Appreciation of the ancient poems of Plugging and Listening to the Flute and Listening to the Flu

Plug it up and listen to the flute, Gao Shi, and listen to the flute in the surrendered city at night, Li Yi.

The snow is clear and the horses are still herded, the moon is bright and the Qiang flute is between the towers, the sand is like snow in front of the back of Lefeng, and the moon is like frost outside the city.

By asking where the plum blossoms fall, the wind blows all night over the mountain. I don't know where to blow the reed pipe, and I recruit people to look at the hometown overnight.

1) Compare the thoughts and feelings of the two poems: Answer: Gao poems write scenes, showing the peace and tranquility of the soldiers returning and Huma going north; Write the sound of the flute, showing the pride of the Tang Dynasty and a little nostalgia.

Li poems write scenes, showing the sinister environment of the border fortress and the desolation of the scene; Write the sound of the flute to express the confusion and sadness of nostalgia. Click: Analyze thoughts and feelings, can not be isolated from the content analysis, the content highlights the emotion, the scenery contains emotions, and the difference in thoughts and feelings is naturally drawn out in the comparison of the content.

2) Compare the expression techniques of the two poems: Refining the angle of words: Gao poem has a "full" character, which not only writes the reasonableness and reasonableness of the plum blossoms in the season of horse grazing, but also overflows the pride of the Tang Dynasty with "burying the bones, how do you need mulberry land", but also implies the unhurtful thoughts of all the soldiers nostalgic for their hometown.

The word "end" in Li Shi's poem writes about the nostalgia of the soldiers without exception and the endless nostalgia. Rhetorical perspective: Gao Shimiao uses synaesthesia to transform the hearing of the flute of "Plum Blossom Falling" into the vision of plum blossoms falling, and the absence of plum blossoms in the border land arouses the association of hometown plums.

Li Shi aptly compares "sand like snow" and "moon like frost" to write about the sinister and desolate environment of the border fortress. Situational perspective: Gao's poems are allegorical in the scenery, and the feelings of peace and tranquility and homesickness are contained in the imagery of "Snow Purity", "Horse Grazing", "Moonlight", "Qiang Flute" and "Plum Blossom".

Li poems write scenes and lyrics, the first three sentences write scenes and sounds, and the latter sentences are lyrical. Technique angle: Gao poems combine fiction and reality, symbolic implications, "Xuejing" writes about spring, symbolizing the peace of this crisis, "moonlight" implies that the border is quiet, and "herding horses" implies that Hu Mabei and the soldiers return to the pasture.

"Qiang flute" implies the tranquility of Bian Feng's respite; The first two sentences are written in a realistic way, and the last two sentences are written in fiction to express the aspirations of the soldiers. Li Shi sets off the foreshadowing, "sand like snow" and "moon like frost" render the environment difficult and dangerous, and set off homesickness and sadness. Tap:

The analysis of technique can be analyzed from multiple angles, but it should be noted that no matter which kind of analysis can be separated from the poem, the key to the expression of technique in the poem lies in the lyricism.

In addition to comparing the differences, the two poems can also compare similarities in content and technique. Answer: (1) The theme of homesickness is the same.

2) The lyrical technique of scene blending is the same, and (3) the expression technique of music conveying emotions is the same. (4) The method of sending affection to Mingyue is the same.

In short, there are not necessarily many questions, but they should be precise, guide students to think from multiple angles, broaden their thinking, dig deep into the main points, and learn something.

It shows the peace and tranquility of the soldiers returning and Huma going north.

It shows the pride and nostalgia of the Tang Dynasty.

It expresses the sinister environment of the border fortress and the desolation of the scene.

It expresses the confusion and sadness of nostalgia.

Translation: The sand in front of Huile Feng is as white as snow, and the moonlight outside the city is like autumn frost. I don't know where to blow the desolate reed pipe, and recruit people to look at their hometown one by one overnight.

Listen to the flute in the city at night - Tang Dynasty: Li Yi.

The sand is like snow in front of Huile Feng, and the moon outside the city is like frost. (Hui Lefeng: Hui Lefeng).

I don't know where to blow the reed pipe, and I recruit people to look at the hometown overnight.

Judging from the whole poem, the first two sentences are written about color, and the third sentence is written about sound; The last sentence expresses what I feel in my heart, and what I write is love. The first three sentences are all set off and foreshadowed for the direct lyricism of the last sentence. At the beginning, the visual image leads the nostalgia, and then the auditory image leads the undercurrent of homesickness to the torrent of feelings.

