How to make the atmosphere of the southern color still life, and how to paint the color still life p

Without desire, painting is like "peeling an onion", peeling back layer by layer to see their inner relationship. Designing the structure of the shelf is like matching clothes for people, how to look good and how to "wear", so that the still life can be brought to life with temperature.

It mainly depends on what kind of artistic conception is expressed, which is usually called large tones. For example, you can't paint spring as green in summer.

Atmosphere?! It depends on how you draw it. Personally, I think that the most important thing in painting a color still life is to express its 3 levels!

1.Shadows. 2.Color.

3.Ambient color.

It's best to draw more light parts near the dark part when you draw the dark part. The same is true for the bright part! This way your picture will be bright! Very gunshot!

Ambient colors are the most important. Don't paint a single still life, otherwise it won't be everyone who can paint?!Add some ambient colors to your surroundings.

And more importantly, that's more"With a little emotion"This kind of painting is even more attractive!

The atmosphere is very simple. The color of your picture is expressed at the same time, and there is an inherent color and an ambient color at the same time.

There must also be a uniform tone.

For example, yellow. Green. These are highly transparent and easy to unify tones

Ken may be your sketch is not up to par, the modeling ability of sketching is quite important to the modeling of color, aside from the relationship of color, the rest is all sketch relationship, and the landscape does not need too many sketch factors, most of them are the virtual and real cold and warm of color, and the big color atmosphere, so it may be because your sketching ability limits your color still life.

The landscape you paint is in line with your inner aesthetic, and there is a mutual view in your heart, but watercolor still life is different, and you will treat it as homework. The state of mind is different, and the things perceived will also be different.

Because it should be a problem of weak modeling ability. Still life needs to be more accurate.

Color is the single most important element when we start interior design, and the change of color tone can make a room feel from warm to cold, from large to small, and at the same time can create a different atmosphere from cozy to dull. Patterns and textures also play an important role. Therefore, if we make good use of these elements, we can create a pleasant, spacious and comfortable living environment for ourselves.

Correlation of color with space:

White is the most reflective hue, bringing light and air into a gloomy and dark interior. Make up for the lack of space. It is often suitable for small spaces. However, white walls often look rough and not detailed enough.

Milky white gives people a bright and white feeling, which can be used as an alternative to white to add a bit of warmth to the room.

Yellow is the color of the sun, it is bright and uplifting, so it is often used as the main color in the kitchen, breakfast room or children's room.

Blue is often used to give a sense of relaxation and calm, and it reminds us of water, making it the most popular color in the bathroom.

Pale pink and pale pink are very soft colours, so we often feel that they are best painted in the bedroom.

The green color is associated with planting and a sense of peace, so it is a natural choice for a storage room and garden room.

Bright yellow or fiery red spaces can be disturbing and uncomfortable.

Dark purple and dark brown can create a stressful, frustrating atmosphere, and in that kind of room, you will feel that the ceiling and walls are involuntarily pressing downward, and the whole room will be filled with a gloomy atmosphere of melancholy. There is truth to all of the above arguments, but this only applies when color is used excessively extremely; If we dilute those eye-catching colors a little more evenly, it will make a completely different difference.

Color is the single most important element when we embark on interior design, how to paint can make the color still life picture have an atmosphere?

Different colors bring people different moods.

I don't know too much either.

I can't even find it on the Internet.

The color feeling is okay, the sketch relationship is too vague, especially the first one, if it is shot in black and white**, can it be imagined? The relationship between light and dark in the second picture is much better, but the changes between cold and warm are not rich enough. Practice more.

Composition is for a certain purpose, requiring the visual elements to be combined into a new visual image of the key potato in accordance with certain aesthetic laws. The color composition is to use different color elements to convey emotions under the guidance of the correct color principle, and construct a color effect with a certain emotional atmosphere

For the theoretical study of color, we can carry out the following aspects.

1. Color physics allows the study of the generation and relationship between light and color, including the production of color, the mixing of color and light, the spectrum and so on.

2 Color chemistry, dyeing and pigment properties.

3 Color Physiology The various effects of light color on the human eye and brain.

4. Color psychology: The psychological imagination of color includes the symbolic power of color formation, subjective perception and color discrimination.

5. Color design, color contrast and harmony, etc.

By fully understanding the various properties of color, we can grasp the essence of color as a whole, and only then can we create excellent color combinations.

Use beauty to express emotion! ~

The greatest whole in the color relationship is the tone of the picture. That is, the color matching of each object in the picture should be coordinated, which is actually a change and unity. We usually say that a painting is green, red, red-green, gray, cool, warm, etc., which means that although there are objects of different colors in a painting, we can feel a basic overall color tendency.

