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Yu Yu's description of the autumn of nature thinks of his own life, and creates the image of the poet who has been wandering for many years, worrying about the country and sadness, and being old and sick and lonely.
This poem was written in the autumn of the second year of the Tang Dynasty (767). At that time, it had been four years since the Anshi Rebellion ended, but local warlords had risen up again and fought with each other for turf. Du Fu originally entered the Yanwu shogunate, relying on Yan Wu, but unfortunately Yan Wu died of illness soon after, so he lost his support, so he had to leave the Chengdu thatched cottage that had been in operation for five or six years, buy a boat and go south, originally wanted to go directly to Kuimen, but because of illness, he stayed in Yun'an for a few months before arriving in Kuizhou.
If it weren't for the care of the local governor, he wouldn't have been able to live here for three years. And in the past three years, his life is still very difficult, and his health is also very poor.
This poem was written by a fifty-six-year-old poet in this extremely embarrassing situation. On that day, he climbed the high platform outside the White Emperor City in Kuizhou alone, climbed high and overlooked, and had mixed feelings. What you see in your hope is what you feel in your mind; The bleak scenery of the Autumn River triggered the emotion of his life experience, and infiltrated the sorrow of his old illness and loneliness.
As a result, there is this masterpiece known as "the first of the seven words of ancient and modern times".
This is a seven-character poem that best represents the desolate and vast scene in Du's poems. The first two couplets write about the scenery of climbing and hearing, and the last two couplets express the feelings of ascending. The scenery is selected by the feelings, and the feelings are allegorical in the scene, which fully expresses the poet's complex feelings of wandering for many years, worrying about the country and sadness, and being old and sick and lonely.
And the style is majestic and high, impassioned, and high
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The image of the protagonist is still very prominent, and the image of the protagonist can be made taller through this lyrical technique.
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"Lisao" has successfully created a noble and perfect protagonist who worries about the country and the people, is like hatred, pursues truth, and yearns for light.
He is proud of his birth, he boasts of his aristocratic ancestry, and boasts of his birthday (寅年寅月寅日, which is indeed rare), indicating that he is very confident and conceited, and has high expectations for himself. Strive to enrich yourself and want to develop yourself into a perfect person. It's a pity that he was born in a turbid world, the authorities didn't listen to him, and he didn't want to be in the same stream with the bad guys, so he scolded the villains in the poem, and compared himself with the beauty and various beautiful and white plants unique to the Chu country, but unfortunately he was never able to expel the darkness, so he could only devote himself to the river for a lifetime.
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In the twilight of his life, in the late autumn season, the poet climbed high and looked into the distance alone, looking at the mountains and rivers, and looking down on the universe, which can be described as a magnificent and intense, generous and sad song. There is a sigh for the wandering life, a lament for the old, weak, sick and disabled, but also a love for nature and a dedication to life. The thoughts and feelings to be expressed by the poet are organically integrated with the life picture depicted in the poem, forming an intriguing artistic realm.
This poem is somber and tragic.
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The words of "Fixing the Storm" have created an image of a lyricist who is roaring, walking on crutches, wearing straw sandals, braving the wind and rain, not afraid of difficulties, calm and calm, and optimistic. Attached to Su Shi's "Fixing the Storm" and a brief analysis: 1. Full text On March 7, it rained in Shahu Road.
The rain gear went first, and the peers were embarrassed, and the rest was unaware. It's been sunny, so it's done. Don't listen to the sound of the forest beating the leaves, why not roar and walk slowly.
Bamboo cane shoes are lighter than horses, who is afraid? A cloud of smoke and rain is Ren Ping's life. The steep spring breeze blows the wine and wakes up, slightly cold, and the mountain is obliquely shining but welcomes.
Looking back at the bleak place, there is no wind and rain and no sunshine. 2. Brief analysis: This word was written in the fifth year of Yuanfeng of Song Shenzong, and the third year after the author degraded Huangzhou soldiers.
The word describes the trivial things of life when it rains on the way, and describes the ordinary natural scenes of the sunny weather after the rain, such as "spring breeze" and "oblique light on the mountain", but in these simple descriptions, it shows that no matter how much suffering is encountered in life, as long as you face it calmly, all suffering will become a philosophy of life in the past.
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This is a poem by the chairman, to analyze the lyrical protagonist, but also to observe from the text of the poem, the imagery of the poem is relatively bold.
For example: thousands of miles of ice, thousands of miles of snow.
Up and down the river, these are more heroic.
1.Therefore, the second point that can reflect the unrestrained and enthusiastic psychology of the lyrical protagonist is that his imagery is a relatively beautiful thing.
So 2It can reflect the positive optimism of the protagonist.
3.A great praise for the great situation of the motherland.
Therefore, it can reflect the protagonist's infinite love for the great rivers and mountains of the motherland.
