The painting method of the Chinese painting tree, the painting method of the Chinese painting tree

There are many kinds of trees and different shapes, which are interspersed in landscape paintings, which can enhance the beauty and layering of landscape paintings. Painting trees in freehand landscapes can be done with a rough single line, from the branches to the stems in one go, not sticking to the law. Start with different types of trees to understand the structure and drawing of a tree.

In the process of shaping, it should be noted that the posture of a single tree should obey the staggered arrangement between the trees, and master the method of drawing trees as a whole.

For example, pine trees: pine trees still stand tall no matter how harsh the environment is. The pine bark is scaly, hairy but not light, and should not be arranged too regularly.

The leaves are like needle-shaped, there are a variety of different painting methods such as semicircle, round, horsetail, zigzag, etc., the stem is straight, and it is curved when born in the stone gap and cliff cluster. 1 Outline the two main trunks of the pine tree with a double hook, taking care to draw the scars of the trunks. 2. Draw pine branches on the upper part of the main trunk, the ink should be dark, and the lines should be appropriately left white, so as to better reflect the texture of the pine tree.

3. Complete the drawing of the scales of the trunk, paying attention to the sunny side and the shaded side. Leave the scar knot blank appropriately to highlight the sense of space. The scales should vary in size and circumference, and should be coordinated and unified.

4 Draw pine needles from the left side of the tree, you can write one stroke at a time, from the outside to the inside, from the middle to the bottom, and transition to the left and right to form a fan shape. 5. Enrich the layers of pine needles in the main part, and draw the pine needles on the right branch, which can be slightly sparse to form a dense contrast with the main part. 6 Continue to add pine needles, which are arranged in groups, both round and fan-shaped.

The transition from left to right forms a fan. 7. Continue to enrich the pine needle level on the right side of the branch, and the pine needles should be dense and scattered, and abide by the unified change law of "Qi but not Qi, and Qi and Qi". The crown of the tree should not be round, nor symmetrical, but should be clustered and scattered, high and low, and irregular.

To draw a Chinese painting tree, you must first learn how to draw numbers. The general resin structure can be divided into three categories,1 antler branches. 2 types of downward bending. 3 is the horizontal type.

The open-toe drawing method is generally drawn with a center stroke, and the left and right sides can be outlined from the main stem. Pay attention to be observed, with a change in thickness. Then refine and modify the number of digging trousers with thick branches and western thin branches. When painting, it is necessary to pay attention to the relationship between the old buried space at the same time.

The way to draw the roots of the tree is like a scattered worm, with a thicker ink and a more dry stroke. Sometimes I also use scrolling to paint. The roots should generally be connected naturally and should not be suspended.

If there are staggered parts at the roots, keep them coherent and highlight the spatial relationships. Finally, pay attention to the thickness of the pen as well.

The painting of pine trees in Chinese painting is as follows:

1. When painting, draw the body of the tree first, and then circle the scales after outlining the trunk, and the circle should have large and small, virtual and real changes, and should not be too large, otherwise the trunk will appear loose.

2. The circle should be completed in one go, in order to achieve a smooth momentum. After drawing branches, the branches can be taken from the left and right horizontal, open and stretch. Through the changes of height, length, and straightness, you can write the graceful posture of the pine tree.

3. Then outline the pine needles, and the composition of the pine needles can be summarized into two main categories: one is wheel-shaped, and the other is fan-shaped.

4. The wheel shape is the pine needles gathered at a central point to form a "round wheel", because the shape is relatively fixed, so the change is limited, and the expressiveness is not as strong as the fan; The fan shape is left and right, and the stretch amplitude is larger, and the expression is relatively free.

The pine tree is vigorous and can grow on barren mountain cliffs, and it is the developed root system that plays a decisive role, so drawing the pine roots well helps to reflect the pine tree's demeanor. The pine roots should be twisted and clung to the cliffs.

Painting Trees Trees are also known as forests in landscape paintings, and they occupy a very important place in traditional landscape paintings, even if they only paint trees, they can become a complete work. It is advisable to look at the overall characteristics of the tree before the branches, because there are many types of trees and the ecology of the branches are not the same.

Beginners should use dead trees or deciduous trees in winter as the object of practice, and the branches without leaves have a clear structure and a distinct posture, so it is easy to understand the growth rules and basic structure of various trees.

1) Branches The structure of branches can be roughly divided into three categories, one is the type that grows upward, which is called antler branches in traditional painting theory, and this type is the most common, such as willow, acacia, camphor tree, etc. The second is the type of downward bending, called crab claw branches, such as dragon claws. The third is the type of life-long sideways.

