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Anonymous users2024-02-12The smooth side of the paper is used for painting and belongs to the front side. There are horizontal lines on the reverse side, and gouache can be painted, and sketching will affect the line effect.
The Relationship between the Portrait and God:
The best is to have both form and spirit, the form is wrong, the god is very good, and it will also produce a feeling of deformation. So the shape pair is the foundation. The key to pursuing demeanor is to grasp the things that can most impress you and best express the personality characteristics of the object.
Especially the facial features. Attention should be paid to refining the characteristics of the profile object. Finally, this question is also related to the artistic accomplishment of a painter.
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Anonymous users2024-02-11The depiction of the facial features is the key, but don't spend too much or it will be stiff, the key is that you find the spatial relationship between them, grasp the texture of the performance, the eyes are expressive, and you should observe more diligent practice.
The smooth side is the positive side, and the rough side is the negative side. If you sketch, you generally choose the front side to draw, because the front side of the gap is smaller, and it is easier to grasp the lead on the front, and the gap on the back side is larger, which is suitable for painting gouache, because gouache needs to have a certain degree of permeability. If you are a candidate, I still hope that you can use the positive sketch according to the routine, after all, all major colleges and universities have requirements on how to use paper during the exam, and it may be treated as a cheat if you use the paper.
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Anonymous users2024-02-10Personally, I think that sketch paper is easy to use on the rough side, and it is easy to get tired of drawing when drawing with the smooth side, in fact, that side can be painted, depending on personal habits, you can use a relaxed line to draw, don't care too much about the edge, but the five eyes must not be blurred, to be wonderfully depicted.
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Anonymous users2024-02-09If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP).
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Anonymous users2024-02-08The joy of being blackened! And you like.
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Anonymous users2024-02-07The most important thing in vividness is two points, one is the shape (when taking the shape, you must try your best to observe the character, grasp the unique expression or physiognomy characteristics of the character, and exaggerate appropriately, but not excessively, it should be that in the process of going deeper, this feeling will weaken with the exhaustion of the model, so you should be confident when taking shape, and always remember your feelings about the object), one is to maintain the feeling (often push away to see the overall effect, don't only pay attention to the details of the local portrayal).
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Anonymous users2024-02-06First, you need to sketch the outline. Second, it is necessary to find the characteristics of good characters and grasp the different characteristics of each person. Third, we must grasp the relationship between light and darkness in general. It would be nice to grasp these three points.
Drawing a person, the main thing is to grasp his facial features Everyone's appearance has his characteristics For example, the width of the face clip, the height of the cheekbones The characteristics of the nose: the size of the nose tip, whether there is meat or not, the height of the nose bridge, the distance between the nose bridge and the eyes, height, width The length and thickness of the eyebrows, where is the position of the eyebrow arch The distance between the mouth and the bottom of the nose, the characteristics of the corners of the mouth, the thickness of the lips The ears are about to be empty Because it is behind the facial features But you still can't let it go Its shape and its relationship with hair and face clips The most important thing is the eyes. The eyes are the window of the soul, which is the most reflective of a person's characteristics, including eyelashes, etc., and finally the hair, to sort out the layers of the hair, the natural feeling of the hair floating up and the shadow reflected on the forehead, all have to be caught!! In the end, I still want to tell you that you are an art person, not a painter, you don't need to pursue the image of anything, you have to paint your thoughts, your style characteristics, that is your art, the expression of your soul, the re-image of painting can only show that your eyes contrast well, can not reflect and prove that you are an artist with soul and thought!
If you look at the general effect, charcoal is better visually, but if you say that small details pencil is easier to depict details, you must remember that pencil and charcoal should never be used in the same work. If you draw a human head or plaster like a human body, it is better to use a pencil, because the structure is more complex, the facial structure of the person is more subtle and vivid, the pencil is easier to grasp the details, distinguish between light and dark, once the charcoal is down, it is difficult to correct, but if you paint a combination of still life or landscapes, it is better to use charcoal, charcoal is drawn with a strong sense of texture, the texture is very good, of course, if your foundation is very good, what pen to draw the work will be very charming.
1 What are the skills of a person who paints ** smooth and white? If you rub it too much, it won't get tired? If the face is drawn very white, if you don't add any lines, you can't get out of the volume relationship? >>>More
First of all, the problem of perspective, the accuracy of the outer contour and the inner contour (when starting the draft, draw the outer and inner contour with a straight line, rather square than round), the transition of black, white and gray, reflective projection, the mutual response of the environment near the object (the original color of the object is darker, and the nearby environment should pay attention to the light painting, so as to set off the subject), and the picture should be rather dirty than clean.
1. The relationship between black, white and gray.
First of all, let's introduce the relationship between black, white and gray: that is, the 3 color blocks in the picture, the 3 color blocks of black, white and gray, the color difference is very large, but it is difficult to position, because any color block is relative in the picture, such as: the teacher often mentions a sentence on his mouth, "The picture is too gray!" >>>More