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The size of the word, the white cloth, the virtual and the real, the thickness, the dry change and the characteristics of the pen, so that the writing will naturally have momentum. At the same time, due to the fast rhythm of the writing and pen, we should pay special attention to the calm work of the pen, and we must be longitudinal, captured, expanded, and retained. Do not slip and commit the disease of thin and vain, especially write long apostrophe, hanging needle and other sharp strokes, when closing the pen to be sharp and full, full of strength and residual potential, not exhaustive, the head of the rat tail is full of paper, as a false tip of the ephemeral shape.
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The book is like running, what you want is unrestrained, chic, generous and decent, the gas and veins are connected, and the pen is broken. The stroke garden is beautiful and elegant, plain and simple. With the pen fine, always maintain the front, rarely pen, clumsy pen; In terms of chapter law, between words and words, between lines and lines, the layout of branches is sparse and symmetrical, and the ancient law is pursued.
The use of ink is also very particular, dry and damp, and it is wonderful.
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Due to the "indulgence of the body", the height, width, and area of the words in the book are not the same, and even the difference is very large. Therefore, the book adopts the chapter method of "vertical rows, horizontal columns". Since the number of words in a line is not fixed, it is allowed to be written very long; Since there is some room for stretch horizontally, it is allowed to write widely.
In this way, Xingshu has a relatively free creative space in terms of font structure.
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Such as clouds and flowing water, the fibers come out of the room, non-true and non-grass, far away from the square, reflecting Anya, the muscles are old and healthy, and the wind and bones are sprinkled. The focus of the book is smooth and chic. This is also the beauty of calligraphy.
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Left and right. Chinese characters have a left and right skimming, and they swing to the left and right, which not only makes the spirit of the character be displayed, but also can be easily interspersed between the lines, and can also effectively adjust the weight. Therefore, "swaying left and right" has become a common way of book layout.
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It's just that the words are the same, and the whole work has the same rhyme, and it looks comfortable overall.
Of course, some of them are particularly well written, and some of them are milestones in the process of calligraphy that are not yet ripe.
But the foundation was laid.
Like there is an overall beauty, every word is classic, that is invincible! Like Lan Tingxu is.
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Calligraphy pays attention to the spirit, emotion and rhyme, the whole article is written well does not mean that the words are written badly, some calligraphers open up the words are also very common, but their words are particularly bold, so they are very famous.
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Up and down. Running through the line is the most important skill in the layout of the book. Adjust the weight.
"Seeking peace in the midst of danger" is an important factor in the beauty of the plastic arts, and in order to achieve a balance, it is necessary to learn to adjust the weight.
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No, it's just a common word; It's not pretty! No matter what kind of book or genre, when it comes to good looks; At least don't use origami to write a line of words, and then use a ruler to measure, a straight line is considered good-looking.
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Many times it is easy to be remembered by others, and then in high school, teachers will like to give me a high score for my essay inexplicably, and the impression score will be much higher than others. Although I'm very happy, I still hope that others can see more of my brilliance, not limited to [the words are good-looking].
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Regardless of the size of the article or the number of words, it is a unity, and harmony mainly includes the following points: brushstrokes and harmony.
First, the white and harmonious unity.
First, the style is harmonious.
First, the font is harmonious and unified.
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Xingshu can be written as the first in the world.
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The pen is not good, the neat words are general, and there is still room for improvement.
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Smooth strokes are a basic requirement.
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I saw the calligraphy and paintings written by my friends, and I felt that it was a pleasure. So beautiful.
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I taught myself to write calligraphy, and I don't know which font to learn, and I haven't made much progress in self-study, so I ask for guidance from teachers.
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Please criticize and testify.
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Here's how to write nicely in the lines of words:1. There are degrees of width and narrowness, and there are differences in size: most of the fonts of Chinese characters are multi-body characters, some are deployed on the side, and some are repeated by the same font.
Therefore, when writing the book, we should pay attention to the left and right, upper and lower parts, which part should be written smaller and narrower, which part should be relatively wide and larger, and how to avoid the left and right parts. In fact, writing to build the indirect structure of the font, just like building a house, should pay attention to architectural aesthetics.
2. If you draw less, you will be thick, and if you draw more, you should pay attention to the book, if it is a word with few strokes, you should write it thickly, and this "rough" is particular. For words with many strokes, they should be written carefully.
If the strokes are too thick, the gaps are too full, which affects the aesthetics. There is also a kind of combined word trembling composed of two monomeric words, and it is also necessary to pay attention to the relationship between the number of strokes and the number of strokes, and the relationship between the thickness and the thickness of the quarrel. However, not all fonts are treated in this way, and some fonts need to refer to the inscription to know the specific characteristics of the knot.
3. Highlight the main pen and the main model: there is a difference between the line and the regular script, no matter how the strokes change, the pen, the main pen of the font will not change much. The so-called main pen is a stroke that plays the role of the backbone and the tripod in a font.
The main stroke may be horizontal or vertical. Once the main pen is accurate, it will be easier to do the other strokes attached to it. In writing, it is necessary to highlight the main pen and improve the attached pen, so that the whole font looks like the main and secondary strokes are clear and vibrant.
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The lines of the calligraphy look good as follows:
Xingshu is a kind of book style between Kai and grass, which is easy to know. The writing is more indulgent and flowing, close to cursive, called Xingcao; The writing is relatively upright and stable, close to the regular script called the line Kai.
In the process of writing, the pen makes the turn, in the various forms of dot painting are more obvious, the movement of this pen is often between dot painting, the word and the word left a mutual implication, as thin as the trace of the gossamer, this is the silk connection.
