same time, the note played just now will be held, but the note that the player plays next will not be held. The middle pedal only turns on the damper that is playing the sound when pressed, unlike when the right pedal is pressed, all the damper opens. When the right pedal and the middle pedal are used at the same time, the middle pedal retains some tones, while the right pedal still performs its own tasks according to its own rules.
3. Left pedal:
It is also called a weak pedal or a soft pedal. On an upright piano, the distance between the hammer and the strings is shortened when the left pedal is pressed, reducing the volume and changing the timbre. On a grand piano, when the left pedal is pressed, the action moves to one side (both the hammer and the entire keyboard move laterally), turning the original three strings into two strings or one string to vibrate and sound to reduce the volume and change the timbre.
Pressing on the left pedal is generally marked as una corda (originally meaning one string), and letting go is marked as tre conda (original meaning three strings).
Since the right pedal is the most widely used and most frequently used, this article focuses on the use of the right pedal, and the following right pedal is referred to as "pedal".
Benefits of learning piano:
Learning the piano can make one more elegant. As we all know, playing the piano is very particular about posture, and there are certain standards for sitting posture and gestures when playing. After a long period of practice, when maintaining high standards for oneself, this temperament will naturally permeate the performers' gestures, giving them their own elegant temperament.
Learning piano, in fact, is to accumulate artistic accomplishment in continuous practice, because in the process of playing, the eyes round the bridge to read the score, the hands to play, the ears to listen, the mouth to sing, the brain to think, which invisibly developed a good habit of being diligent and good at thinking, long-term artistic edification can make people understand many things in the **, over time, the character of the piano learner is gradually developing.
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Practice your hands (rhythm, etc.) first, and then add your feet.
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Piano beginners encounter the following usages:
1) Play a forte chord with the help of pedals to make it more resonant and louder. The method is also very simple, press the pedal at the same time as or before the movement of the hand. At the same time, according to the timing of the chord, whether short or long, use a decisive foot lifting action to release the pedal cleanly.
If it is not clean, it will weaken the impression of strong play.
2) Connect the bass with the chords. When the bass plus chord forms a range of more than an octave and a legato is needed, press the pedal when the bass pops up and hold until the chord is played.
3) Emphasize the rhythm of **. Harmonic accompaniment patterns with a strong sense of beat, such as various dance music and marches in two and three beats, can be pedaled on the downbeat to make the rhythm more distinct and vivid.
4) When several chords need to be played legato, and the fingers are difficult to be fully competent, you can use the pedal to play the legato perfectly by changing each chord line.
5) When chords appear in the form of legato arpeggios, you can use pedals to connect each chord. When the chord changes, the pedal must be replaced.
6) Use pedals to embellish the melody to make it more coherent and rich in expression. Just when the melody is accompanied by harmony, it is necessary to not only focus on the melody, but also take care of the relationship between the pedal and the harmony at the same time. But as long as you use your brain and ears, it is not difficult to find a reasonable use of "comprehensive management".
7) Use the pedal to keep the duration of the tone, and "free" the hand from the keyboard to do the necessary key preparation for the next tone.
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Sustain linkage adjustment bolts.
There may be adjustment screws here, but mine doesn't.
Open the front plate and you can find a way to adjust it.
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