How do you evaluate the Infernal Affairs trilogy?

The Infernal Affairs trilogy is undoubtedly exceptionally good, and I don't think one is inferior to the other, and I don't agree that the addition of Chen Daoming and others in the third part is a failure. It's just that the times have changed, and the filming techniques, star effects, and the production of picture texture have to keep up with the times. You don't see, a small contemporary fresh meat can support a movie with the same expression, and reap a good box office, and even more can win the title of actor and TV emperor at a certain large-scale film festival and TV festival.

So it's not that Hong Kong movies have declined, but that people's tastes have changed, so the directors have also changed, because there is no way to live if they don't change.

Simply evaluate the movie "Infernal Affairs" trilogy, the depth of the movie, the breadth of stars, and the length of hot spots, after so many years, it is still prosperous, Andy Lau and Tony Leung played the "Mission Impossible" series, after years of undercover career, the marginal line between good and bad guys, police and thieves has gradually blurred. The bad guy wants to be a good guy, and the good guy wants to return to the world, but the people are in the rivers and lakes, and they can't help themselves, so they come out of the Infernal Affairs, and there are scenes of discord and leaks.

The overall expression of the movie and the way of switching between clips are quite the flavor of old Hong Kong films, as well as the unique dialogue method in the movie, which has a special feeling of Hong Kong films. Tony Leung's last sentence: I'm sorry, I'm a police officer, and it has become a classic today.

I don't dare to hope that the director is willing to make a movie like Infernal Affairs again, because there may not be a box office, after all, the main force of the audience is no longer us in the 70s and 80s! See and cherish it!

As a separate film, Infernal Affairs is undoubtedly the most classic in the history of Hong Kong police and gangster films, but the entire "Infernal Affairs Series" can hardly be called a perfect movie trilogy, because as a sequel, "Infernal Affairs 2" and "Infernal Affairs 3" are obviously different from "Infernal Affairs". The story of "Infernal Affairs 2" is very exciting, but the plot has little direct connection with "Infernal Affairs", "Infernal Affairs 3" is closely related to "Infernal Affairs" in terms of plot, but it seems a little messy in the handling of details. Maybe it's because "Infernal Affairs" is too classic, so no matter how the sequel is filmed, it is difficult to be satisfied.

The Infernal Affairs trilogy is the best film after the watershed of 97 Hong Kong films, and it has a pivotal position in the history of Hong Kong films, which can be said to be the pinnacle of Hong Kong films in the new century.

First of all, the "Infernal Affairs" trilogy uses character settings to express far-reaching ideas.

The story is based on the "confrontation" of black and white, and describes the stories of the two protagonists, Chen Yongren and Liu Jianming, respectively, and finally Liu Jianming became the "Chen Yongren" he wanted to be, killing "Liu Jianming" who should have been reincarnated in the Infernal Hell.

Only Chen Yongren never forgot his original intention until he died in the line of duty, and did not forget the oath of loyalty that I was a policeman in the first place.

Liu Jianming's character is complex, and his identity confusion ultimately hints at the deep cultural identity crisis that Hong Kong faces after the handover, and Hong Kong's isolation faces many difficulties.

Chen Yongren represents Hong Kong before 97, committed to others but never forgot his original intention.

Secondly, the context of the story is profound.

The lens language of Infernal Affairs I makes Hong Kong absolute and eternal to the greatest extent, presenting Hong Kong without the shackles of history and a sense of heaviness, as if it has become a post-modern city.

In the second part, the historical background of Hong Kong's return to Chinese mainland supports the context of the story from beginning to end, and actually becomes the theme thread implied in the film. At the end, the handover ceremony between China and Britain was underway, and Superintendent Huang in the police station took down Ni Yongxiao** and replaced it with Han Chen's.

The new replaces the old.

In the last film of the trilogy, Liu Jianming's dual personality, the confrontation of the two identities, just like the lost Hong Kong, like the forgotten time, will come to mind from time to time, but it cannot change the rupture of history.

The cooperation between the Hong Kong police and the mainland police actually uses a reciprocal and non-subordinate relationship to imply the status quo of Hong Kong after its return to China.

Everyone contributed their best performances, and there are ** evaluations that everyone has reached their peak in the Infernal Affairs series. Tony Leung won the Best Actor Award at the 22nd Hong Kong Film Awards for this film, and this series has become his most famous masterpiece.

How do you evaluate the Infernal Affairs trilogy? In fact, I think Infernal Affairs' trilogy, these three movies are one after another, gripping, very continuous stories. looks very exciting, coupled with the wonderful performances of Andy Lau and Tony Leung, which also brought a lot of box office revenue to this drama and attracted the attention of many audience friends.

Let a lot of people know that these movies are their classics.

How do you evaluate the Infernal Affairs trilogy? The Infernal Affairs trilogy, played by Andy Lau and Tony Leung, was filmed very successfully. It has had a lot of fans since the first part.

The actors are all well-known veteran actors. The characters are portrayed very vividly. The plot is also full of ups and downs, which is very attractive.

