How to appreciate a Chinese ink painting?

To appreciate Chinese ink painting, one must first have a profound painting foundation, and secondly, one must be able to appreciate Chinese ink painting, not to appreciate its beauty or non-beauty like ordinary paintings, but to see the depth through the surface.

Generally, the first view of the large, the big is the whole, (including the structure, the layout, the blank, the inscription, the seal, the momentum, the charm, the style), and then the small (pen and ink, penmanship, the line of the pen, the ink color, far, near, the middle, the details of each part), good ink, can see, can be productive, can live, water has a source, and the mountain has potential, look at the painting to see the things in detail, can be seen from a distance can also be seen closely.

To put clothes on Chinese ink paintings, it is necessary to see whether the colors are uniform and whether people look comfortable. And whether the content of his painting is healthy, whether his painting technique is correct.

Looking at the artistic conception and connotation, the ancient Chinese literati paid attention to the artistic conception, the painting is endless and the meaning is endless, and they also pay attention to the painting in the poem, and the poem in the painting, depending on the content expressed in the painting.

We need to look at the general situation first, the layout should be harmonious, whether there is the author's personal style, and the artistic conception and interest should be far-reaching. The artistic conception or interest is the connoisseur's initial impression of a painting, and a good artistic conception or interest makes the connoisseur want to take a closer look.

Chinese ink painting is mainly based on its utensils, which are mainly water, ink and color. Among them, the role of water in ink painting is very large, and the amount of water is used to control the depth of ink color, which in turn reflects the "dryness" and "moistness" of the brush.

Chinese ink paintings are generally very classical and elegant, with their own unique charm, but I can't say that I appreciate them, I can only say that I appreciate them.

I think that a good ink painting can calm the mind and stay away from the hustle and bustle at a glance, and then it seems that you can hear the sound of the piano, which comes from a distance, and in the fugue painting, you can play chess and drink tea with the author to talk about the past and the present. Then come back to your senses in one word: wonderful!

First of all, how to consider the mood expressed by the painter when painting the painting from the historical background of the painting, secondly, from its artistic conception, and finally from the ink painting brush and ink to appreciate it at a deep level.

Appreciating a landscape painting should let one's mind follow the painter's pen to visit the landscape together, coupled with the inscription of the poem at the back of the painting, as well as the response of the painter's friends, it can enhance the integrity of the artwork.

They are generally very classical and elegant, with their own unique charm, but I can't say that I appreciate them, I can only say that I appreciate them.

I feel that it is very difficult to appreciate a Chinese ink painting, because Chinese ink painting is vast and profound, and we should first consider the light and depth of the color, and then go through the pattern.

I think Chinese landscape painting is still very good, it is very meaningful, and it has different meanings from various points, which is incomparable to foreign paintings.

I think you can appreciate a Chinese landscape painting from freehand and freehand, or see what he wants to express from every angle.

To appreciate a Chinese ink painting, you need to have a certain level of appreciation and a certain amount of professional knowledge, if you don't have either of these, it is very difficult for you to appreciate an ink painting.

If it is a traditional Chinese literati ink painting, first look at the brush and ink, and then look at the charm.

Be. Chinese ink painting refers to paintings made purely with ink, also known as Chinese painting, which is a traditional Chinese painting. The painting tool of Chinese ink painting is "pen, ink, paper, inkstone", and its creation pays attention to "vivid charm" and "writing the spirit with form".

Ink painting: It is a form of painting, and more often, ink painting is regarded as a representative of traditional Chinese painting, that is, Chinese painting. The basic ink paintings are only water and ink, black and white, but the advanced ink paintings also have fine brush paintings of flowers and birds, which are colorful.

The latter is also sometimes referred to as color ink painting.

Basic introduction. A type of Chinese painting. Refers to a painting made entirely with ink.

There are three basic elements: simplicity, symbolism, and naturalness. The "ink painting" composed of Chinese special smoke and ink has become a unique type of Chinese painting.

Cracked ink can be divided into five types of ink, light ink, thick ink, very light ink and coke ink, that is, five levels of coke ink (original ink), one thick ink, one heavy ink, one light ink and one clear ink.

Ink painting: In Chinese painting, one of the unique materials of Chinese painting, ink is used as the main raw material, and the amount of clear water is used to draw different shades (black, white, gray), etc., to draw different shades (black, white, gray). It has a unique charm called "ink rhyme".

It forms a form of painting based on ink painting.

Pay attention to "vividness", not confined to the appearance of the object, but emphasize the subjective taste of the artist. Chinese painting emphasizes "writing God in form", and pursues a feeling of "wonder between the similar and the unlike" Pay attention to the charm of brush and ink, and the brushwork requirements: flat, round, stay, heavy and change.

The ink method requires that the ink be divided into five colors, thick, light, broken, splashed, stained, burnt, and stayed. Pay attention to the "bone method with a pen", do not pay attention to the focus of the perspective bend, do not emphasize the influence of the environment on the light and color changes of the object, pay attention to the layout of the blank space and the "momentum" of the object.

"Modeling with lines" is the basic principle of Chinese painting. Brushwork, as the name suggests, is the use of a pen or a key technique. Penmanship includes the next pen, line pen and pen, specifically can be classified and prepared for the change of the center, partial front, Tibetan front, open front, reverse front, straight front, square pen, round pen, pen direction and pen rolling techniques.

The pen is closely related to the pen, and the pressure, hook, grid, and resistance in the pen control the movement of the left and right vertical and horizontal and the final advance and retreat. There are pen lifting, squatting, pause, grabbing pen, line pen, frustration pen, pen, turning pen, hanging pen, etc.

The brushwork of Chinese painting is mainly "eighteen strokes", namely: ancient gossamer drawing, string drawing, iron line drawing, mixed drawing, Cao Yi drawing, nailhead rat tail drawing, peghead nail drawing, locust drawing, folding reed drawing, olive drawing, jujube core drawing, willow leaf drawing, bamboo leaf drawing, war brush water pattern drawing, subtractive brush drawing, dry wood drawing, earthworm drawing, and flowing water drawing.