A common expression technique for landscape idyll

1. The main thoughts and feelings of pastoral landscape poetry:

1. Love nature and love landscapes;

2. Indifferent and quiet, noble feelings that do not go with the world;

3. Disgust with filthy officialdom and yearning for a secluded life;

4. A quiet and leisurely life after returning to nature;

Second, the image of pastoral landscape poetry:

The image of the poet: the image of a hermit who is fond of the landscape and returns to the countryside.

3. The artistic conception of pastoral landscape poetry:

To appreciate the artistic conception of the poem, we must be able to grasp what kind of scenery is described in the poem, what kind of life pictures, and the situational atmosphere expressed by the combination of pictures. (Elegant and quiet, tranquil, fresh and elegant, bright and gorgeous, majestic and magnificent, open-minded, indifferent and leisurely).

Fourth, the common expression techniques of pastoral landscape poetry:

In order to avoid monotony, poetry should combine various techniques to describe the scenery from multiple angles and in all directions.

1) Combination of dynamic and static.

In writing about scenery, writing dynamic or static in isolation often does not make a deep impression. If you can combine dynamic depiction with static depiction, write movement with stillness, and set off stillness with movement, you will create a lifelike artistic image.

There is such an example in Wang Wei's famous article "Autumn Twilight in the Mountain House": "The bright moon shines among the pines, and the clear spring stone is upstream." In the previous sentence, the spotless pine trees on the mountain, the bright moonlight, and the moonlight passing through the gaps in the leaves leaving a shadow in the forest, all give people a feeling of clarity and tranquility—this is a static description to highlight the tranquility of the mountain.

In the second sentence, the mountain spring has increased due to the abundant water after the rain, and the flow potential has increased, flowing from the stone, and there is a murmuring sound - this is a dynamic description, which contrasts the tranquility of the mountain with movement.

2) Combination of points and surfaces.

Everything is interconnected and does not exist in isolation, and the same is true of the scenery that is depicted, which is always inextricably linked to the surrounding scenery. Therefore, when we write scenes, we cannot write about the subject in isolation, but also write about the connections around the subject, combining points and surfaces, baking clouds and supporting the moon, so that the main image is fuller and more distinctive.

Liu Zongyuan used the combination of points and surfaces in "Jiang Xue" ("Thousands of Mountains and Birds Fly Away, Thousands of Paths and People Disappear" and "Lonely Boat and Lonely Boat, Fishing for Cold River and Snow Alone"). "Lyric Lady" appears relatively small on the picture, but it is in a very conspicuous position, which is the center of the poem, and "Lonely Boat Lady" belongs to the depiction of points; The first two sentences of "Thousands of Mountains and Birds Fly Away, Thousands of Paths and People Disappear" belong to the laying out of the surface, and the poems from "Birds Fly Away" and "People Disappear" write the bitter cold and loneliness of the characters' situation, and crown them with the quantifiers "thousands" and "thousands" in front of "mountains" and "paths", which plays a good role in foreshadowing the perseverance and outstanding character of the characters.

Summary. Landscape idylls use the four forms of indirect lyricism Hello, dear, I am happy to answer for youAnswer: Under normal circumstances, it is the music scene to write the music, and the sad scene to express the sadness, but there are also ways to write the music with the music scene against the sadness or the sad scene to write the music.

Indirect lyricism is mostly lyrical borrowing scenery (scene blending, allegorical in the scene): the poet puts the feelings he wants to express in the scenery and expresses them by describing the scenery, which is called borrowing the scenery lyricism. Under normal circumstances, it is the music scene that writes the music, and the sad scene expresses the sadness, but there are also ways to write the music with the music scene against the sadness or the sad scene.

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Okay. Landscape idylls use the four forms of indirect lyricism Hello, dear, I am happy to answer for youAnswer: Under normal circumstances, it is the music scene to write the music, and the sad scene to express the sadness, but there are also ways to write the music with the music scene against the sadness or the sad scene to write the music.

Indirect lyricism is mostly lyrical borrowing scenery (scene blending, allegorical in the scene): the poet puts the feelings he wants to express, sends the birds to live in the scenery, and expresses them by describing the scenery, this lyrical way is called borrowing the scenery lyricism. Under normal circumstances, it is done in a happy scene, and the sad scene is to express the sadness, but there is also a way to write the music with the music scene to resist the sadness or the sad scene to write the music.

I don't understand. The music scene writes the music, and the sad scene expresses the sadness, but there are also the music scenes against the sad feelings or the sad scenes to write the music.

It is a joyful scene that expresses mourning, and a sad scene expresses happiness.

1. The general characteristics of the landscape idylls of Wang Wei, a poet in the Tang Dynasty, are that "there are paintings in the poems, and there are poems in the paintings".

2. He can not only describe the majestic scenery in a general way, but also depict the dynamics of natural things in detail, and skillfully capture various images suitable for expressing his interest in life, constituting a unique artistic conception. This kind of poetry is majestic, the artistic conception is broad, the brushwork is white, the thick lines are outlined, and the angles are full of changes. For example, in "Zhongnan Mountain", the poem starts from the main dry peak, covers the whole mountain, and writes the majestic momentum of Zhongnan Mountain, just like the contrast between the human body and the mountain in landscape painting.

3. Secondly, he integrates the beauty of nature with the beauty of the state of mind, and creates a pure poetry like a mirror. "Overlooking the Han River" first writes about the situation in Chu, writes about the vast landscape of the river, and finally writes about the affection of lingering. The thick line outlines, the realm is magnificent, all of them are written in white, and they don't even write whether the mountains are blue or purple, thick or light, only say that if there is nothing, like an ink landscape painting.

The poet grasps the overall impression, and the image is taken with poetic thought rather than with the naked eye, showing the artistic effect of scattered perspective of Chinese painting.

4. He is good at capturing the light and color of natural things in motion, and shows a sense of color and layering in his poems. Such as "the sunset rivers and lakes are white, and the tide is blue in the world" Jianzhou Cave; "The sound of the spring swallows the dangerous stone, and the sun is cold and green pine". He is also good at capturing the moving moments of sound, color, picture, and feeling, and unifying them in the artistic conception that can best convey the emotional rhyme, and expressing them in appropriate language.

For example, the landscape poem "Birdsong Stream" "People are idle, osmanthus flowers fall, and the night is quiet and the spring mountains are empty." The moon rises and frightens the birds, and the spring stream sings", the poet writes the movement with stillness, writes the static with the movement, and combines the movement and the static, bringing the reader to a more beautiful and profound artistic conception.

1. Most of the poets and works of the Landscape Pastoral School pay attention to the harmony of sound and rhythm and the neatness of the duality of words and sentences, and the language is beautiful and concise, with the characteristics of "painting in poetry". The poet uses the technique of white drawing, while depicting the landscape and scenery, he also integrates his thoughts and feelings into it, and the scenery is allegorical. The poetry is timeless and beautiful, giving people a fresh and natural, pleasant and nurturing enjoyment or understanding.

2. The authentic formation of the landscape idyllic poetry genre should be in the Jin and Song dynasties Tao Yuanming is the originator of pastoral poetry, and Xie Lingyun is the originator of landscape poetry. Before that, although there were many descriptions of the natural scenery of mountains and rivers in ancient poetry, they were only used as an auxiliary to the poem, not the main content of the poem. Therefore, according to the characteristics of landscape idyll, strictly speaking, it cannot be regarded as a landscape idyll in the true sense.