Hello, how do you braided the true calligraphy?

The most important thing is to understand the style of the calligrapher's work and see if the style matches. This should be judged according to the style of the calligrapher in different periods, seals, etc. In addition, it is judged by the use of paper, ink, and other people's inscriptions.

1. The artistic style of calligraphers and painters. The brushwork habits formed by a calligrapher and painter over the years, no matter how the subject matter of his works changes, can always see the trajectory and style characteristics of his brushwork. Therefore, it is necessary to be familiar with the art of the main masters of painting and calligraphy.

In addition to the uniqueness of the technique, the origin of the teacher, the realm of the work, the creative brushwork, the use of ink and color, etc., so that although some counterfeit products are extremely similar, the flaws can be seen on closer inspection. Therefore, it is necessary to understand and master the artistic style and characteristics of the masters of calligraphy and painting.

It is helpful to distinguish the authenticity from the fake.

2. The style of calligraphy and painting. As a cultural art, calligraphy and painting not only have its own accumulation and inheritance, but also have its own development history, which is the result of historical and cultural evolution, and at the same time, it is also affected and restricted by the political, economic, cultural, material conditions and living customs of the society at that time. Paintings of different eras have different stylistic characteristics, and if a painting does not correspond to the characteristics of the era, it is likely to be a fake.

3. Inscription and seal of calligraphy and painting. Counterfeiters of calligraphy and painting often use unpaid calligraphy and painting or broken calligraphy and painting to manipulate the payment and seal, some forge signatures, and some forge seals. The identification of the authenticity of the signature is from the penmanship and.

calligraphy skills; The second is to identify the names and signatures of calligraphers and painters. The identification of seals can also be seen from two aspects: one is to look at seals. The shape, engraving, seal inscription and material texture of seals in different eras are varied.

Same. The second is to look at the ink. In addition, it is also necessary to pay attention to whether the date of payment is consistent with the author's date of birth, and whether there is any discrepancy with the facts.

4. Draw paper and silk. The paper and silk used for calligraphy and painting vary from dynasty to dynasty. The silk woven by the Song and Yuan dynasties is different in fineness and chromaticity; The papermaking materials of some dynasties are also different, such as the dynasty of calligraphy and painting is inconsistent with the dynasty of silk and paper, and it can also be concluded that it is a fake.

5. The content of the picture performance. In different historical periods, people's aesthetic standards are different, such as in the figure painting method, the Tang Dynasty ladies are more plump, while the Ming and Qing ladies are more weak willow support, elegant and delicate. In addition to its clothing, hair.

If a painting is in the Yuan Dynasty, and the costumes of the characters are only in the Ming Dynasty, then the painting must be a fake. Therefore, be familiar with the knowledge of clothing, utensils and other things of various eras, and identify them.

Ancient calligraphy and painting are also very beneficial.

There are many ways to copy, one is the highest level: the master practiced for half a year in writing, with old paper, old ink, seals and frames are high-level old goods, this kind of is not a real expert can never identify, many experts are distracted, Shanghai has organized two auctions were fakes after the fact, those experts are still ashamed of the infinite scenery.

The second is that the master writes pretendically, using old paper, old ink and old inkstone, the seal and mounting are unsatisfactory, and the level of copying can still be distinguished.

The third is that all of them are counterfeited with new goods, and they are processed old after the end, and even smoked, blown by the wind and grinded, but the level of copying and seals is really not flattering.

Fourth, watermark and light and shadow printing, the market often has shrimp in the move.

The worst kind of direct copying, there are still so-called masters who are shot.

Look at the poor level, this is the king.