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China is developing rapidly, and pop songs and TV dramas are now more accessible and more in line with the taste of the public. And Chinese opera, because many people can't understand it and have no interest, is tepid.
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Because the main audience of Chinese opera culture is the elderly. Among the younger generation, there are very few people who like opera, so it is not very popular, but it is more popular among the elderly, so it feels tepid.
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The opera culture is very attractive, but it is still those familiar tones that are repeated over and over again, and it is inevitable that some freshness will be lost.
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Because the young people are all pursuing new things, and their love for the opera culture left by their ancestors is not so deep, the older generation is still relatively traditional.
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Football advocates starting from the baby, and opera should also start from the baby! When we were children, we didn't have so many media, and the variety of spiritual and cultural communication was also very simple! Family.
The main content is to serve the country with loyalty, and the moral goal of school education is to be a person who is beneficial to society and the country! In the 70s, the traditional opera culture taught us that the main contents were: benevolence, righteousness, courtesy, wisdom, and faith.
The spirit of acceptance, the down-to-earth creed of honesty, and the Confucian doctrine of respecting teachers and valuing education. **There are model plays in the textbook.
There are chorus singing in extracurricular activities, and the romance of the Sui and Tang dynasties in dust or history classes is told.
So we now understand aesthetics, listen to opera, remember gratitude, and talk about filial piety! So it seems that traditional culture.
Education should indeed be taught from an early age, taught in learning, and taught in fun, from which the influence penetrates and passes on to the next generation, from the quaint, elegant and elegant opera culture to educate generation after generation, influence one person after another, and carry forward the opera culture.
In order to better inherit the opera culture, it is first necessary to protect and sort out the original appearance of the opera, so as to leave a more comprehensive and accurate opera material for future generations. Secondly, contemporary media, artists, and enthusiasts should publicize and explain opera through multiple channels, angles, and methods, so that more young people can understand opera and cultivate more talents who understand opera. The most important thing is how to inherit and carry forward?
Nowadays, there are many literary and artistic forms, the rhythm is fast, and opera must be integrated with the art forms of the current school, such as film and television dramas, stage plays, **, dance, costumes, etc., and the art forms that are out of the times are destined to die out.
For potential audiences who want to learn about Chinese opera and Peking Opera, it is recommended that they should first go into the theater and experience the infinite charm of Chinese opera. Nowadays, the theater service is in place, and the actors on the stage sing and read with subtitles, which can help the audience who are new to the theater to understand the plot and characters, and avoid the huge obstacle of not being able to understand the plot and characters because they can't understand what to sing and say! It is believed that through the observation, these potential audiences will fall in love with Chinese opera, learn more about Chinese historical stories and characters, increase their knowledge, and improve their appreciation of opera!
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First of all, we must protect the culture of the original hand, and then we must cultivate the heirs, which can be publicized through **or short**APP, and then we must let more people understand traditional Chinese culture, and we must strengthen the influence of ear town socks.
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Throughout ancient and modern times, in the long history of China's 5,000-year history, opera has made indelible contributions to traditional art and culture. The art of Chinese opera has great value and significance for traditional Chinese art and culture in terms of the form and content of the song.
In the art of Chinese opera, it is called "essence, qi and spirit" in performance. This is also a unique artistic charm that only Chinese opera art and culture have. It gives the greatest contribution value to world theatre.
Not only that, opera first proposed that actors should pay attention to the integration of internal and external, both form and spirit, voice and emotion, and other theatrical performance concepts and systems. At the same time, the "circle" is the beauty, as the aesthetic law and value embodiment of the physical dance art, such as the circle field, cloud hand, somersault skills, etc. It also includes the lyrics of the song card to pay attention to "beautiful rhythm, long aftersound, and catchy".
The art of singing, the symmetry and neatness of lyrics and composition, the connotation and artistic conception all have the freehand style of traditional national art and culture. In the Chinese opera art and culture that has been passed down for a long time, there are countless examples of this.
The inheritance of opera is the continuation of traditional civilization. Each era has its own literature and art. Just like the Tang Dynasty had poems, the Song Dynasty had the word to step on the shaking mother to join the army, the Yuan Dynasty had miscellaneous dramas with tiled house railings, the Ming and Qing dynasties had legends, and the Ming and Qing dynasties also had miscellaneous operas, operas, and operas.
It can be said that drama is a comprehensive performing art form that originated in the era of Chinese agricultural culture. It embodies the wisdom and creativity of our ancestors to create a form of theatrical performance that is unique in the world. It has very significant Chinese national characteristics and symbols.
Therefore, as long as it involves traditional Chinese art and culture, Chinese opera is indispensable. Moreover, it has made great contributions to traditional Chinese art and culture. It is not an exaggeration to say that Chinese opera belongs to the "quintessence" of art and culture.
It can be seen that as long as we talk about traditional Chinese art and culture, we can't help but talk about Chinese opera. It can be said that the two belong to the same vein, and their historical origins are inseparable. Therefore, the contribution and value of Chinese opera to traditional Chinese art and culture are indelible.
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If we want to develop opera culture, we have to listen to opera when we have nothing to do, and if we are interested, we can also learn opera, so that we can preserve and develop the culture of our liquid sail.
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I don't think there are many people who like Chinese opera culture, but foreigners do like this culture, and we can develop it abroad, so that it can be preserved and developed.
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We should learn more about opera, and at the same time, there should be some innovation in the opera industry, so that people are more willing to accept opera and want to be more active.
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In normal times, we should increase the publicity of opera culture, often watch some opera culture, and love drama culture, so that the opera culture will be preserved.
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If we want to retain these opera rubber song culture, we should vigorously publicize it, so that more people can learn and understand this opera culture, so that the traditional culture can be passed on.
