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1. Shellac varnish method. That is, dilute with natural shellac and alcohol in a ratio of 1:4 6, and after a day of complete melting, apply it to the root carving works with a row of brushes, generally brush 5 to 6 times, with an interval of 10 0 minutes between each time. Then cover with phenolic alkyd varnish.
2. Shellac nitro paint method. First, apply shellac liquid to finish drying as described above. Then after drying, apply nitro paint more than 10 times, also with an interval of 10 to 20 minutes.
In the process of processing this method, it is best to use fine sand for grinding, and the bright effect is very good.
3. Shellac polyurethane paint method. It is also used as a base for shellac liquid, and then painted once or twice with polyurethane paint to get the desired effect.
4. Matte lacquer method, the above three lacquer methods, the brightness of the root body is better, but it is not very suitable for some root carving works with high artistic requirements. Therefore, the matte paint method can be used, and the specific method is to paint the required root carving works with shellac solution several times, and then use nitro matte varnish or polyurethane matte varnish to paint several times until satisfied. This method can make the root carving works appear a plain and elegant, light, soft and natural scene, and the ornamental effect is good.
After the above four paint methods, in order to protect the paint film from damage, the polishing wax grinding method can be used.
1. Wet waxing: beeswax or insect white wax can be dissolved with gasoline or turpentine to make a solution. Use a paint brush or a pen to evenly apply the wax liquid on the surface of the root art work, and place it in the shade to dry after coating, about two hours or so, you can use a soft cloth to rub it, and then use a dry fine cloth to polish and polish it until the turpentine in the wax is all volatilized on the root.
After a day or two of shady drying, apply the wax liquid and rub it several times to increase the strength of the wax and the luster of the root artwork.
2. Dry baking wax: Put an appropriate amount of dried paraffin wax on the surface of the root art work, use a hair dryer to roast the wax powder, and use its heat to gradually infiltrate the wax liquid into the root wood. After baking, rub it with a cloth so that the wax can be evenly applied to the work.
Then add the wax, heat and bake and rub, repeating a few times to get the desired effect.
3. Hot-dip wax: You can put the paraffin wax into a container for heating and liquefaction, and then put the work into the container for wax cooking, take it out (the specific time depends on the size of the work and the texture of the root), wipe off the wax beads, and prevent the wax film from being too thick. When the wax is cooked, the wax temperature should be mastered, the wax temperature should be higher, and the cooking time should be longer, so that the wax liquid can penetrate into the wood.
After taking it out, use a soft cloth to wipe, sand, and polish it to get the desired effect.
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Root carving products should be colored first, then painted, and painted according to the needs of the work.
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Jujube wood root carving is generally often waxed and polished, not oiled.
The maintenance of jujube wood root carving art is a measure to make the root carving works circulate for a long time, and the following points must be noted:
1. Prevent the root carving works from being directly exposed to sunlight for a long time, too strong light will cause the color of the work to fade, the surface wax layer will melt, the paint film will age and fall off, and even the material will crack.
2. Prevent root carving works from being stored in a dark and humid environment, and the humidity is too high, which is easy to breed mold and pests, resulting in mildew, insect moth, and rot and hollowness. Root carving works are generally not suitable for washing, but also avoid soaking in water, pay attention to air circulation.
3. Prevent chemical substances and corrosive things from contacting the root carving works, so as to avoid chemical reactions, causing damage or shelling of the protective film on the surface of the root carving.
4. Prevent the root carving works from rubbing and colliding in the process of moving, or carving sharp objects and hard objects, so as not to leave traces, scars and other phenomena that damage the view.
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The first step is to remove the handles and other decorations.
Remove the handles and other decorations on the furniture to prevent the next step from scratching your hands, and it is also conducive to the uniform painting.
The second step is sanding.
1. Use coarse sandpaper to polish all the places that need to be painted, pay attention to the corners not to polish too much, and maintain the original shape of the furniture.
2. Dip a cloth in water, make it semi-wet, and wipe the powder on the freshly polished furniture.
3. Take the fine sandpaper and re-polish it, paying attention to the corners.
4. Clean up the powder with a water-soaked cloth.
This part is very important so that the furniture is painted stronger.
Step 3: Paint.
1. Take the paint and brush, and open the paint cover.
2. Dip the brush in the paint bucket, don't get too much paint at a time.
3. The rules of painting are from top to bottom, from left to right.
4. Pay attention to the corners and hidden places should also be painted.
Step 4: Allow to dry.
Leave the painted furniture for four to five hours until the paint is dry.
Step 5, polish again.
Once the paint is dry, use fine sandpaper to sand the furniture from start to finish.
This time the purpose of grinding is to smooth out the uneven parts of the paint, which is conducive to continuing to paint later.
Step 6, Paint the second time.
Follow the third step above for a second coat of paint.
Note that if the paint is too thick, you can add an appropriate amount of rubber water, dilute the paint and then brush.
Then continue to dry and sand.
Step 7: Paint the third time.
Follow the steps above to paint again, so that the furniture is finished.
The eighth step is to install the handles and other decorations.
Attach the decorations that were removed from the first step, such as the handle.
In this way, the whole furniture is painted.
At this time, you will notice that the paint on the furniture is uniform and beautiful, and the whole room is beautiful.
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The varnish can be applied again after a period of time, about a month, when the stake is basically set, do not spray if you don't like it.
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After peeling and grinding the scar, soak it in water for an hour, cool it (usually two to three days), cut the required size, polish it, apply it with wind wax, expose it to the sun for a day, and then apply it with wind wax.
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It should be different according to the material, and you can do whatever the roots look like, and you can make piers if they don't look like anything.
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1. Peel and clean the stain. There are two ways to peel the skin: the fresh peeling method and the soaking method.
The fresh peeling method is to wash the roots with water and leave them in the open air for 2-3 days to allow the moisture of the roots to evaporate, and then pry up the bark from the fracture with a knife. The soaking method is suitable for dry roots that have been left for a long time by submerging the roots in water for several days until they can be peeled off. Be careful not to damage the root material and damage the texture.
Second, the concept of modeling. Don't be in a hurry to carve first, you should carefully ponder and observe its shape based on life experience.
3. Engraving and molding. After the conception is completed, it can be processed by hand, cutting off the excess roots, and the section is processed into a natural cave with fire, and the convex surface is processed into a nodule to achieve the effect of natural beauty. It is necessary to use abstract, exaggerated, and hazy images to reflect the natural image of the roots of the tree.
When some root materials are incomplete, you can choose to use the root material of the same texture for splicing, and the technique should be delicate and do not leave traces.
Fourth, grinding. Use a coarse abrasive cloth to polish the root material to smooth out the wound marks, and then polish it with a fine abrasive cloth to make the surface bright and visible. When sanding with an abrasive cloth, the force should be uniform to avoid destroying its original color and texture.
5. Coloring. The raw material for coloring is varnish, which can be painted 3 times on the root material repeatedly, and the practical root carving handicrafts such as flower pot racks, TV stands, etc., can be adjusted and lacquered, so that it is antique. The final step is naming. A good root carving work with a good name can add a lot of value to it.
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Boiling water, insect and moisture-proof, the root materials I bought in Muyoutang myself are well maintained in advance.
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The bark of jujube wood is white, and the core material below white is red.
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What if you want to get rid of the smell from this vase? You can wipe it down with something like vinegar or baking soda.
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What's the relationship with this, it's just an ornament, and I feel that it's still relatively quaint!
No problem at all.