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What are the techniques of Chinese painting? The techniques of Chinese painting are: Rub, rub, dot, dye, splash ink.
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Categorized by drawing skills:
1. a fine pen; 2. Strict law;
3. White drawing; 4. Boneless;
5. Finger drawing;
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Chinese painting is an important part of traditional Chinese art, and the following will introduce some commonly used techniques in Chinese painting.
1. Ink painting techniques.
Ink is the basic material of Chinese painting, which expresses the artistic conception and emotion of the picture through the depth of ink, the amount of water and the weight of the brushstrokes. Ink painting techniques include dry brush, wet brush, dot dyeing, rendering, etc., and through the use of different ink colors and brushwork, artists can express the form and momentum of various themes such as landscapes, flowers and birds, and human figures.
Second, line techniques.
Line plays a very important role in Chinese painting, it can outline the contours and structure of the picture, and express the form and movement of objects. The line technique includes changes in the thickness, length, and degree of bending of the brush, and through the combination and application of different lines, the artist can create a rich variety of expressive effects, making the picture more vivid and interesting.
3. Color techniques.
Although Chinese painting is dominated by ink, color is also used in some paintings. Color techniques mainly include the use of hues, the superposition and gradient of colors, etc. Through the rational use of color, artists can enhance the expressiveness and visual effect of the picture, making the painting more vivid and layered.
In addition, there are some special techniques in Chinese painting, such as the stinging method, pointillism, rubbing, etc. The pointillism method refers to the use of the staggering and overlapping of the brush to express texture and texture, the pointillism method is to depict the image through dotted colors and brushstrokes, and the rubbing method is to transfer the pattern of the painting to other materials. These techniques provide artists with more means of expression and creative possibilities.
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Brushwork: 1) Center, that is, the tip of the pen runs in the middle of the stroke, and can draw lines with a three-dimensional sense.
2) Lateral striker, i.e. the tip of the pen runs on one side of the stroke, which can express a wide stroke.
3) Shunfeng, the direction of the pen from left to right, from top to bottom is Shunfeng.
4) Reverse front, the direction of the pen from right to left, from bottom to top is the reverse front.
5) Scattering the hairs, that is, breaking up the brush hairs for the performance of special effects such as hair.
6) Drag the front, that is, the pen shaft lies down, towards the direction of the pen, dragging the pen to move the pen.
7) Twist the front, that is, rotate the pen barrel from time to time to make the lines change.
8) Ploughing to break the soil, that is, ploughing the land. The tip of the pen is in the direction of the pen, and the barrel is inclined in the opposite direction of the pen, showing the effect of sluggishness and clumsiness.
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Hello, the painting techniques of Chinese painting are: Gongbi painting, boneless painting, and freehand painting. The most striking feature of Chinese painting techniques is that they are based on ink lines, which are used to express the outline, light and shade, and texture of objects, and at the same time, they can also express the thoughts and spirit of the painter through ink lines.
1. Gongbi painting is a Chinese painting expression that depicts scenes with meticulous and delicate brushwork. In Gongbi painting, whether it is a figure painting, or a flower and bird painting, they all strive to resemble the form, and "shape" occupies an important position in Gongbi painting, which is different from ink and wash freehand painting, Gongbi painting pays more attention to "details" and pays attention to realism.
Tang Gongbi character Zhou Fang's "Hairpin Lady".
2. The boneless painting method, its three forms of expression are: the first one is thinner, but the ink line with double hooks is omitted, and it is dyed layer by layer. The second painting method is slightly loose and slightly freehand, and directly dyed with color, which is completed at one time.
The third method of painting is to fix the color first, and then dye the parts with other similar colors before drying, which will produce a semi-blended effect or a slightly mottled color change.
Ren Bonian's "Flower Book".
3. Freehand painting is to depict scenes with concise brushwork. Freehand painting is mostly painted on the life of Xuan, which can better reflect the charm of the depicted scenery than Gongbi painting, and can also express the author's feelings more directly.
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The basic techniques of Chinese painting are as follows:
Writing method: <>
Chinese painting is the same as calligraphy. Although everyone's preferences are different, and there is no definite way to hold the pen, beginners must master the basics. When holding the brush, hold the pen barrel with your thumb and index finger, in the shape of a "dragon's eye" or "phoenix eye", and hold the pen with the middle finger followed by the index finger.
After holding the pen, the barrel of the pen generally does not exceed the first knuckle of the index finger. Finger solid, palm weak, wrist flat, five fingers together, operation and retraction should be natural. The calligraphy pen is more rigorous, the painting pen is more flexible, the palm can be straight or horizontal, and the pen can be slightly higher.
2.Penmanship: <>
Brushwork is formed by the line of brushwork. The line of writing includes three parts: starting the pen, moving the pen, and closing the pen. The pen should be intended to be the pen first, and the pen can be made into an image because of the image.
The pen should have strength, the ancients called "the power through the back of the paper", "the bone method with the pen", "the power to carry the tripod", is to emphasize the power of the pen.
3.Mofa: <>
Chinese painting, also known as ink painting, has always used many ink methods, and water is inseparable from ink method. The ink method uses the action of water to produce different changes of thick, light, dry, wet, dark and shallow. Since it is ink, ink should be used as the body and water as the use.
"Ink is colorful", which refers to the difference between the degree of ink use and the severity of ink that is burnt, thick, heavy, light, and dry, dry, thirsty, moist, and wet.
Introduction to Chinese Painting:
Originated in the Han Dynasty, it mainly refers to scroll paintings painted on silk, rice paper, and silk and framed. Traditional Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink and color. Tools and materials include brushes, ink, Chinese painting paints, rice paper, silk, etc., and the subject matter can be divided into figures, landscapes, flowers and birds, etc., and the techniques can be divided into figurative and freehand.
In terms of content and artistic creation, Chinese painting embodies the ancients' cognition of nature, society and the related political, philosophical, religious, moral, literary and artistic aspects.
Masterpieces of Orchid Painting Lu Kunfeng "Mo Lan Tu", Jiang Tingxi "Orchid Bamboo Tu", Pan Tianshou "Orchid Stone Tu", Zheng Sixiao "Orchid Tu", Lu Yifei "Orchid", Xiang Shengmo "Youlan", Chen Peiqiu "Orchid" series, Qi Baishi "Orchid". >>>More
In Chinese painting, fog is ever-changing and complex, and clouds and fog can add a sense of profoundness, loftiness and remoteness to landscape paintings, making them more charming. The painting method of fog needs to be dried and wet dyed with cooked Xuan, and Shengxuan can only be used with wet dyeing, otherwise there will be a small white mark between the pen and the pen, which can not be blended. >>>More
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The "Long Scroll" not only embodies the characteristics of Chinese painting, but also is a unique form of Chinese painting. Although the height of the scroll cannot be very large, the width can be fully extended, and the capacity of the picture is difficult to match with other forms of painting. The long scroll has its special difficulty, and the difficulty lies in its "length". >>>More
Chinese artists believe that art is a reflection of life, subjectively to reflect the painter's meaning, and objectively to express the god of the image, which is China's "theory of conveying the spirit" and "freehand theory", such as Gu Kaizhi's "theory of conveying the spirit", Nanqi Sheikh's "vivid charm", Zhang Yanyuan's "Mr. Yi Cun Pen, Painting with the Intention" and so on. The ancients said that "fate and affection" express landscapes, flowers and birds, not simply reproduced, but the important thing is to describe people's feelings. Chinese flower and bird paintings are different from foreign flower and bird paintings, which seem to be specimens dead, lifeless, and without human feelings. >>>More