The first three sentences have already gained momentum, and the last sentence is generally written in direct expression.

Li Yi has a unique way, letting the full pregnancy make a whirlwind at the end, and using the imaginary scene of recruiting people to look home, which makes people feel that the sentence is endless and endless, and there are still ripples at the abrupt end.

The artistic success of this poem lies in the integration of the scenery, sound, and feelings in the poem, and the poetry, painting and beauty are fused into one furnace to form a complete artistic whole, with a clear artistic conception, concise and ethereal, and with the characteristics of inexhaustible implications.

Both poems express feelings of homesickness. (1 point) Gao poems write about the melting of ice and snow, the sky sprinkles the clear light of the bright moon, the wind spreads the flute song, and the sound is full of Guanshan overnight, the artistic conception is clear and magnificent, and the feelings are sad but not sad (optimistic and cheerful); (1 point) Li Shi writes that the moon is like autumn frost, full of cold, the night wind sends the sound of whimpering reed flutes, the artistic conception is cold and desolate (miserable), and the feelings are sad and sad. (1 point).

They all write about the hardships of the life of the border soldiers and the feeling that they have no way to serve the country. However, it is expressed more implicitly in "Listening to the Flute in the City at Night"; "I don't know where to blow the reed pipe" in "Plugging and Listening to the Flute" directly expresses the author's emotions, while the sentence "Whose jade flute is flying in the dark" in "Listening to the Flute in the City at Night" reminds readers of "I don't know where to blow the reed pipe", so as to experience the author's loneliness and homesickness.

Hello, classmates. The answer to this question is: Gao Shi uses scenes such as "Snow Purity" and "Moonlight" to express the peace and tranquility of the soldiers returning and Huma going north; Write the sound of the flute, showing the pride of the Tang Dynasty and a little nostalgia.

Li Shi uses "like snow sand" and "like frost and moon" to express the sinister and scene of the border environment'desolation; Write the flute to express the confusion and sadness of nostalgia. Clever use of synaesthesia transforms the hearing of the flute of "Plum Blossom Falling" into the vision of plum blossoms falling, and the absence of plum blossoms on the border land arouses the association of hometown plums. Li Shi aptly compares "sand like snow" and "moon like frost" to write about the sinister and desolate environment of the border fortress.

Writing the moon is like autumn frost, full of cold, the night wind sends a whimpering reed flute, the artistic conception is cold and desolate (miserable), and the feelings are sad and sad.

The meaning and appreciation of listening to the flute in the city at night are as follows:

Translations. The sand is like snow in front of Huile Feng, and the moon outside the city is like frost.

The sand in front of Huile Feng is as white as snow, and the moonlight outside the city is like late autumn frost.

I don't know where to blow the reed pipe, and I recruit people to look at the hometown overnight.

I don't know where to blow the desolate reed pipe, and the soldiers who have been on the march miss their hometown all night.

Original. At night, the city was surrendered and heard the flute.

The sand is like snow in front of Huile Peak, and the moon is like frost in the city under the surrender city.

I don't know where to blow the reed pipe, and I recruit people to look at the hometown overnight.

Note: Surrendered City: In the twentieth year of Zhenguan, Tang Taizong personally came to Lingzhou to accept the surrender of the Turkic First Division, and the name of "surrendered city" came from this.

However, there are different accounts of the location of the surrendered city of this poem. Huile: The name of the county, the site is in the southwest of Lingwu County, Ningxia Hui Autonomous Region.

Huile Peak: A mountain peak near Huile County.

Brief Analysis]: This poem is a famous article that has always been recited. The frost moon, reed flute, and homesickness constitute a homesick picture, and the artistic conception is touching.

Author's biography]: Li Yi (748 829 AD), the name Junyu, was a native of Guzang, Liangzhou (now Wuwei, Gansu). In the second year of Guangde (764), he moved to Luoyang with his family. In the fourth year of the Great Calendar (769), he was awarded the rank of lieutenant of Zheng County, Huazhou (now Huaxian County, Shaanxi).

He served as a staff member in the military border many times, roamed Jianghuai after leaving the military government, and entered Chang'an successively served as a scholar in the middle school, a bachelor in the Jixian Palace, and a regular attendant in the right scattered cavalry, and finally the title of secretary of the Ministry of Rites. An important poet of the middle and late Tang Dynasty, he is especially famous for his seven-character quatrains and Biansai poems. There is "Li Junyu's Poetry Collection".

There is a biography in volume 4 of the Biography of Tang Caizi.