How to choose the four treasures of the connoisseur s study

1 [Appreciation of the Four Treasures of the Study] Duan inkstone.

Duan inkstone is one of the four famous inkstones. Zhaoqing is the origin of Duan inkstone, and the history of making Duan inkstone has reached more than 1,300 years, which is the first inkstone and has a long reputation. Duan inkstone should be appreciated in four aspects: texture, color, variety and workmanship.

Stone inkstone is a tool for the ancients to grind ink, so the ancients appreciated the inkstone, first to see whether it is ink. And the key to ink is in the stone of the inkstone. Surname.

Cai Xiang thinks: ink is not easy to grind. In the inkstone, the light is bright, the pen rotates, and the cleansing is exhausted, and the stone is strong and moist can be initiated, and it is not stuck in the inkstone.

Therefore, the person who knows the easy grinding ink is the lower ink (falling ink), and the ink is like oil and the ink is the ink. The best inkstone is inked and inked, and the two are both. Qing Ji Nan taught people to use the method of tapping the inkstone and distinguishing its sound in the "Duanxi Inkstone Pit Examination" to appreciate the stone quality.

He said, "The tender of the stone, its voice is clear and far-reaching." Tender as mud, its voice is quiet.

Dongpo (Su Shi) called its sound rock, Mi Shi (Mi Fu) said that the rock is finely buckled and the more clear. But the old man's voice is sonorous and does not emit ink. It can be seen that ink is a condition for appreciating a good inkstone.

Stone color The end inkstone is based on purple, but the color of the famous pit inkstone is different. When observing, comparing, and distinguishing the color of the inkstone, it is necessary to use the water immersion stone (it is best to view it in water) to see clearly and accurately. For example, take a piece of high-quality Laokeng inkstone after wet observation, you will find that its color is purple-blue as the main hue of the inkstone, in the purple-blue tone can be observed Laokeng inkstone color is colorful, full of changes, the texture is clear, clear and pure.

And its color seems to come out of the inkstone, rather than floating on the surface. Therefore, it gives people a sense of solidity rather than virtuality, dignified and vigorous rather than thin and frivolous.

In addition, the different eras of inkstone mining have different stone strata and different stone colors. The same inkstone from the Duanxi inkstone pit will not be exactly the same color due to different times or mining in different periods. Even if it is mined at the same time, the color of the inkstone in the same pit is slightly different due to the different direction of the stone veins or the different quarrying faces.

According to historical records, the vast majority of Duanxi inkstones mined in the Tang and Song dynasties are dark purple, so people always think that "the color is noble and purple" when evaluating the color of the Duanshi, and "gray and pale" is the next grade. Shuiyan (old pit), excavated to the Ming Dynasty, there are Daxi Cave and Shuigui Cave, and its stone color can not be purple as expensive. It is based on purple blue, commonly known as royal blue, sandwiched with blue-black, fuchsia, and pale, and the more colors in the purple-blue tone, the richer and more precious.

To accurately distinguish, observe, and appreciate the color of the end stone, natural light is the best. In addition to the famous pit inkstone with "purple" as the keynote, Duanxi stone also has a green end with emerald green as the main color, and a white end with white as the main color (such as a white inkstone). The green end is a minority in the end inkstone, but it has a certain place in the end inkstone.

The white end is not very suitable for grinding ink, there is no "ink" and "ink" to speak of, and it is mostly used to grind the cinnabar, stone green, white lead (zinc) powder and other pigments required for painting, and has not been engraved in recent decades.

The standard of a good pen is generally: after the new pen is soaked, it is symmetrical and full; Lick the pen carefully, the pen has a nib; Pinch the heel of the pen with your thumb and index finger and gently wipe it towards the nib, flatten the pen, and the hair on the nib is flat and flush; The root of the pen and the barrel are firmly bonded and do not shed hair.

The clerical tools in the traditional culture of the Han Chinese people, namely pen, ink, paper, and inkstone. The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties.

Historically, the "Four Treasures of Study" has changed repeatedly. In the Southern Tang Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to the Xuancheng Zhuge pen, Huizhou Li Tinggui ink, Chengxintang paper, Wuyuan (originally belonging to Anhui Huizhou Mansion, now belonging to Jiangxi) Longwei inkstone.

