What are the reasons why Wen Zhengming s calligraphy becomes more and more exquisite the older it ge

The book of Xi is good at night, and its ability to cover it is also self-inflicted with energy, which is not natural. This explains the realm and level of the method, and it is necessary to rely on the accumulation of practice and comprehension to be able to improve and eventually become famous, which is a test of time for calligraphers. Wen Zhengming.

Working calligraphy, there is a story, according to legend, he took the exam when he was young, because his handwriting was ugly and was rejected, since then he has made up his mind to practice calligraphy, long-term hard practice, only to have the attainment of the line of calligraphy, this is the requirement of the will. Liu Gongquan.

There is a famous pen admonition, saying that "the heart is right, the pen is right", and calligraphy should maintain a good attitude, which is very important for the improvement of calligraphy. Besides, although it is said that Wen Zhengming's calligraphy becomes more and more exquisite as he gets older, when a person reaches a certain age, his body is weakened and his body declines, especially his mental decline, which is very unfavorable to calligraphy. The reason why people's characters have gods is because people express their gods in calligraphy in the process of practice, so it is said that they are not in good shape, and they can't write good words, the first line of writing in the world.

Lantingji is Wang Xizhi.

Writing when he was drunk, he was high-spirited, impulsive, and energetic when he was drunk, so he couldn't write such a good word after he woke up. In short, the reason why Wen Zhengming's calligraphy is getting better and better the older he gets, one is that he has been working on the basic skills for a long time, and the other is that he has a good mentality. The third is to be strong-willed.

The fourth is the spirit stick, and the fifth is the high recuperation. Finally, I hope that calligraphy lovers all over the world will communicate and make progress together!

One is the basic skills that I have worked on for a long time, and the other is that I have a good mentality. The third is to be strong-willed. The fourth is the spirit stick, and the fifth is the high recuperation.

Because of his talent and continuous brewing and research in the later period, he finally reached the "time when everyone is old".

Jiang is old and spicy, he is practicing Xiaokai!

"Words of Return" is written by Wen Zhengming when he was 82 years old, the font is stretched freely, very dense and unventilated, sparse and sparse, and the pen is home, strong and elegant, showing superb calligraphy skills. This post is also a study of Ouyang Xun's small Kai work, representing a style of Wen Zhengming's small Kai works. The front and back "Red Cliff Fu" is more taken from the regular script of the French Wang Xizhi, which is a more common calligraphy work, and belongs to another style of Wenzheng Ming Kaishu.

What's even more interesting is that the writing time of the first and second two fu is 25 years apart. "Former Chibi Fu" was written at the age of 61, and "Later Chibi Fu" was written when he was 86 years old, at that time, Wen Zhengming was quite dissatisfied with "Former Chibi Fu", "Former Fu......The pen is sluggish and weak, although I know how to use the pen a little, and the wisdom is no longer enough." It can be seen that he pursued art relentlessly throughout his life.

It is said that when he was 90 years old, he wrote an epitaph for people, and before he could finish it, he "sat down and died".

Wen Zhengming started by learning Su Dongpo's characters, and later learned Zhiyong, Ouyang Xun, and Zhao Mengfu, which can be seen from his works before the age of 50, such as "Xu Jun's Epitaph", "Literary and Painting Poems" and "Inscription Zhao Wei Gong Two Posts", "Chongfu Cloud Pavilion Poems". He went to Beijing at the age of 54, and the official Hanlin Academy waited for the edict, wrote the edict, advocated neatness, and learned the popular fonts at that time. Therefore, the book is known as the "Jade Sacred Religion".

Two years later, at the age of 56, he resigned and returned to his hometown, "the savages don't know Yingzhou music, and Qingmeng is still in his hometown", and lived in Zhuyun Pavilion for a long time. In his later years, he learned more about the posture of the Yellow Valley, and was very creative.

Wen Zhengming's small line of books, basically from the "Holy Religion", Zhiyong, Su, Mi, with a hard pen writing, skillful penmanship, "Book History Meeting" described it as "phoenix dance Qionghua, spring singing bamboo stream". In all fairness, although Wen Zhengming's pen is skillful and fluent, he has the flaw of lacking the implication, and the law is more than enough, and the charm is insufficient. His books "Thousand Character Text", "Red Cliff Fu", and "Tengwang Pavilion Preface" volumes, all of which are black silk columns, although there is no slack pen from beginning to end, very smooth, but it gives people a feeling of "one word is the same".

His big-character calligraphy, especially the works of his later years, is full of posture and brushwork in the Yellow Valley, changing from flattering to down, vigorous and elegant, and his teacher Shen Zhou also retreated. For example, works such as "You Tianchi Poems" and "Bagaozong Ciyue Feishou Edict" are eye-catching and abnormal, and they are really called "Cangxiu is swinging, and he is good at bone rhyme".

Wen Zhengming's calligraphy focuses on the calligraphy of all dynasties, focusing on the study of Zhao Mengfu and Xian Yushu in the Yuan Dynasty. Wen Zhengming's small Kai, Xingkai, Xingshu, and cursive script are all fine, and he is a very comprehensive calligrapher in the Ming Dynasty. Wen Zhengming's calligraphy had a great influence on later generations, and many calligraphers in modern times have studied, copied, and studied Wen Zhengming's calligraphy.

Wen Zhengming's calligraphy is gentle and beautiful, steady and old, strict and vivid. Although there is no majestic momentum, it has the style of Jin and Tang calligraphy. His style of writing is less fiery, and in his joyful writing, he often exudes a gentle and elegant atmosphere.

Perhaps the ups and downs of his career have worn away his youthful spirit, but his late blooming has made his style more and more stable.

Wide and comfortable, put in the convergence, pay attention to the connection, sparse and dense, to the back into a trend, let and avoid, the length is different, the size is mixed. (If you don't like it, don't spray) (

Liang Tongshu (1723-1815), Qing Dynasty calligrapher. The character Yuanying, No. Shanzhou, in his later years, he signed himself as Bu Weng, Xinwu Changweng, and was a native of Qiantang (now Hangzhou, Zhejiang).

The son of Liang Shizheng, a university scholar. In the twelfth year of Qianlong (1747), he was raised, and in the seventeenth year, he was specially given a jinshi, and the official servant spoke. Taste the two characters of the Yuan Guan sour Zhai book "Shanzhou", so he thought that he was a self-name, and his study, and the scholar called Mr. Shandan.

Erudite and influential. Good at identifying the handwriting of predecessors, and judging its authenticity at a glance. Poems and books.

Rich collection of books, collection of Song, Yuan, Ming Dynasty treasure book several kinds, Tang Dynasty painting scrolls, Ming landscapes, figures are no less than dozens.

Before the age of 30.

Learning Zhao Mengfu, with a solid foundation, a beautiful body, and a beautiful pen, it can be said that it is completely out of Zhao Mengfu all the way, and there is not much change, plus he has a close relationship with his friend Wen Zhengming, and is greatly influenced by Wen Zhengming, and is similar to Wen Zhengming in style.

Between 30-36 years old.

This period is the period when Tang Yin's field was deposed, his wife was divorced, his life entered a gloomy stage, he made a living from calligraphy and painting, and made a living from this.

1;Calligraphers generally reach adulthood and old age, and after they have rich experience in writing, their skills will gradually reach the level of perfection; Because calligraphy requires sufficient writing experience;

2；Write about the state of mind, when you reach old age, your life perception is rich, and you will naturally have a different demeanor;

3；When I am old, I have more calligraphy skills, and I am naturally handy in creation and writing