Shadow puppetry was a folk custom that became popular in that place?

Shadow puppetryIn China, there is a wide area of circulation, and in the long-term evolution process of different regions, different genres have been formed, such as Sichuan shadow puppetry, Hubei shadow puppetry, Hunan shadow puppetry, Beijing shadow puppetry, Tangshan shadow puppetry, Shandong shadow puppetry, Shanxi shadow puppetry, Qinghai shadow puppetry, Ningxia shadow puppetry, Shaanxi shadow puppetry, and northern Sichuan shadow puppetryLong ChenShadow puppets and other local shadow puppets with different styles.

Shadow puppet genre

Among the various shadow puppet schools in the Qin, Jin and Henan regions, there are string plate cavity, A Gong cavity, Wanwan cavity, Lao cavity, Qin cavity, North and South Taoism, Ankang Yue Tune, and business routes.

There are more than 10 kinds of Taoism, blowing cavities, etc., and there are many songs. When singing, he also often uses the singing method of harmonic connection, helping the cavity and nasal humming afterrhyme, which is melodious and very beautiful.

The shadow puppet singing voices in Hebei, Beijing, Northeast China, and Shandong originate from Luanzhou in eastern Hebei.

but their respective singing tones are nourished by Peking Opera, Luozi, Dagu, Bangzi and folk songs, and different genres have been formed. Smooth flat tones, gorgeous floral notes, sad pathos, and so on. Among them, the singing method of pinching the voice in the Tangluan area is very unique.

Others such as Hunan, Hubei, Jiangsu and Zhejiang.

All over Fujian, shadow puppetry** and singing also have local characteristics.

It belongs to the traditional culture of the northern region, because this culture originated in Shaanxi and is more popular in Hebei, and there are more performances in this area.

Shadow puppetry is a traditional culture in Shanxi and Shaanxi, with a long history and an intangible cultural heritage in China.

Shaanxi. It is the traditional culture of this place, which has a history of more than 2,000 years, and can be said to be a film and painting art.

It is distributed in Pingliang and Qingyang counties, and is more concentrated in the triangle of Shaanxi and Ningxia in the east.

Shadow puppetry reached its peak in the late Qing Dynasty and early Republic of China, and many shadow puppet artists inherited their father's business and passed it down from generation to generation. In the past, it was passed down through apprenticeship and the inheritance of the father's business. In the thirteenth century, the Yuan Dynasty began to spread to Thailand, Myanmar and other countries.

It has been handed down over a period of hundreds of years, and it is made from animal skins or cardboard, cut out of human figures, and then reflected.

It is a kind of traditional culture, and it has been circulated for a long time, and it is also a kind of folk art, and then it is also innovating and developing with the changes of the times.

Through folklore and interpretation, it eventually became a different form of performance, which had an impact.

Shadow puppetry almost all over the country in the provinces of the Song Debate Circle area, and because of the different vocal cavities performed in various places and form a variety of shadow puppet plays, such as Shaanxi Huaxian shadow puppet play, Huayin old cavity shadow puppet play, A Gong cavity shadow puppet play, string plate cavity shadow puppet play, Gansu Huanxian Daoqing shadow puppet play, Shanxi Xiaoyi bowl bowl shadow puppet play, Hebei Tangshan shadow puppet play, southern Hebei shadow puppet play, etc.

Although there are many types of shadow puppetry, the differences are mainly in the vocal cavity and repertoire, and the production and performance techniques of the filmmakers are similar. The shadow man generally scrapes off the hair and blood of cowhide or donkey skin and sheepskin, processes it into translucent and then engraves it to color, and its carving and painting process pays attention to the exquisite knife work and realistic shape.

Props for shadow puppetry:

The stove calendar props of the shadow puppet show are mainly shadow windows, the height of a wild collapse is 3 feet, the width is 5 feet, the height will not exceed 4 feet, the width will not exceed 6 feet, mainly with white paper to make the curtain, which can be convenient for a person to operate, a shadow puppet man, to use five bamboo sticks to operate, the artist's fingers are flexible, often dazzled by the audience.

Not only is the kung fu in his hands superb, but he also has to speak, read, play and sing; You also have to brake the gongs and drums under your feet. At the same time, an oil lamp is also used to reflect the shadow puppet and the performance movements, and during the performance, the shadow puppet moves close to the screen, and the figure and colorful colors are really moving.