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Su Shi set the storm in the lyrics to create a protagonist who "does his own thing, laughs proudly, is not afraid of ups and downs, is not afraid of ups and downs, is open and relaxed, and is open-minded and bold.
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What kind of lyrical protagonist does Liu Yongdie's love of flowers portray? From where can it be seen? 2."The belt gradually widens and does not regret it, and it makes people haggard for Yi" is a famous sentence that has been passed down through the ages, please analyze it.
Butterfly loves flowers, leaning on the dangerous building wind.
Song ] Yoo Yong.
Leaning on the dangerous building, the wind is fine. Looking at the extreme spring sorrow, the gloomy sky. In the afterglow of grass-colored smoke. Speechless, who will rely on will.
I plan to get drunk with a crazy picture. When the wine is a song, the strong music is still tasteless. The belt gradually widened, and I never regretted it. For the sake of Iraq, the people are haggard.
1. This poem depicts the image of a female lyrical protagonist who misses her distant relatives. It can be seen from places such as [Leaning on the Dangerous Building and the Wind is Fine], [In the Grass-colored Smoke and Light Afterglow, Who Will Be Speechless], [Wangji Spring Sorrow], [Gloomy Sky] and other places.
2. The reason why his sorrow lingers is precisely because he not only does not want to get rid of the entanglement of this "spring sorrow", but even willingly suffers from the "spring sorrow", even if he gradually describes himself as haggard and skinny, he will never regret it. "For Yi to make people haggard" is only a sentence: the so-called "spring sorrow" of the lyricist is nothing more than the word "lovesickness".
Write about spring sorrow, express the bitter lovesickness, and the persistent pursuit of love. The article uses the scene to express the poignant, sentimental, and melancholy feelings.
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Shang Yun first wrote about the indoor incense to cool off, then wrote about the eaves of the birds, and then wrote about the outdoor wind and lotus swaying, the context is lively and fresh, the structure is coherent and natural, and the point of view is very layered. The expressive description of the lotus in the words was rated as "the god who can really get the lotus" by Wang Guowei's "Words in the World", which is the swan song of writing lotus.
Xia Rong and then from the front of the May water surface is round, the scene of the wind and lotus Ling Ling is associated with the similar hometown of Wumen in May, the small boat light, dreaming into the Furong Pu, the lovesickness is incisive.
In this poem, the scene is written in the upper rhyme, and the lyrical rhyme is in the lower rhyme, and the passages are extremely distinct. Write about the quiet environment together, burn incense to cool off the heat, take the meaning of natural coolness, or imply taking a pair of cooling agents in the lively scene, and write the environment in two sentences and the mind is also quiet.
The third and fourth sentences are written in silence and noise, "birds and birds call clear", and the word "huh" is extremely expressive, implying that it rained last night and is sunny today. "Invasion of the eaves language", it is more affectionate, peeping at the eaves and telling people the joy of the new sunshine, vivid and graceful. The sentence "on the leaves" is fresh and beautiful.
The water surface is clear and round, and the wind lifts it one by one", then the dynamics can be controlled. These three sentences are really interactive syntax, which is extremely cleverly coordinated and has a moving sound. Something to the effect of:
The round lotus leaves, the raindrops of last night still remain on the leaf surface, gradually dried under the morning sun, and a gust of wind came, and the lotus leaves danced in clusters. This is like the lens of a movie, with a temporal scene, reflecting the roundness and verdant of the lotus leaves. The words and sentences refine the word "lift", and the whole word stands up, and the moving scene is like life, depicting the beauty of the posture of the lotus and the strength of the stem of the lotus.
These sentences constitute a tranquil and beautiful scenery, and then look at the time of "burning agarwood, killing the heat", it should be a matter of one day, and from the "birds and birds", it is the scene of the early morning light, and then pushed from the side of the house to the outside, and the lotus pond is a new sunny scene. Look at the first two sentences, the time should be long, the summer is like a year, the fragrance is eliminated, the silence can be known, the meaning is rich and subtle, and it has laid a sigh for the homesickness of the next long-term guest.
The lower rhyme is straight to express the mind, the words are like words, and there is no carving. He traveled to "Chang'an", which was actually Bianjing (now Kaifeng) at that time. Zhou Bangyan originally entered the capital as a student of the ether, and was appreciated by the gods in order to dedicate "Biandu Fu", and entered the Taixue Zheng, but he still did nothing, and he inevitably had the thoughts of the countryside.
Hometown is far away, when to go to the "location", "live in Wumen, and travel for a long time", it is really better to go back. Immediately after "May Fisherman Remembers Each Other", I don't say that I miss my hometown friends and friends, but I write whether the fisherman misses himself, and the host and guest are displaced, which further sets off my thoughts about my hometown relatives and friends, which is written from the opposite side. One knot and two sentences, "Xiaoji light boat, dream into Furong Pu", that is, rowing a small boat into the lotus pond in the dream.
The reality ends with a fictional dreamscape, which is virtual and real, and unpredictable.