Information on Weng Juan, Fan Chengda and Zhang Zhihe

1. Weng roll.

Weng Juan's poems mostly adopt the technique of white description, the poetic style seems to be relatively plain, and there is a light charm in the simplicity, "the noble essence does not seek more, and the pride is not in love" is his creative principle.

Weng Juan is not only good at writing landscape poems, because he lives in the lower strata of society and is familiar with folk customs, so he also creates some poems that reflect and pay attention to reality, sympathize with people's livelihood and suffering, and expose unreasonable social phenomena. To a large extent, Weng Juan writes poetry as a tool for cultivating his temperament, and many of his works are mainly to express personal feelings.

2, Fan Chengda.

Fan Chengda was once deeply influenced by the Jiangxi School, and in some of the existing early works, we can see a lot of language stagnation, piling up allusions, and some discussions that seem to be Zen and non-Zen, and Confucianism and non-Confucianism. However, while learning the style of Jiangxi poetry, Fan Chengda extensively absorbed the style and techniques of poetry in the middle and late Tang Dynasty, and inherited the realist spirit of Bai Juyi, Wang Jian, Zhang Ji and other poets Xin Yuefu.

For example, four songs such as "Musical Divine Comedy" clearly said "follow Wang Jian", and he broke through the shroud of Jiangxi poetry style on the basis of learning from others' strengths. In particular, many near-body poems are euphemistic and beautiful, with a lofty atmosphere, and have their own characteristics. His poetry style is light, but it is easy to use rare classics and Buddhist scriptures.

3, Zhang Zhihe.

Zhang Zhihe is one of the earliest lyricists in the Tang Dynasty to fill in the lyrics and have a greater influence, his "Fisherman's Words" originated from the fisherman's song in Wu Diwu Song, his five "Fisherman" words, especially the first one, the tone and artistic conception are completely consistent, and then lined with beautiful natural landscapes, the realm is high and rhyme, very artistic charm, so it is widely recited.

In the late Tang Dynasty, Shi Decheng's 39 poems "The Fisherman's Son" have 36 sentences and rhythms based on Zhang Zhi and "The Fisherman". Lu Dongbin, one of the Eight Immortals, also has 18 poems of "The Fisherman", which not only depends on Zhang Zhi and "The Fisherman", but also directly applies them to Taoist terminology.

The content of the subsequent "Fisherman" by He Ning, Ouyang Jiong, Li Xun, and Li Yu is similar. All of them are influenced by Zhang Zhihe and the words of "The Fisherman". It can be seen that it has had a great influence on later generations of poets.

Weng Juan was a poet of the Southern Song Dynasty. The word continues to be ancient, and the word is comfortable. A native of Yongjia (now Wenzhou, Zhejiang).

The year of birth and death is unknown. Cloth clothes for life. In"Yongjia Four Spirits"Middle-aged is the highest.

Liu Kezhuang criticized"Four Spirits"said:"The Yongjia poet tried his best to see Jia Island and Yao He's domain"("Preface to the Collection of Melon Garden"), but he has another evaluation of Weng Juan, he said in "Gift Weng Juan":"Not only good at Tang style, especially in the selection of physical workers.

Sometimes a thousand things, only in a couplet. "There are only a few ancient style poems in the collection of Weng scrolls, such as "Siyuan Ke", "Sending Liu Jidao", "Collecting Medicine in the Mountains", "Rewarding Friends", etc., and the five-character poems of the Han and Wei dynasties in Ku Xiao's "Selected Works", but they lack personal characteristics. It's more about near-body poetry.

There are a few songs in the Seven Absolute Songs that are quite beautiful, such as "Wild Hope":"One day the autumn color is cold and sunny Bay, and countless peaks and mountains are far and near. I went up the mountain to see the wildfire, and suddenly I saw the green mountains under the water.

The song "April in the Country" is better known:"The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-regulations. There are few idlers in the countryside in April, so the sericulture is planted again.

It has a fresh and distant interest. He is the author of 1 volume of "Xiyan Collection" and a copy of "Southern Song Dynasty Qunxian Collection"; "Wei Bixuan Collection", there is a copy of "Yongjia Poet Ancestral Hall Carving". Fan Chengda (1126-1193) was known as a monk of Shihu.

