Why is there no Qin dialect on the opera channel?

The history of the Qin dialect is much longer. For the history of the Qin dialect, some people even trace it back to Youmeng in the Spring and Autumn Period and the Warring States Period, which is a bit funny, and some people trace it back to Li Guinian, Lei Haiqing, and Gongsun Auntie in the Tang Dynasty, which is not credible. It is credible that the "Shaanxi Provincial Drama Introduction Editorial Committee" talked about in the article "A Preliminary Review of the Qin Cavity School":

At the beginning of the Ming Dynasty, someone had brought the Qin cavity [Tongzhou Bangzi] into Beijing, when Zhengde, Tongzhou Bangzi had been valued by the Chaoyi generation, at the end of the Ming Dynasty, when Li Zicheng was training, he had taken Tongzhou Bangzi as a military drama. All this shows that the Qin dialect was formed at least in the Ming Dynasty. In addition, the Qin dialect is the ancestor of all Bangzi dialects [Pu Opera, Jin Opera, North Road Bangzi, Shangdang Bangzi, Hebei Bangzi, Shandong Caozhou Bangzi, Qingzhou Bangzi, Henan Opera, etc.].

The western tone of Peking Opera is said to come from the Qin dialect. Peking Opera and Qin Cavity both belong to the plate cavity. The Qin cavity belongs to the Bangzi cavity, and the Peking Opera belongs to the Pihuang cavity.

The flower sound is more cheerful, and the bitter sound is sad. Peking Opera singing is divided into two types: Xipi and Erhuang. Sipi has a cheerful tone, and Erhuang has a deep tone.

The difference between them and the bitter sound of the Qin dialect is different, Xipi Erhuang has its own antitone, and the tone of anti-Xipi and anti-Erhuang is sad. Peking Opera's Xipi Erhuang also has various plate styles, such as guide plate, huilong, adagio, original plate, and two.

Sixth, rocking board, allegro, loose board, etc. The plate style of the Qin cavity is divided according to the rhythm, for example, the scattered singing is the arrow board, and the one board and three eyes are the slow board. And the Peking Opera's scattered singing and guiding boards, as well as scattered boards.

His plate style is more finely divided, similar to the Qin cavity dividing a double hammer from the generation plate. There is almost no genre in the Qin cavity. I say almost, yes or no.

Such as the current promotion faction, Yuan faction, Xiao faction. However, the inheritance is poor, the research is poor, and there are few learners of important genres. In addition, I just learned the genre of my own troupe.

Even those who study may not be able to learn the good things of their predecessors.

Qin dialect originated from the folk songs and dances of ancient Shaanxi and Gansu, which grew up in Chang'an, the political, economic and cultural center of ancient China, and gradually formed after the creation of generations of people, because since the Zhou Dynasty, the Guanzhong region was called "Qin", and the Qin dialect was named after this, and it is a very ancient drama. Because of the jujube wood bangzi as the percussion instrument, it is also called "bangzi cavity", because of the "trance" sound when hitting the knot, it is commonly known as "the pinnacle". Qing man Li Tiaoyuan's "Rain Village Drama" cloud:

It is commonly said that the Qian family is embellished with hundreds of Qiu outer sets, and there is a Qin dialect. Started in Shaanxi, with Bang as the board, the moon qin should be, there is also a tight and slow, commonly called Bangzi cavity, Shu is called the messy play. In the past, Kunqu opera and high-cavity operas other than the opera were called "random plays", and some Peking Opera was called "random plays", and some dramas were named after random plays, such as Wenzhou and Hebei, which are still more used in the general name of the Bangzi cavity system with the Qin cavity as the first and the mainstay.

Peking Opera really can't be regarded as a long-standing opera, it has been formed relatively backward, and Kunqu Opera Qinhua Sichuan Opera ......All of them have a much longer history than Peking Opera. Although there is no second martial arts and no first, and the art form cannot be simply judged by high and low, in fact, everyone knows it. Some things are not of a grade at all.

It is only equivalent to the existence of preserved opera in some remote areas, which is almost the most primitive state of opera. And the repertoire is not far less rich than that of Peking Opera. In fact, the culture of many ethnic groups is far from developing to the point where it is possible to create a systematic and complete art form.

As for the Qin dialect, the Chinese local opera has its origins in the process of formation, and each local opera has its original name and many aliases. After the founding of the People's Republic of China, the names of local operas and operas were standardized and unified. Qin cavity also has many other names, but Qin cavity is the ancestor of a hundred operas, so the original name is used.

Agriculture and Forestry Satellite TV's "Busy Theatre", its ** is mainly based on Qin dialect excerpts and this play, supplemented by Peking Opera, Henan Opera, Huangmei Opera, etc. 2.Shaanxi TV's fifth set of entertainment channels is mainly based on the veteran festival "Voice of Qin", mainly in the form of events.

3.Shaanxi TV's Western Movie Channel, after two years, has launched a Qinqiang program, mainly focusing on young rookie actors and traditional famous dramas. 4.

Shaanxi TV station Wei ** Dao and a set, "The Voice of Qin Stage", mainly ** traditional drama with liquid. 5.Gansu Provincial TV Station Weidao and Cultural Channel, "Big Stage", mainly focuses on professional performances and fan competitions.

**TV drama channel "Kyushu Grand Stage" will**Qin Yan's new repertoire. In major opera events, "Theater in the Sky" will also be the first Qin repertoire. However, there are very few opportunities compared to local TV stations.

Qin dialect is a local opera in Shaanxi and Gansu provinces.

