The hard brain of practicing calligraphy, ask a master to give you some way

In fact, it is not necessary to use calligraphy fonts when writing posters and notices. This is not a formal work of calligraphy. Someone else's writing may be a general regular script and a line script, just like a font typed out of a computer, and you can never tell which book it came from.

Maybe those who write posters and notices haven't learned calligraphy. Personally, I think posters and announcements can be written in lettering. You're saying it's hard, but I'm not sure what the difficulty is.

However, this can show that you have not yet arrived at home, and you are not proficient, so these characteristics of the royal body will not be shown in your own creations. Practice makes perfect, I suggest that you practice more, not only more but also fine, and carefully observe the characteristics of the font. And your Wei Monument is just the opposite, because you should already be able to apply what you have learned.

As for the calligraphers, the fonts they wrote had their own characteristics and personalities, but there must have been something inherited from the ancient scriptures in these works, but we may not be able to understand them. Their self-creation is also based on their familiarity with calligraphy. So practice more

I am also learning calligraphy for 8 years and I am still learning it.

I'll start with Cao Quan. Then Zhang Heinu, Yin Fu Sutra, and then also wrote Wang Xizhi's.

I didn't study much since I was in junior high school, but I also practiced during the summer vacation.

At the beginning, the teacher also asked me to carefully refer to the calligraphy to write, because it was best to refer to the calligraphy in the early days, but later the teacher found that my calligraphy was more delicate, so he guided me to develop my own style.

After all, not everyone is the same style. Write your own understanding of your own thoughts. Otherwise, why do you think every famous calligrapher has his own style?

And some fonts are the kind of 4 you say, and people will know how to appreciate that font when they reach a certain level.

So I think it's your teacher's problem, he has imprisoned your development direction, which has led to the situation where you don't have enough knowledge now. And I think it's too fast to suddenly jump from Weibei to Lanting.

Go to the Children's Palace to find a senior teacher for individual tutoring, a good teacher is not expensive, generally does not charge money, just be sincere.

1. Lay a good foundation, insist on copying famous calligraphy, and strive to be similar and godlike;

2. Persevere, practice calligraphy regularly, and figure out the essentials while writing;

3. Be good at understanding, read more calligraphy theory books in your spare time, and study the handwriting of famous artists;

4. After stepping out of oneself and reaching a certain level and level, you must have your own style.

There is no shortcut to this, find a good post, write it seriously and steadfastly, don't be impetuous. If you can stick to it for two hours a day, you will definitely be able to come out after you are 40 years old. You also have to pay attention to ways and means, and you must not think of yourself. Big taboo.

You can ask the teacher for advice, I just can!! Then the mood is natural, write one stroke at a time, and it's OK!

I recommend you a book "Qi Gong Tells You Calligraphy".

Practice holding the pen first, don't be nervous when you first practice, relax a little, and insist on practicing for at least an hour and a half every day.

Choose a good notebook and insist on practicing for two hours a day......Practice seriously and not for the sake of time, ...... two hours