For example, in a still life sketch, there are green oranges, red apples, brown jars, white plates, and gray interlinings. In this combination, if the gray interlining area is relatively large, it will often affect the color of the small objects around it, which will make the overall picture tend to be gray. In addition to this, the color of the light source also affects the tone of the picture.

Before observing the color changes of each object, we should first squint our eyes to feel the overall color tendency, set the tone of the picture, and then express the color change, so that we can have the whole in mind.

The second overall relationship of the color relationship is the change of cold and warm. Warm and cold changes tend to occur in light and dark changes. For example, if the bright parts are warmer, the dark parts will be colder, and vice versa. In addition, the spatial distance will also affect the change of cold and warm, which is generally near warm and far cold.

There is also a complementary color relationship within the color relationship. The so-called complementary colors are the two colors that face each other in the hue circle. For example, red and green, yellow and purple, blue and orange, etc.

If we pay attention to life, we will find that the colors of the bright and dark parts of the object often show a complementary relationship, and the reasonable use of complementary color relationship when dealing with the picture will make the color of the picture more bright and harmonious.

The three elements of color are hue, purity, and lightness. We pay more attention to hue when we paint colors, so I won't talk about it here. The change in lightness affects the relationship between light and shade, which is included in the sketch relationship.

And purity is often an issue that many students ignore. Under normal circumstances, it is natural that the purity of the bright part is higher than that of the dark part, and the purity of the near part is higher than that of the distant part. Why, as is usually the case, if we look at a gray object in front of a high-purity background, we will find that the purity of the bright parts is not as high as that of the dark parts (the dark parts have a strong background color).

For the purpose of processing the picture, the purity of the subject object can be slightly higher than that of the secondary object.

When painting color, each stroke should take into account hue, purity, and lightness. Otherwise, the light and shade are right, and the hue and purity will be wrong. The colors are opposite, and the light and shade are wrong. There is no end to the change.

According to people's habits of painting colors, it can be divided into two categories. One type of person paints subjective colors, that is, theoretical colors. According to the usual experience, no matter how the color of the object changes, this kind of person will match it according to a certain law.

Such paintings tend to be more decorative, but may lack expressiveness. The other situation is based on one's own observations, combined with theoretical analysis, emphasizing reality and feelings.

Pay attention to the completeness of the composition and the accuracy of the form. The light and shade of the object and the projection part must be accurately depicted, and the shape of the desktop and background lining cannot be ignored.

The first color can be painted wet, with a little more moisture, and the amount of moisture can be controlled. The backlight and projection parts of the object must be depicted at the same time to facilitate connection. The dark part of the table top and the background lining should not be ignored.

The local depiction should be refined, and the dark color should be painted transparent and breathable. It is necessary to pay attention to the portrayal of texture and the refinement of the brush.

1. Observation method:

To draw a good still life, you should be good at observing the object with your peripheral vision. It is necessary not only to observe the object itself, but also to find out the color tendency around the object, so that the color of the picture is rich, vivid and harmonious.

Second, the basic law of color:

1. In the case of natural light, the bright side of the object is cold and the dark side is warm, and the projection part should have an appropriate sky light color.

2. It is necessary to widen the hue difference between still life objects on the same picture, and use the complementary relationship between red and green, yellow and blue, orange and purple to create tension in color.

3. Due to the painter's different preferences and preferences for color, the color of the still life will show different tones, which makes the picture beautiful.

4. The spatial sense of the color of the surface still life should expand the black and white relationship between the front, middle, back and background, and the specific degree of shape, the degree of virtual and real, and the relationship between cold and warm should be expanded.

5. Be good at mixing colors on the picture, so that the colors are accurate, vivid and rich.

First of all, we should include the whole of all the objects we want to paint in our line of sight, and at the same time look at them, together with their surroundings, background, light and other factors to analyze, and do not focus on a certain object or a certain part.

In particular, it is necessary to exclude the inherent concept of the color of the object itself, to observe the specific color changes of the painted object in the light and environment at that time, to feel the overall tone and atmosphere of the object's environment, to determine the overall color contrast of the picture and the relationship between cold and warm, and to analyze it in the whole when painting the color of a certain object.

The color of any kind of object changes with the light, the season, and the environment. For example, a tree is bathed in pale yellow and rose colors in the morning sun; At sunset, it is shrouded in gold and orange; At night, it is dark green and purple. In the spring, the leaves of a tree are pale yellow and tender green, and in summer they will turn into a dark dark green, in autumn they will gradually turn yellow and red, and in winter the leaves will dry and turn gray-brown.