Saying the text and interpreting the characters: [Volume 3] [聿部] Shuzhen also. From the voice of the deaf. Merchant fish cut. Text IV.
1. Hundred cities: call the rich people who collect books as their own"Hundred Cities"。"The Biography of Li Xiaobo":"The husband has thousands of books, why not the hundred cities in the south? "
2. Book field: Reading is a metaphor for ploughing the field, so books are also called"Books"。From "Wang Mai Sending His Nephew to Zhangpu Poems":"May the son continue from now on, and sow diligently in the field of books. "A common name for some forms of music: storytelling. Listen to books.
3. Sutras: scriptures, scriptures, generally refer to the most important instructive works; Tsuna, a box containing books. For posterity"Sutra"There are many good books, use"Belly Huzhou"Yu erudite.
Later Han Shu, Wenyuan Biography, Bian Yun":"Abdominal poop, five meridians; But sleep, thinking about things. "
4. 10,000 volumes: for future generations"10,000 rolls"An astonishing amount of books for generations. Du Fu's "Twenty-two Rhymes for Wei Zuo Chengzhang":"Read more than 10,000 volumes, and write like a god. "
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Agree to the "signature line lettering."
1. Wending Zhongxing Book Simplified Chinese.
2. Yu Weixing's book.
3. Fang Yuan Sun Yat-sen's book.
Xingshu is a general term, which is divided into two types: Xingkai and Xingcao. It developed and originated on the basis of regular script, a font between regular script and cursive script, which was produced to make up for the slow writing speed of regular script and the difficulty of cursive script. "Xing" means "walking", so it is not scribbled like cursive and not as upright as regular script.
In essence, it is a cursive or cursive italization of regular script. The one with more regular law than the grass method is called "line Kai", and the one with more grass method than the regular method is called "line grass". The practicality and artistry of the line script are high, while the regular script is a text symbol, which has high practicality and relatively insufficient artistry. In contrast, cursive writing is highly artistic, but it is relatively less practical.
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Under normal circumstances, the pen should be light, not too heavy, showing the front, slightly shouldering. At the turning point, the pen is gently lifted upward, and then the pen is cleared, paying attention to the fact that there can be no big pimples in the pen. Then the back line of the pen to the left, pay attention to keep it steady, in place after the "kneeling pen flick edge".
This pen has been talked about in the vertical pen of Yan quietly before, and the important thing is to point to the date.
1. Write horizontally in the horizontal fold and fold, and raise the pen to raise the pen, and the other skimming is too long.
2. The first fold is tilted to the right in the horizontal fold and apostrophe, and the second fold is horizontally started.
3. The apostrophes are too short.
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Hello, how to write a good book? How to write a good-looking book, my suggestion is: write the inscriptions of the ancients.
To learn to write and learn calligraphy, you must post it. If you don't post it, you can't write a beautiful book. That's where I stand for you!
To learn to write, you must be close to the inscriptions of the ancients! So what kind of inscription? Of course, it's the way to do it!
Why do you want to do it? Because the law is the only one to get it. If you take the right way, you can only get it.
Therefore, to learn to write a book, you must learn from the law! The book sage Wang Xizhi's book is a must, and his "Orchid Pavilion Preface" is known as the first book in the world. How about I suggest that you first study the "Holy Order of Huairenji Wang Xi"?
How do you write it? "Opposite" first. Whether you use a brush or a pen, you can write.
For the advent, first to come to its likeness, and then to come out of the verve, this will take about three to five years to achieve. Comrade subject: Didn't scare you, did you?
Learning calligraphy is not an easy task. It's not good to learn in a short time, understand? What I mean by three to five years is on the premise of insisting on writing every day, if you fish for three days and dry the net for two days, it will take longer to produce the likeness and charm.
In addition, to learn Xingshu, you can also write Wang Xizhi's "Orchid Pavilion Preface", Yan Zhenqing's "Manuscript for the Sacrifice of Nephews", and Su Shi's "Huangzhou Cold Food Post". These are all classics that have been passed down from generation to generation, and they can be learned! Learn it, and you will succeed!
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Requirements for writing a good book
1. Know how to write calligraphy.
As mentioned earlier, the strokes of the line script are not exactly the same as the regular script, and some of its strokes can be "brushed over", but in the process of "bringing", it is necessary to abide by a certain penmanship.
The penmanship of the line of calligraphy omits some penmanship in the regular script, such as the back of the pen, which can be replaced by a sharp pen in the line of calligraphy, and the pen of some strokes can also be replaced by a sharp pen, and there is no need to do the action of closing the pen and returning to the front.
The main brushstrokes in the book include: center, paving, reverse in and out, lifting, hiding front, etc. In fact, this is also the basic process of writing a stroke, but it also includes the above-mentioned brushwork in the calligraphy.
2. Express a sense of agility.
Agility is the main feature of the book, if the line is too rigid, it will become a regular script, and it can not be called a book. Where does the sense of agility come from? One is to learn to use wrist strength.
When writing, you can't be too stiff, the problem of stiffness is mainly on the wrist, usually to develop a habit of using the wrist, learn to use the wrist, do things with skill, writing is the same, if you are idle can practice such a habit in the air.
The second is to catch the breath on the basis of dot painting. The dot painting of Xingshu is originally a dynamic feeling, and every word must show this atmosphere, and the breath is there, and the style is also there. For example, "flowing clouds and water" refers to the breath.
The two dot paintings and the two words must be connected, so that the breath will come alive.
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