Wang Wei s In the Mountains Explanation 25, Wang Wei s In the Mountains Explanation

Wang Wei's "In the Mountains" appreciation.

Original poem] Yamanaka".

Wang wei. Jingxi white stone out, the weather is cold and the red leaves are sparse.

There is no rain on the mountain road, and the empty green is wet.

Appreciation]: Wang Wei (701-761), the word Maha, a famous poet and painter in the Tang Dynasty. His achievements in poetry are manifold, especially his landscape idylls have high artistic attainments.

Su Shi of the Song Dynasty once quoted this poem and said: "The poem of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. (See "Dongpo Zhilin Shu Maha Lantian Smoke and Rain Map").

Jingxi] a "Chanshui", the source of Lantian County, Shaanxi, north flow to the northeast of Chang'an into the Bashui, the water is clear and shallow, so it is called "Baishi out".

Yuan] original. Wet] describes the mountains as verdant and dripping, and wet clothes like rain.

The poet borrows the aesthetic technique of "synaesthesia" and uses the dryness and wetness of the touch to perceive the emerald color of vision. Therefore, Su Shi commented, "The poems of the taste of Maha, there are paintings in the poems; Feeling the painting of Maha, there is poetry in the painting. ”

This poem depicts the scenery in the mountains in early winter, based on what the poet saw and felt when he traveled in the mountains. "Jingxi" (later called Shui) originates in the Qinling Mountains and flows to the northeast of Chang'an to join Bashui. The poet's villa is also in the Qinling Mountains, and this poem should be written about a scene around his villa.

The first sentence writes about the stream in the mountain: Jing Creek meanders through it, the stream water is clear and shallow, and the stones that have been washed white by the stream are dotted out of the water. The second sentence writes about the autumn leaves in the mountains:

The weather is already cold, but the mountains and forests are still dotted with sparse autumn leaves. The weather is cold and the autumn leaves are still falling, indicating that the weather is early winter. In the above two lines, the poet summarizes and vividly shows the reader the salient characteristics of the scenery in the mountains in early winter with the words "white stone out" and "sparse autumn leaves".

But then the psalmist is in the first.

The third and fourth lines of the poem tell people that the above scene is not the whole picture of the mountain scenery at this time, but the basic appearance of the mountain scenery at this time is the "empty cui" full of vitality composed of many trees such as pine and cypress all the year round, that is, the endless emerald green of the sky. The poet walked on the mountain path, surrounded by the emerald greenery of the sky, the air in the mountains and forests was already moist, and the emerald color of the sky seemed to have turned into green water and sprinkled down, although it had never rained, but he could not help but feel that his clothes were wet. Here, the poet skillfully shows the intensity of the "empty green" color in the mountains through a phantom and real word "wet".

In this poem, the poet chooses a stream scattered by white stones, sparsely dotted red leaves and endless emerald green in the mountains and forests, and connects them with a mountain path and a pedestrian to form a colorful landscape in the mountains in early winter. This beautiful landscape painting has the charm of winter, but there is no winter slaughter, but it is still full of vitality.

Wang Wei Jingxi white stone out, cold and red leaves. There is no rain on the mountain road, and the empty green is wet.

This little poem depicts a view of the mountains in early winter.

The first sentence writes about the mountain stream. Jingxi, whose real name is Changshui, also known as Chanshui, originates in the Qinling Mountains in the southwest of Lantian County, Shaanxi, and flows north to the northeast of Chang'an into Bashui. This is probably a section of the upper reaches of the mountain.

Mountain roads are often flanked by streams, and it's easy to notice the meandering, seemingly human-friendly stream of the trail first. The weather is cold and the water is shallow, and the mountain stream becomes a trickle, revealing phosphorus and phosphorus white stones, which is particularly shallow and lovely. By capturing the main features of the mountain stream in the cold winter, the reader can not only imagine its clear and clear color, the shape of its meandering path, but even the sound of its murmuring.

The second sentence writes about the autumn leaves in the mountains:The splendid frost-leaved mangroves are the characteristic of Akiyama. In winter, the autumn leaves become scarce; It was a small view.

But for a poet and painter like Wang Wei, who has a special sensitivity to the colors of nature, the red leaves dotted here and there are sometimes more conspicuous against a background of verdant mountains (as can be seen from the next two sentences). They may evoke the poet's reverie for the brilliant autumn colors that have just passed. Therefore, the "sparse red leaves" here do not give people a sense of gloom and withering, but cause the cherishing and lingering of beautiful things.

If the first two sentences depict one or two parts of the mountain scene, then the last two sentences show the whole picture. Despite the cold weather in winter, the entire Qinling Mountains are still green pines and cypresses, lush and verdant, and the mountain road runs through the boundless greenery. The verdant mountain itself is empty and bright, and it cannot be touched like tangible objects, so it is said to be "empty green".

"Empty Cui" naturally will not be "wet clothes", but it is so thick, so thick that it can almost overflow the emerald water, so thick that almost the entire air is filled with emerald molecules, people walk in the empty emerald emerald in it, as if shrouded in a green mist, the whole body and mind are impregnated and moisturized by it, and slightly feel a drizzle of wet clothes like coolness, so although "the mountain road yuan no rain", but naturally feel "empty emerald wet clothes". This is a kind of illusion and reality produced by the complex effect of vision, touch and feeling, and a contradiction between the word "empty" and the word "wet" in the soul, which is also unified in this kind of spiritual **.

Zhang Xu's "Staying in the Mountains" said: "Even if it is sunny and rainless, it will be wet in the depths of the clouds. "Stained clothes" is a real description, showing another beautiful realm of the deep mountains sealed by clouds and fog; The "wet clothes" of Wang Wei's poem "In the Mountains" are illusions and illusions, expressing the poetic feeling of the dense green mountains.

also wrote about the scenery in the mountains, and also wrote about the clothes, but the same work is different, each with its own subtlety. True art is something that will never be repeated.

This winter scene in the mountains, composed of white stone and phosphorus streams, bright red leaves and boundless greenery, is full of vivid colors and picturesqueness, without any bleak and lonely mood. Compared with some of the author's poems that focus on the quiet realm and inevitably have a cold and nihilistic color, the feelings and aesthetic tastes expressed in this one seem to be healthier.

Liu Xuekai).