It can be called a long-arm branch, such as pine, cedar, kapok, etc. There are also patterns that fall somewhere between the two or all three. Before sketching the branches, surround the four sides of the tree, observe carefully, and choose the most beautiful trunk and the most suitable angle.

First hook the thick branches of the main trunk, and then add thin branches, and when drawing, we should first pay attention to the principle of dividing the tree into four parts, that is, the trunk front and back left and right sides of the branches.

Do not be like a fishbone, two and two together, lack of scattered style. Secondly, pay attention to the arrangement of density and momentum, you can choose a little, in fact, the twigs and treetops can be boldly discarded, and you should choose the principle of beauty from the perspective of art to sketch. In addition, the pen must be carefully used, it must be straight, and each branch must be connected to the trunk or thick branches.

It cannot grow in the air, and the branches grow longer and thinner, and the tail cannot be written thick or the branches are thick and thin, which violates the plant ecology.

The painting method of the Chinese painting tree is as follows:

1. The light ink outlines the ginkgo leaves, and the middle ink rubs out the trunk structure of the ginkgo, pay attention to the level change of the ink color, and be flexible.

2. Garcinia cambogia is coated with the entire ginkgo biloba leaf, the color should be thin, and it can be applied several times. Pay attention to the main relationship between the real and the virtual of the leaves, and further rub the trunk with light ink.

3. Zhu Qi adds a little ink to turn it into ochre, dyes the ginkgo leaves, dyes the front and back layers, and rubs the trunk with ochre ink.

4. Continue to paint thin garcinia cambogia, goose yellow dyes the leaves, and different ink colors dye the trunk. Ochre yellow renders the background color at a certain angle, and there must be a change in virtual and real.

5. Rub the key points of the ginkgo trunk, rub it many times with different ink colors, pay attention to the side with a pen, and have a level.

6. The key dyeing method of ginkgo biloba. Garcinia cambogia is white, and the white color is stained with leaf blood, enriching the layers, and outlining the lines and spots.

7. Garcinia cambogia tones white stain the tip of ginkgo biloba leaves, outline the leaf veins, ochre dot leaf markings, heavy ink dot moss, and three green compound points. Organize the picture and seal it.

The introduction of Chinese painting is as follows:

The term Chinese painting originated in the Han Dynasty and mainly refers to scroll paintings painted on silk, rice paper, and silk and framed.

Traditional Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink and color. Tools and materials include brushes, ink, Chinese painting paints, rice paper, silk, etc., and the subject matter can be divided into figures, landscapes, flowers and birds, etc., and the techniques can be divided into figurative and freehand.

Chinese painting embodies the ancients' cognition of nature, society, and the related politics, philosophy, religion, morality, literature and art in terms of internal grandeur and artistic creation.

Chinese painting attaches great importance to conception in creation, emphasizing the intention of the pen and image thinking, and paying attention to the subjective and objective unity of artistic image. The shape is not limited to the superficial resemblance, but emphasizes "the magic lies between the similar and the unlike" and "the unlike". The shaping of his image is based on the spirit and charm of the image and the subjective emotion of the painter.

Therefore, it is possible to discard the parts that are non-essential or have little to do with the characteristics of the object, and those parts that can reflect the characteristics of the expression can be depicted in exaggerated or even deformed ways.

In terms of composition, Chinese painting is not based on a fixed space or time, but in a flexible way, breaking the limitations of time and space, and rearranging the objects in different time and space according to the painter's subjective feelings and the laws of artistic creation, so as to construct a kind of time and space realm in the painter's mind. As a result, the wind, rain and snow, the four seasons of dawn and dusk, ancient and modern characters can appear in the same auspicious painting.

Draw the trunk and branches with a double hook: first draw the outline of the side of the trunk, and follow the trend of the trunk upwards to grow branches, paying attention to the trend of the trunk from thick to thin. Continue to draw the outline of the other side of the trunk, taking care not to be too evenly between the left and right sides when growing branches.

According to the needs of the picture, the lower part of the right side is lightened to continue to grow branches, so that the branches as a whole show four directions: front, back, left and right.

Draw the trunk and branches without bones: the center uses a pen, from top to bottom, to draw the trunk in one go. Continue to grow branches on the main trunk, appropriately leave flying white, the branches and the main trunk in a "Y" shape, the upper branches can be slightly heavier with ink, in contrast with the lower branches.

Enrich the layers of the branches, continue to draw the branches on the left side of the main trunk, form a contrast with the length of the right branch, extend the lower end of the main trunk, and rub the side with a brush.