Since the Song Dynasty, the "Four Treasures of Study" specifically refer to Hubi (Huzhou, Zhejiang Province), Huimo (Huizhou, now Shexian County, Anhui), Xuan Paper (now Jing County, Anhui Province, Jing County belonged to Ningguo Mansion in ancient times, and the paper production was named after Xuancheng), Tao Yan (now Zhuoni County, Gansu Province), Duan Yan (now Zhaoqing, Guangdong Province, known as Duanzhou in ancient times), and She Yan (now She County, Anhui). Xuancheng City is the only "hometown of the four treasures of the study" in the country, and the rice paper (Jing County), Xuan pen (Jing County Jingde), Hui ink (Jixi Jingde), Xuan Yan (Jingde) are produced.

i.e. pen, ink, paper, inkstone. Historically, the things referred to by "pen, ink, paper, and inkstone" have changed repeatedly. In the Southern Tang Dynasty, "pen, ink, paper, inkstone" specifically refers to Xuancheng Zhuge pen, Huizhou Li Tinggui ink, Chengxintang paper, Huizhou Wuyuan Longwei inkstone.

Since the Song Dynasty, "pen, ink, paper, inkstone" specifically refers to Xuanbi (Xuancheng, Anhui), Huimo (She County, Huizhou, Anhui), Xuan Paper (Xuanchengjing County, Anhui), She Yan (She County, Huizhou, Anhui), Tao Yan (Zhuoni County, Gansu), Duan Yan (Zhaoqing, Guangdong, known as Duanzhou in ancient times), after the Yuan Dynasty, Hubi (Huzhou, Zhejiang) gradually prospered, Xuanbi gradually declined, after the reform and opening up, Xuanbi gradually regained its vitality.

The Four Treasures of Chinese Study.

Many of China's utensils are unique, which not only express the customs of the Chinese nation that are different from those of other nations, but also contribute to the progress and development of world culture. The most typical of them are the writing instruments known as the "Four Treasures of the Study": paper, pen, ink, and inkstone.

Paper, is a great invention in China, although the world's paper varieties are tens of millions, but "Xuan paper" is still a unique handmade paper for calligraphy and painting, Xuan paper is flexible, white and smooth, durable in color, strong water absorption, in the international "paper longevity millennium" reputation.

The brush is a unique writing and painting tool that is very different from the feather writing style of ancient China and Western peoples. Although pencils, ballpoint pens, fountain pens, etc. are popular in the world today, there is no substitute for brushes.

The Four Treasures of the Study Room refer to the clerical tools in the traditional culture of the Han Chinese people, namely pen, ink, paper, and inkstone. Pen, is the ancient Chinese and Western people, with feather writing style is very different, unique writing and painting tools, although the world is popular pencil, ballpoint pen, fountain pen, etc., but the brush is irreplaceable.

The tools and materials of Chinese calligraphy are basically composed of pen, ink, paper, and inkstone, and people usually refer to them as the "Four Treasures of the Scholar's Room", which roughly means that they are the four treasures necessary in the literati's study. Because the ancient Chinese literati were basically able to write, or paint, or both to write and paint, they were inseparable from the four treasures of pen, ink, paper, and inkstone.

The four treasures of the study refer to the pen, ink, paper and inkstone, among which the pen of Huzhou, the ink of Huizhou, the rice paper of the Han nationality, and the inkstone of Duanzhou are the most famous! It is the crystallization of the wisdom of ancient people! Highlights the 5,000 civilizations! Ancient Chinese literature has been handed down to this day, and it is inseparable from the four treasures of the study!

The Four Treasures of the Study: Pen, Ink, Paper, and Inkstone.

The pen is the magic of handwriting, the ink is the groundbreaking handwriting, the paper is the sword mountain and the sea of fire of the handwriting, and the research is the other side of the three treasures.

What we call the four treasures of the study specifically refers to pen, ink, paper, and inkstone. One of the most important is the pen, and without the pen, the other three things would be used in a way that paper is one of the greatest inventions of our country. Although there is a lot of paper in the world, rice paper is still the most unique paper for writing with a brush.

The four treasures of the study room refer to: pen, ink, paper, and inkstone. The pen is a tool for writing and painting, ink is the pigment for writing and painting, paper is the carrier for writing and painting, and inkstone is a tool for grinding pigment for writing and painting.

