What laws of formal beauty do the paintings of the Last Supper prominence?

The Last Supper is one of Leonardo da Vinci's most famous paintings, which is based on the New Testament, and the main painting shows Jesus having the last supper with the twelve disciples. The frightened, angry, suspicious, and confessional expressions of the characters, as well as their gestures, eyes, and behaviors, are all depicted in detail and vividly, and it is the most famous of all the works created on this subject.

Leonardo da Vinci's "The Last Supper" not only marked the peak of da Vinci's artistic achievements, but also marked the maturity and greatness of Renaissance artistic creation. This work achieves the correctness of the sketch expression and the accuracy of the observation of things, so that people can really feel the corner of facing the real world, and has also made great achievements in the composition processing, the combination of human figures constitutes a beautiful pattern, and the picture has a relaxed and natural balance and harmony. More importantly, he creatively returned the creation of the sacrament theme to the cultural meaning of historical origins, thus endowing the works with creative vitality and historical significance.

The Last Supper.

Unity reflects the characteristics of objective things themselves, that is, the law of unity of opposites.

Only when it is "diverse" and "unified" can the picture appear vivid and colorful, orderly and harmonious, giving people the pleasure of formal beauty, and making the content of the work conveyed by it deeply moving.

Summary. The Last Supper Composition Technique The Last Supper In order to present the image of each disciple, Leonardo da Vinci arranged this dramatic scene in a large dining hall, so that Jesus and his disciples gathered at the long table could face the audience, and vividly depicted the surprised and complex expressions of each disciple in an instant. The composition of the picture is centered on Jesus to both sides, like an equilateral triangle, and then the undulating human movements form four small triangles in groups of three, making the picture appear coordinated, balanced and dynamic, and at the same time establishing the highly idealized composition principles and expressions of the Renaissance period.

From a mathematical point of view, Leonardo da Vinci's painting The Last Supper uses a compositional method: What is the composition?

The Last Supper Composition Technique The Last Supper In order to present the image of each disciple, Leonardo da Vinci arranged this dramatic scene in a large dining hall, so that Jesus and his disciples gathered at the long table could face the audience, and vividly depicted the surprised and complex expressions of each disciple in an instant. The composition of the picture is centered on the posture of Jesus to both sides, like an equilateral triangle, and then the undulating figure movements form four small triangles in groups of three, making the picture appear harmonious and balanced, rich and dynamic, and establish the highly idealized composition principles and expression techniques of the Renaissance at the height of the Renaissance.

Leonardo da Vinci also used the correct perspective method to successfully present the three-dimensional spatial composition of "The Last Supper". Perspective, also known as "projection method", is to depict three-dimensional objects or scenes on the two-dimensional surface, because the two-dimensional plane should show the three-dimensional sense of the three-dimensional scenery and the spatial distance between each other, it is necessary to solve the perspective transfer of different media to achieve a realistic visual effect.

The "intersection perspective" used in "The Last Supper" Gao Kai uses the hypothetical extension lines of the ceiling, wall corners, floor tiles, pilasters, left and right edges of tables and chairs, upper and lower edges of window frames, or oblique shadow edges in the scenery Sakura, intersecting the points that disappear in the depths of the picture, creating a sense of depth in the landscape. The walls on both sides of the canteen and the panels on the ceiling are receded to create a depth of field effect, which finally concentrates and disappears into the window behind Jesus' head, which is the central point of the entire mural and the focal point of the vision. The light from the window falls on Jesus' head very naturally, forming a halo effect, which perfectly expresses the divinity of Jesus, and can be said to be an extremely successful use of perspective.

Reach. The most prestigious work of Fincher's life's work. Among many paintings of the same genre, this painting is recognized as unprecedented, and is particularly captivating for its ingenious conception, excellent layout, detailed realism and strict respectful relationship.

When composing the picture, he shows the whole wall at one end of the dining room, and the perspective composition of the hall is connected to the architectural structure of the dining room, so that the viewer feels immersed. The characters in the picture are depicted in a subtle and subtle manner with their expressions of horror, anger, suspicion, and confession, as well as their gestures, eyes, and behaviors. The depiction of these typical characters is closely coordinated with the theme of the painting, and complements the diverse and unified effects of the composition, making this painting indisputably the most perfect exemplary masterpiece in the treasure trove of art in the world.

The Last Supper" painting contents:

The height and width of the meter make use of the principle of perspective, so that the audience feels that the room has been naturally extended with the picture. To compose the apostles did it closer than the normal meal, and divided into four groups, forming wavy layers around Jesus. The closer they got to Jesus, the more excited they became.

Jesus sat in the middle, his hands outstretched and calm, in stark contrast to the nervous disciples around him. Outside the door behind Jesus was a peaceful outlet, and the bright sky was like a halo above him. His eyes looked out of the painting, as if he had seen through all the heat and coldness of the world.

Italian Renaissance religious frescoes.

Religious style? Ha.

Religious themes, classicism, realistic style.