Nowadays, many operas have added Western instruments to their accompaniment, but why don t Qin diale

The main reason is that for many years, people have paid more attention to the original inheritance of the Qin dialect, so they have not been integrated into Western musical instruments. However, with the changes of the times and the changes in people's aesthetics, there may be a fusion of Qin dialect and Western musical instruments in the future to adapt to the development of this society.

The development of the Qin dialect is mainly in the Shaanxi, Gansu and Ningbo regions, the Qin dialect gives people a more shocking feeling, the voice is loud, showing an image of a northwest man, inherited and developed in Shaanxi and Gansu, in the first Qin dialect drama, you can connect your daily life with the story in the Qin dialect, so that you can also feel the beauty of classical drama. <>

First, the inheritance of the original flavor

In the process of inheritance, Qin Yan pays great attention to the original flavor of the drama, and almost does not add any Western musical instruments. In the process of singing, the singer will also change the tone according to the scene of the drama, and the content of the chapter is also very rich, which can make people see vivid stories from it, and secondly, it is also very infectious in the process of singing. In the process of fragrance transmission, great attention is also paid to combining public life and artistic inheritance, so that the inheritance of Qin dialect is more beautiful.

Second, listening to the Qin dialect is a beautiful enjoyment

Because of his unique charm, Qin Cavity has been liked by many friends in Gansu and Shaanxi, and now there are many students who are willing to learn Qin Cavity to convey traditional Chinese culture. In the process of transmission, although Qin Yan did not add any Western music to retain his original performance style, it gave people the feeling that it was not out of touch at all. The cultural color of the Qin dialect is healthy, staying on the stage, and it is also integrated into people's lives, and many people will occasionally hum a couple of sentences in their daily work to express their joy.

Nowadays, almost all the people who like emotional intelligence are some elderly people, and many students are not very fond of the Qin dialect, and in the process of inheriting the Qin dialect culture, these traditional cultures should also be brought into the school.

This is because the rhythm of the Qin dialect is relatively fast, and it is very rich in Chinese characteristics, so these Western instruments cannot be added, otherwise it will lead to the cultural taste of the Qin dialect, which is very disobedient.

If the Qin dialect also added Western musical instruments, it would be particularly weird, because the two were not compatible.

The main reason is that the Qin cavity is not suitable for adding Western instruments, which will destroy the beauty of the Qin cavity.

Of course, the most important instrument in the Qin cavity is the banhu, whose pronunciation is sharp and crisp, which can best reflect the characteristics of the change of the Qin cavity.

Banhu has a variety of names, such as Qin Hu, Hu Hu, Bangzi Hu, Da Xian, etc. The timbre is high, solid, and has a strong penetrating power, and it is the main accompaniment instrument for northern opera and rap, and can also be used for ensemble and solo.

Banhu has a history of about 300 years in China, and there are many varieties with bright and high-pitched tones. It is the main accompaniment instrument for a variety of Bangzi operas, northern operas and operas in China.

After the 50s of the 20th century, it was used for solo and instrumental ensembles. It is deeply loved by the majority of people and is popular in the northwest, north China, northeast and northeast provinces and regions, especially in Shaanxi, Gansu, Shanxi and other provinces. Originally, banhu was mainly popular in northern China, and many local operas and operas, such as Hebei Bangzi, Pingju, Henan Opera, and Qin Dialect, all used banhu as the main accompaniment instrument.

Because Banhu and Chinese opera, quyi has a deep relationship with each other, so it can play its own strengths in the performance of opera, quyi, in the local opera and quyi accompaniment, the regional banhu is good at expressing their different styles, rich in unique local color.

Banhu, Erhu, Erguxian, Jinghu, Xianzi, Yangqin, Erxianzi, Flute, Pipa, Suona, Siren, Pipe, Tua (Trumpet), Banggu, Gangu, Tanggu, Gong, Gong, Cymbal, Hinge, Bangzi, Zheng.

Erhu, there is a song in the erhu repertoire called Qin Yan! Traditional** natural traditional instruments, many traditional instruments should be able to accompaniment.

The accompaniment of the Qin dialect is divided into a literary field and a martial field. Great relatives.

There are banhu, erxianzi, erhu ziqiao, flute, sanxian, pipa, dulcimer, suona, siren, pipe, tuba (trumpet), etc.; There are violent drums, dry drums, tang drums, sentence gongs, small gongs, horse gongs, cymbals, hinges, bangzi, etc.

Qinqiang opera, one of the oldest dramas of the Han Chinese people, originated in the Western Zhou Dynasty and originated in Xifu (the core area is Qishan (Xiqi) and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province). Mature in Qin Rolling.

The Qin dialect, also known as the random bomb, is popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in northwest China, among which the Xifu Qin dialect accent of Baoji is the oldest, and retains more ancient pronunciation. And because it uses jujube wood bangzi as a percussion instrument, it is also called "bangzi cavity", commonly known as "bangzi" (because the bangzi makes a "trance" sound when hitting the knot).

On May 20, 2006, it was approved to be included in the first batch of national intangible cultural heritage list.

Wenchang banhu, erhu, flute, dulcimer, and wuchang drums are classical musical instruments, and they can also be matched according to the style of music