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In order to preserve and develop the culture of opera, we first need support at the national level, secondly, we need to increase publicity, and finally we need the participation of the people.
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First of all, these opera selling wheel culture should be brought into the classroom or school, and then vigorously encourage students to learn opera culture, and they should also be promoted on the **.
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It is still necessary to have some more talented people to develop, and there are more people who listen to it, and there are more people who study nature, so that a virtuous circle can be formed.
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First, the leading role of star actors. The star actor here does not just mean "Jiaoer", it is a well-known and influential person in the entertainment industry and even the public welfare circle outside the opera world. For example, Wang Peiyu not only acted seriously, but also spread Peking Opera in entertainment columns such as "Wonderful Story" and "Crossover Singer", and also won many young audiences because of his personal charm.
Second, education is universal. At present, the China Academy of Drama, a professional institution of opera education in China, has taken the lead in carrying out the "Gao Shen Xiao" project, the so-called "Gao Shen Xiao", that is, the professional students of the Academy of Chinese Opera go to the primary schools in Beijing to popularize some opera, in addition to telling some common sense of opera, they will also teach children some classic opera fragments, so that children can feel and experience opera, which is a successful implementation and practice of "opera should start from a baby" that has been advocated for a long time.
Third, environmental guidance. Everything has its own development trajectory, and we should not deny that opera is now in decline, nor should we blindly believe that opera will "rejuvenate the earth". It is necessary to appropriately infiltrate some elements of opera in the cultural environment and media channels.
Fourth, the influence of the media. Regarding the dissemination of opera, whether it is the Internet or TV, you can write opera-related columns, such as Beijing TV's "Inheritance of China" some time ago and the "Chinese Opera Conference" to be broadcast by CCTV next are all good columns, and these columns should be more lively in form. Previously, on World Museum Day, an H5 launched in cooperation with the "Douyin" platform exploded on the social platform.
Fifth, the preferential **, so that the people can watch the play. The economic market performance is the best, but it must start from the actual situation of the people, provide more first-class qualifications for the people, and let more people and fans enter the theater to perform. As long as everyone works together to actively promote opera, find ways and take action, the future of opera will be more exciting.
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We should combine opera with some current trends, we should release more opera culture in the mainstream, and we can also increase the intensity of propaganda of opera culture, so as to retain and develop opera culture.
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We should promote ourselves through some cultural promotion and some specific regulations on opera, and we should also preserve some intangible cultural heritage, and at the same time, we should make the popularity of Chinese theater culture more widely among young people.
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It can be promoted regularly in the community to promote education and development in this area, and in schools it can be promoted more such activities.
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If there is any pure Chinese culture in China today, it can only be Chinese opera. At the same time, opera is one of the three ancient dramas. His culture is thick. Therefore, it is not an exaggeration to call him our national quintessence.
For the culture of the new era, everyone may say whether we should add new elements to it. My opinion is this: on the one hand, we must make full use of the external elements such as photography now, and on the other hand, I don't think we need to add a lot of modern thought and culture to his content.
In modern society, there are already a lot of film and television things that are following us, and we have to feel that we can go to movies and TV in the atmosphere now. As a kind of inheritance and record of ancient Chinese culture, opera should maintain its original flavor. If I had to add something to it, I think it could be added to the culture of our place.
Because with the development of the modern economy, the characteristics of each place are gradually disappearing, and even the accent will gradually disappear one day. And our opera can absorb it, so that the opera continues to develop, and our culture is preserved.
I thought about how sad it was that our opera would become the same as film and television in the future, without its own culture. To a certain extent, China's economic development has led to the continuous erosion of our culture and the continuous increase of other people's things. Therefore, if there is no longer any culture that adheres to China, will China still be China?
Will he become a copy of other countries. For Chinese opera, I really hope that he can stick to his own characteristics and not become unrecognizable with the development of the times. We still have a lot to do before the countryside becomes urbanized.
In modern times, when everyone only pays attention to economic benefits, can we take care of our Chinese culture? In fact, there are still many gaps in the foreign market of Chinese culture that we need to fill. So what do we take to fill it.
Therefore, we must increase the pace of our development, rather than reading our own culture from the mouths of other countries.
Purely personal opinion.
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Which ones have you already watched?
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Although fewer and fewer people are watching theater culture nowadays, we must never forget theater in the long river of history. Drama carries the irreplaceable history of the Chinese nation and is a top-notch art. It is hoped that in the future, the country can vigorously promote the culture of drama, reform the style of drama, and let drama enter the era of rejuvenation as soon as possible and re-enter people's field of vision.
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Because there are countless types of culture that are emerging now, and opera is too complicated and old-fashioned, and often cannot be understood because of the different ways of singing in different regions, young people nowadays do not take it seriously, thinking that it is something that the older generation likes and cannot keep up with the trend of the times, so there are fewer and fewer people who see it.
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Because most young people don't like opera culture very much, and opera culture is not much promoted, and they are not often seen on the Internet, so their popularity is getting lower and lower, and few people watch it, and it would be better if they could advertise more.
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I think there are very few people who can understand the content of opera culture, but now there are all kinds of new things, and young people will like new things, so there will be very few people who watch opera culture.
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The reason why fewer and fewer people watch opera culture now is because people like to watch fast food culture nowadays, and opera culture is too unpopular and too advanced for most people.
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Introduce the current situation and reasons for traditional opera, and discuss the direction and suggestions for the development of traditional opera in the future!
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Because people now have a lot more entertainment activities, opera is no longer the only choice.
Li Yu's deeper rational understanding of the aesthetic characteristics of dramatic art has made outstanding contributions to the history of Chinese dramatic aesthetics.
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