A native of Pingjiang Wu County (the county is in present-day Wu County, Jiangsu). Poet of the Southern Song Dynasty. His parents died young, and his family was poor.

In the twenty-fourth year of Shaoxing (1154), Song Gaozong was a jinshi, and he was first awarded Hu Cao, and he was also appointed as the supervisor and the prefect of the pharmacy bureau and the prefecture.

Weng Juan (a famous writer in the Southern Song Dynasty), the word continues to be ancient, the word Lingshu, Song Liuchuan (now Liucheng District) people, moved to Yongjia County after middle age. He has been good at poetry all his life, and he has written many new portrayals. Together with Xu Zhao, Xu Ji and Zhao Shixiu, he formed the "Yongjia Four Spirits" school in the history of China's poetry development.

Weng Juan's poems mostly adopt the technique of white description, the poetic style seems to be relatively easy, and there is a light charm in the simplicity, "the noble essence does not seek more, and the pride is not in love" is his creative criterion and goal. "Silkworm Woman on the Side of Dongyang Road", "April in the Village", "Gift to Zhang Yi", etc., are all famous works that have been recited to this day. Ye Shi commented on his poems as "self-exhaling temperament, and relying on the side".

Fan Chengda (1126-1193) was known as a monk of Shihu. Han nationality, Pingjiang Wu County (the county is in present-day Wu County, Jiangsu) people. Poet of the Southern Song Dynasty.

Zhen Wenmu. Starting from the Jiangxi School, he later studied the poetry of the Middle and Late Tang Dynasty, inherited the realist spirit of Bai Juyi, Wang Jian, Zhang Ji and other poets Xin Yuefu, and finally became a family of its own. The style is simple and simple, fresh and charming.

The poems cover a wide range of subjects, and the works that reflect the content of rural social life are the most accomplished. Together with Yang Wanli, Lu You, and You Yuan, he is known as the "Four Great Poets of Zhongxing" in the Southern Song Dynasty. In his later years, he composed 60 poems of "Four Seasons Pastoral Miscellaneous", which depicts rural scenes, customs and peasant life, with a fresh and bright style, beautiful and smooth, full of charm, and the characteristics of folk songs, which is the culmination of ancient pastoral poems.

Such poems had a great influence at the end of the Southern Song Dynasty. His literary endowment was also well-known at the time. The lyrics are long and profound, the early works are similar to Qin Guan, and the later works are close to Su Shi.

Yang Wanli's "Preface to the Poetry Collection of Shihu Monks" said: "(Fan Chengda's poems) are large and flowing, and the short chapters are constricted; Tighten but not brew, shrink but not succumb. Fresh and charming, dying with Bao Xie; Ben Yi Junwei, chasing Taibai.

Seeking the words of Chen Chen, singing the whin, can not be born. Fan Chengda (1126-1193) was known as a monk of Shihu. Han nationality, Pingjiang Wu County (the county is in present-day Wu County, Jiangsu) people.

Poet of the Southern Song Dynasty. Zhen Wenmu. Starting from the Jiangxi School, he later studied the poetry of the Middle and Late Tang Dynasty, inherited the realist spirit of Bai Juyi, Wang Jian, Zhang Ji and other poets Xin Yuefu, and finally became a family of its own.

The style is simple and simple, fresh and charming. The poems cover a wide range of subjects, and the works that reflect the content of rural social life are the most accomplished. Together with Yang Wanli, Lu You, and You Yuan, he is known as the "Four Great Poets of Zhongxing" in the Southern Song Dynasty.

In his later years, he composed 60 poems of "Four Seasons Pastoral Miscellaneous", which depicts rural scenes, customs and peasant life, with a fresh and bright style, beautiful and smooth, full of charm, and the characteristics of folk songs, which is the culmination of ancient pastoral poems. Such poems had a great influence at the end of the Southern Song Dynasty. His literary endowment was also well-known at the time.