Qinqiang opera, also known as "Bangzi Cavity" and "Shaanxi Bangzi", one of the oldest dramas of the Han nationality in China, originated in the Western Zhou Dynasty and originated in Xifu. Matured in Qin. It is one of the national intangible cultural heritages.

In ancient times, Shaanxi and Gansu belonged to the Qin State, so it was called "Qin Cavity". Because in the early Qin dialect performance, it was often accompanied by jujube wood bangzi percussion, so it was also called "bangzi cavity".

After the Qin cavity was formed, it spread throughout the country, and because of its complete set of mature and complete performance system, it had a different degree of influence on the opera genres in various places, and directly influenced the Bangzi cavity to become the ancestor of the Bangzi cavity opera. Qin's performance skills are simple, rough, bold, full of exaggeration, strong breath of life, and rich in skills.

Singing

The singing cavity of the Qin cavity is a plate variation, which means that the dissipation and infiltration is based on a tune, and a series of different plate styles are formed through changes in beat, rhythm, melody, speed, etc. The Qin cavity singing cavity includes two parts: "board road" and "color cavity", and the board road has six basic plate types, such as two six plates, slow boards, arrow boards, two inverted plates, belt plates, and rolling plates.

Color cavity, commonly known as the "second tone" of the Chong Brigade, has an octave of pitch, and is mostly used in the emotional turmoil of the characters and the ups and downs of the plot development. The Qin dialect is sung with a false voice, and the drag tone must be attributed to the "An" rhyme, which is full and hearty to listen to, and is extremely expressive, which is also the difference between the Qin dialect and other local operas.

Because there is none, Qin Yan can't be found on TV.

CCTV opera channel, mainly broadcast five major dramas.

That is, Beijing, Henan, Ping, Yue Opera and Huangmei Opera.

In addition, there is no Qin dialect, and Jin, Guangdong, Shanghai and Hebei Bangzi, Henan opera, etc. are also broadcast. CCTV is based on the size and ratings of the drama.

to arrange the show.

The emergence and development of the Qin dialect has a profound historical origin and a strong cultural background. In all stages of the development and spread of the Qin dialect, there is a unique cultural background, and they are deeply branded with a distinct mark of the times.

The art of Qin cavity. Qin dialect, is a folk song and dance originated in the ancient Shaanxi and Gansu areas, which grew up in Chang'an, the ancient cultural center of China, and gradually formed after the creation of generations of people, because of the Zhou Dynasty.

Since then, the Guanzhong area has been called, and the Qin cavity is named after it.

It is commonly said that the Qian family. Decorated with hundreds of Qiu outside the set, there is a Qin cavity, began in Shaanxi to Bang as a board, the moon qin should also have a tight slow, vulgar call Bangzi cavity, Shu is called a chaotic play. Words in Chinese opera.

There are many meanings in the vocal cavity, and in the past, all the operas other than the high cavity of Kunqu Opera were named, and there were also operas that were called Peking Opera to be named.

For example, Wenzhou and Hebei are still used more in the general name of the Bangzi cavity system with the Qin cavity as the first and the main one. The Qin cavity can be divided into two roads, east and west, the west road flows into Sichuan and becomes Bangzi, the east road is Jin opera in Shanxi, and Henan is Henan opera.

Their differences are as follows:

1.About the history of the two: the history of the Qin dialect is much longer than that of Peking Opera, and some people even trace it back to the Spring and Autumn Period and the Warring States Period, 2

About the two **: Peking Opera and Qin cavity both belong to the plate cavity. The Qin cavity belongs to the Bangzi cavity, and the Peking Opera cavity belongs to the Pihuang cavity, 3

About the two confessions: Qin dialect generally only speaks authentic Shaanxi Guanzhong dialect, and the middle Qin dialect speaks Xi'an dialect. Peking Opera says rhyme white, Beijing accent, 4

About the two lines: the lines are almost all born Dan net ugly, Qin Yan used to speak 13 lines, 5About both genres:

There are many genres of Peking Opera. There is almost no genre in the Qin cavity.

The Qin dialect is a traditional drama in Northwest China.

Originated in the Western Zhou Dynasty, originated in the Western Palace, and matured in the Qin Dynasty, it is the oldest and most abundant vocal cavity system among the four major vocal chambers. The performance of Qin dialect is simple, bold, full of exaggeration, and has a strong atmosphere of life. It is popular in Shaanxi, Gansu, Qinghai and other places in northwest China, among which the Xifu Qin accent of Baoji is the oldest, and it retains more ancient pronunciation.

Qin cavity, is originated in ancient Shaanxi folk song and dance, in ancient China political, economic, cultural center Chang'an grew up, through the creation of generations of people and gradually formed, because since the Zhou Dynasty, the Guanzhong area is called Qin, Qin cavity is named from this, is one of the very ancient service of the drama species.

The stereotyped singing of the Qin dialect developed in the Tang Dynasty, and with the stability and prosperity of the society, people's spiritual needs became more and more abundant. Chang'an is also an international city, and the development of Qinqiang is naturally not a problem. Today, every time there is a major celebration and festival in Tianshui, the local people have to organize a singing and talking rally.

In the heyday of the Qin cavity in the Qianlong period, there were Qin cavity classes in many places across the country, and there were 36 Qin cavity classes in Xi'an alone, such as Baofu class, Jiangdong class, Shuangzhai class, Jinxiu class, etc.

The traditional repertoire of the Qin dialect

The repertoire performed by Qin Yan includes myths, folk tales and various public dramas. It has a rich repertoire of traditional plays, with a total of 2,748 copies copied.