Wen Zhengming is a model of Bo Fei s specialization in calligraphy, what height has his calligraphy

It can be said that she has reached the same height as Wang Xizhi, and many people say that her style is a little similar to Wang Xizhi, and even Wang Xizhi praised it a little

His calligraphy has made many people call him a sage, and even some people can't take their eyes off his calligraphy when they see it.

Calligrapher of the Eastern Han Dynasty in China. The word Boying. Dunhuang Jiuquan (now Jiuquan, Gansu) people.

Zhang Zhi is good at chapter grass in cursive script, and changed the cursive method of distinguishing words and words and separating strokes in ancient times to a new writing method that implicates up and down and is full of changes, which is full of originality and has a great influence at that time, and is known as the grass saint. There is no ink in the handwriting, only the Northern Song Dynasty "Chunhua Pavilion Post" contains his "August Post" and other engraved posts.

Wen Zhengming, whose original name is Bi, is called Hengshan. Because Zhong Tou couldn't write, he once affected his test results during the student exam, and suffered from poor calligraphy art. Since then, he has deliberately imitated and worked hard to learn books, especially to Zhiyong's "Thousand Character Text", and has made great progress in calligraphy.

After middle age, Wen Zhengming is a famous artist with all kinds of bodies. Among the various calligraphy styles that are both good and good, the small block calligraphy and cursive script are the most. Its small Kai calligraphy entry Ouyang Xun, after the real wisdom of Yong, in the Jinjian unique meaning of emptiness, and then on the chase Zhong Wang, free and easy in the square, free and easy outside the neat, slowly produce like a small appearance of their own home.

Even to this extent, Wen Zhengming was still not complacent, and he didn't say "I know a little bit about holding a pen" until he was in his last years.

This shows the spiritual essence of their learning, and how worthy of our future generations is to admire and learn and train. No wonder even his son shows off his father like that: "Although Xiaokai calligraphy is in "Huang Ting" and "Le Yi", it is gentle and exquisite, and Yu Chu is also down."

The legendary world calligraphy classics include "Former Chibi Fu", "Lisao Sutra", "Return to the Words", "Drunkard Pavilion" and so on. Wen Zhengming was born in a family of eunuchs. Han Gaozu Wen Junqing served as the generalissimo of the Qing Dynasty.

Grandpa Wenhong gradually, studying and becoming an official has become the value of all big families. Wen Zhengming's grandfather Wen Hong won Xiucai and became a teacher in Laishui County; Wen Zhengming's father Wen Lin is a lifter, and the largest is the county commander of Wenzhou. Therefore, Wen Shi's family background was considered wealthy since he was a child, and Wen Zhengming accepted the Confucian education of Baoxiong since he was a child, which brought excellent material conditions for his future study, study, painting, etc.

Wen Zhengming's calligraphy art is also attributed to his relatives such as Zhu Yunming, Wang Chong, Tang Yin, etc., especially the first two. Wen Zhengming and Zhu Yunming discussed the art of calligraphy with each other, and both of them revered classical Chinese, and both felt that block letters were the basis for learning and training cursive script, and both attached great importance to the practice of block letters. Wen Zhengming in "Zhu Xizhe Cursive Chibi Fu" in the cloud:

If the cover method is both worked, then the grass will of course cooperate. If you don't work in the law, but in vain to the grass saint name world, it is said that there is no learning of all benefits.

Yu Xiang and Xi Zhe's treatise are quite compatible, and each one pushes each other. These words fully prove that the text attaches great importance to the study and training of block letters. Not only Zhu Yunming, but also others in the Wumen calligraphy school, such as Wang Chong, also influenced the writing of Xiaokai calligraphy for a large time.

Wen Zhengming often studied Wang Xizhi's "Huang Tingjing" and "Le Yi Treatise", Wang Xianzhi's "Thirteen Elements of the Jade Plate" and Zhong Xuan's "Declaration Table". He also praised Zhao Mengfu's calligraphy in small letters, comparing Zhao Mengfu's Changqing Jingjing (fig. 1) and Wen Zhengming's (fig. 2), and learned that his calligraphy style was harmed by Zhao Mengfu. All in all, Wen Zhengming's calligraphy design style is basically harmed by the above masterpieces, and some of the techniques of water tune song calligraphy are integrated in it, and then form a shallow, pure, refined, fresh and upright appearance.

Because he has never written sloppily in his life. Even if you reply to someone, if you are a little dissatisfied, you must rewrite it again and again, and you are not afraid of trouble.

It is precisely because of this attentive and serious attitude that Wen Zhengming's calligraphy is talented"The older you get, the more subtle you get"