The "Infernal Affairs" trilogy can be said to be a very classic work, it can be said to be the pinnacle of Hong Kong spy war dramas, and it has also achieved a large number of excellent and powerful actors such as Andy Lau , Tony Leung and so on.

It's not that the second and third parts are bad, it's that the first part is too good. To use a fashionable Internet phrase, the Infernal Affairs series is like throwing a king bomb at the beginning, and then no matter how good the cards are, they don't have that overly amazing feeling. It's not that the second and third parts are bad, it's that the first part is too good.

To use a fashionable Internet phrase, the Infernal Affairs series is like throwing a king bomb at the beginning, and then no matter how good the cards are, they don't have that overly amazing feeling.

The success of "Infernal Affairs" lies in its breakthrough, which is different from the fights and killings of ordinary Hong Kong police and gangster movies in the past, different from the traditional routines of previous police and gangster films, and the theme is no longer a simple incompatibility between good and evil. Many later movies wanted to imitate the Infernal Affairs series, but none of them could surpass it. The "Infernal Affairs" series has made Hong Kong cinema glorious for a while, has undergone many transformations, and is a masterpiece created by the entire Hong Kong filmmakers.

It is the prelude to Hong Kong films in the new era, bringing Hong Kong films back from the dead, and also influencing many Hong Kong filmmakers later.

"Infernal Affairs" is a high-quality black and white suspense film starring Andy Lau and Tony Leung, whether it is the plot, the setting of the lines, or the completion of the actors, it has a status that cannot be underestimated in Hong Kong film history and even domestic film history. Tony Leung also won many awards for this brilliant movie, and Andy Lau has also successfully transformed from a positive role to a powerful actor who can perfectly interpret the role of good and evil.

Fans who have watched the movie must have the deepest impression of "Infernal Affairs" more than the peak duel between the two Infernal Leaders (Liu Jianming and Chen Yongren) on the rooftop, even colleagues who have not seen this movie are quite familiar with it. After all, the most exciting part is always easy to remember, and this part is often used by many people as material for editing, so it is widely circulated.

Chen Yongren and Liu Jianming will face off at the top of the two infernal meetings, if you add a little fireworks, you will suddenly find that in reality we are all playing Infernal Affairs, but the protagonist of the story in the script is ourselves, the key is whether you want to be Chen Yongren or Liu Jianming, not whether you have a choice, but who you are willing to choose to be. Perhaps, this is also the best interpretation of the so-called "art comes from life and is higher than life", and it is also the chemical reaction that the high-end atmosphere plot will inspire with the fireworks of life.

This work is very handsome, it is okay, and it has also been evaluated by many fans and netizens, and the character selection and framing in it have brought people a new picture.

If there is a trilogy of 5 catties on average, the trilogy of 5 catties is also very good, this trilogy is very good, the first, second, third, fourth, and fifth are all very good, so we are now in a very beautiful and reasonable TV series.

The first part of "Infernal Affairs" is very good.

Lau Kin-ming (Andy Lau) is in a deteriorating state of mind after being investigated by the Force 10 months after Chan Wing-yan (Tony Leung) was killed, and his mental state has deteriorated, but he is confident that the situation will soon be reversed. Young Superintendent Yeung Kam-wing (Lai Ming), who is considered by his colleagues to be a stranger, is on his way to the top of the Force with his outstanding achievements. In order to find out Yang Jinrong's true identity, Liu Jianming began to investigate him.

It must be the first step, otherwise there will be no next two.

The first part of "Infernal Affairs" is very good.

Personally, I think it's the first one to be good.

I've just watched one, and that one is pretty good, but it's just that I'm depressed when I watch it.

Personally, I think it's all pretty good.

Personally, I think it's the first part.

Of course, the first one is the best.

Of course, it's the first part, there is no doubt about it.

I think it's the best of the first one.

In "Infernal Affairs 3", Yang Jinrong and Han Chen exchanged information and benefited each other, not that Yang Jinrong was controlled by Han Chen. In the first part, Han Chen can ask Liu Jianming to investigate the undercover agent, and there is no communication.

But Han Chen and Yang Jinrong are just negotiating, whether you can help me or not, no, if you don't help me, be careful if I report you or something. And after Yang Jinrong knew that Chen Yongren was undercover, he did not inform Han Chen of this, but asked Chen Yongren to be careful.

First of all, "Infernal Affairs 3" is a work full of ambition, from the late 90s, the Hong Kong film market fell sharply, and more and more directors and actors began to give up on films, until the emergence of "Infernal Affairs" suddenly ignited new hopes for Hong Kong filmmakers. As the genuine sequel to "Infernal Affairs", the much-anticipated "Infernal Affairs 3" naturally shoulders more historical responsibilities and expectations.

So the movie added the heavyweight Dawn and Chen Daoming while retaining all the original cast, and the plot also had the original Andy Lau, Tony Leung's double-line undercover agent instantly became Andy Lau, Tony Leung and Chen Daoming's triangle undercover, plus a dawn who didn't know whether it was good or bad, which made the instant success of the plot exponentially expanded.