The lyrics are long and profound, the early works are similar to Qin Guan, and the later works are close to Su Shi. Yang Wanli's "Preface to the Poetry Collection of Shihu Monks" said: "(Fan Chengda's poems) are large and flowing, and the short chapters are constricted; Tighten but not brew, shrink but not succumb.

Weng Juan, Xu Zhao, Xu Ji, and Zhao Shixiu formed the "Yongjia Four Spirits" school in the history of China's poetry development. Weng Juan's poems mostly adopt the technique of white description, the poetic style seems to be relatively easy, and there is a light charm in the simplicity, "the noble essence does not seek more, and the pride is not in love" is his creative criterion and goal.

Fan Chengda's style is fresh and bright, beautiful and smooth, full of charm, with the characteristics of folk songs, and is the master of ancient pastoral poetry. Such poems had a great influence at the end of the Southern Song Dynasty. His literary endowment was also well-known at the time.

Zhang Zhihe is vivid and vivid

It's all about writing things first, and then writing about people.

The era in which Weng Juan lived was when the popular Jiangxi poetry school was gradually coming to an end. The Jiangxi poetry school's style of "taking books as poems", piecing together old classics, and being blunt and awkward is exactly what Wenzhou Weng Juan and other four poets were deeply dissatisfied with. Weng Juan and they started from the poets of the late Tang Dynasty, deliberately sought innovation, took the road of "bitter chanting" of Jia Island and Yao He, and worked hard to "surprisingly narrow because of narrowness".

This is about Weng Juan et al. and later "Mountain Rain".

After the Tang Dynasty, the common idea of poets who felt that their talents were weak and wanted to make achievements was also a reason why the poetry of the "Four Spirits" such as Weng Juan was valued in the poetry world at that time. Weng Juan's poems mostly adopt the technique of white description, the poetic style seems to be relatively easy, and there is a light charm in the simplicity, "the noble essence does not seek more, and the pride is not in love" is his creative criterion and goal. Weng Juan lived in the lower strata of society and was familiar with folk customs, so some of the poems he wrote that reflected and paid attention to reality, sympathized with the people's livelihood and suffering, and exposed unreasonable social phenomena, which were naturally very real.

His poem "Silkworm Woman on the Side of Dongyang Road", although it is only seven words, writes about the hard life of the silkworm woman and the economic pressure she endured: "The two sideburns are dusty, and the mulberry is covered with dew. The encounter is empty and hard, and the silk is drawn to pay back others".

Weng Juan's fame was only taken once, and he didn't take the test. His father was only a petty official, and it was difficult for him to make ends meet. Wang Shipeng lived about 50 years earlier than Weng Juan, and it can be said that he was the same generation as Weng Juan's grandfather.

Wang Shipeng was able to get the top prize, and his family and himself paid a considerable price. Weng Juan naturally does not have such a family background, nor does he have Wang Shipeng's century-old opportunity. Onmaki Memorial Hall.

Ye Shi wrote a preface to a collection of poems for Weng Juan, who focused on his life's energy without regrets, but in order to write the poem well. But even if the poem is best written, it cannot make a living or seek feudal fame from it. In order to write poems, Weng Juan wrote more than half of his hair white, not to mention food, clothing, housing and transportation.

From this point of view, Weng Juan's ability to support his family can only be relied on. He has worked in the Yue Shuai and Jianghuai border marshals, and it is said that he only lived to be more than 60 years old. Weng Juan didn't spend much time in Yueqing.

From his poems, you can vaguely find a little trace of his whereabouts. He has traveled all over the world for poetry and survival all his life, living in the suburbs of Wenzhou, Jiangxi, Fujian, Hunan and Jianghuai. Weng Juan also lived in Fuzhou, Jiangxi Province for a while.

In Zhao Ru's "Southern Song Dynasty Qunxian Collection", there is a poem "Weng Lingshu Ke Linchuan has never heard of the village residence after visiting it". The poet Weng Juan lived in seclusion in a deep mountain village, where he built three or four small huts, planted some sorghum and trees, and wrote poems in peace.

Weng Juan was a poet of the Southern Song Dynasty. The word continues to be ancient, and the word is comfortable.