The four treasures of the scholar's room, which were inseparable from the ancient literati, refer to the four types of calligraphy and painting utensils of pen, ink, paper and inkstone, which are unique calligraphy and painting tools in China, which express the customs of the Chinese nation that are different from those of other ethnic groups.

Ancient literati and writers were inseparable from the four treasures of the study, and they all highly respected the four treasures of the study, the four treasures of the study specifically refer to the pen, ink, paper, inkstone, and there are also quality points.

Who invented the Four Treasures of the Study, Jingdong Stationery Consumables is exquisite and durable, simple and fashionable, attention to detail, comfortable and durable, and practical.

The four treasures of the study refer to: pen, ink, paper, and inkstone.

The Four Treasures of the Study [Five Laws] Pen, ink, paper, inkstone, Hu Bingyan.

Pen green bamboo jade tube, peerless four virtues. Swaying the ink is wishful, and the energy is happy. The phoenix dances lightly, and the dragon leaps like a shocking sky. Leave masterpieces through the ages, and the gods will be passed down for thousands of years.

The ink smoke has been refined for a long time, and the mortar is hammered in ten thousand pestles. The rules are set in a circle, and the flowers and birds are pine. Gui Xuan charm is enough, and the sand musk deer gathers green roses. The traces have been stored for many years, and the lingering fragrance is still waving.

Paper. The body is as thin as a wing, and the ink is splashed to make Danqing. Hongyan reported the message, and the poems were recited in rhyme. Elegant and vulgar tastes, classic perpetual spirit. Bitter, spicy, sweet and sour, inclusive of the eternal.

Inkstone adheres to the eternal curiosity, wonderful hand-painted dignified. Baishi plays stone friends, pine and moist fragrance. Panlong makes trouble in the sea of ink, wild dew and black frost. Thick and deep, deep and elegant.

The "Four Treasures of the Scholar's Room" refers to the unique Chinese calligraphy and painting tools, namely pen, ink, paper, and inkstone. The name of the Four Treasures of the Scholar originated during the Wei, Jin, Southern and Northern Dynasties. The ancients believed that everything has spirituality, and the same is true of pen, ink, paper, and inkstone.

The name of the Four Treasures of the Scholar's Room originated in the Northern and Southern Dynasties. Historically, the "Four Treasures of Study" has changed repeatedly. In the Southern Tang Dynasty, the "Four Treasures of the Scholar's Room" specifically refers to the Zhuge pen of Xuancheng in Anhui, Li Tinggui ink in Huizhou, Anhui, Chengxintang paper in Huizhou, Anhui, and Longwei inkstone in Wuyuan, Huizhou, Anhui.

Since the Song Dynasty, the "Four Treasures of Study" specifically refer to Xuanbi (Xuancheng, Anhui), Huimo (She County, Huizhou, Anhui), Xuan Paper (Xuanchengjing County, Anhui), She Yan (She County, Huizhou, Anhui), Tao Yan (Zhuoni County, Gansu), and Duan Yan (Zhaoqing, Guangdong, known as Duanzhou in ancient times). After the Yuan Dynasty, Hubi (Huzhou, Zhejiang) gradually prospered, Xuanbi gradually declined, after the reform and opening up, Xuanbi gradually regained its vitality.

The four treasures of the study room refer to pen, ink, paper, and inkstone.

The brush is said to have been invented by Meng Tian in the Qin Dynasty. It uses a thin, stiff and straight bamboo tube or a thin wooden tube as the pen barrel, and animal hair or plant fibers as the nib, which can be divided into three categories: soft, hard, and both.

Mo officially appeared in the Western Zhou Dynasty. It is generally made of oil smoke and pine smoke and glue. All good ink has the characteristics of "fine quality, clear glue, black color, and fragrant taste", and there are two types of ink ingots and ink.

There are many types of paper with different properties. There are paper with toughness, strong transparency and weak water absorption, such as hard yellow paper, Dowling paper, oily paper and other hard paper; There are soft paper, weak transparency and strong water absorption, such as rice paper, yuan book paper, raw edge paper and other soft paper.

Inkstones are generally made of stone, pottery or metal materials that are not easy to wear and tear and are easy to store water, and have been widely used in the Western Han Dynasty.