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Later generations speak highly of this!
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Wang Xizhi (303-361), Han nationality, the word Yi Shao, the number 澹 (dān) is more than seven feet long about (meters), originally from Langya Linyi (now Shandong), and later moved to Shanyin (now Shaoxing, Zhejiang), the official to the general of the right army, will be the history of the internal history, is a great calligrapher of the Eastern Jin Dynasty, and is respected by later generations as the "saint of calligraphy". His son Wang Xianzhi's calligraphy is also very good, and people call them both"Two kings", another son, Wang Ningzhi, was the official to the left general, because he was the general of the right army, he was known as "Wang Youjun" and "Wang Huiji". Representative works include:
The regular script "Le Yi Treatise", "Huang Tingjing", the cursive "Seventeen Posts", the line book "Aunt's Post", "Sunny Post when the Snow is Fast", "Funeral Post", and the regular script "Lanting Collection Preface", etc. Intensive study of the general situation, the heart of the hand chasing, the advantages of the wide, smelted in a furnace, to create a "natural nature, abundant gods cover the generation" of the book, by the descendants known as the "book saint". Among them, Wang Xizhi's "Lanting Collection Preface" is admired by calligraphers and is known as "the first book in the world".
Wang Cong Chi Sui Xizhi has a deep knowledge of real calligraphy, grass, and calligraphy. Today's Liu Duo once praised Wang Xizhi's calligraphy: "Good characters are only (zhi, that is, Wang Xizhi)".
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The Seventeen Verses is one of Wang Xizhi's representative works of cursive writing. In the history of ancient Chinese calligraphy, Wang Jueying's position as a combination of Xi is very unique. Because of the vigorous advocacy of Li Shimin, Taizong of the Tang Dynasty, Wang Xizhi's calligraphy was recognized as a model of ancient calligraphy art.
For more than 1,000 years since then, Wang Xizhi's position in the art of calligraphy has been very strong, and people revere him as the "sage of calligraphy" and the representative of Chinese calligraphy culture. If you don't understand, please ask, thank you.
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"Seventeen Posts" is one of Wang Xizhi's representative works of cursive writing.
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1.The style of "Seventeen Posts" is impulsive and elegant, not agitated, and the wind rules are far away, and there is no general cursive maniac and angry atmosphere, revealing a neutral and peaceful atmosphere. The lines of the whole post are clear, but the words between the left and right are mutually reinforcing; There is occasional connection between words, but it is mainly broken, the shape is broken, and the line is through; The size of the glyph, the density is staggered, and the so-called "shape is broken and connected, and the momentum is oblique and straight".
2."Seventeen posts" with a pen square and round, square in the circle, hidden fold in the turn, and the circle turns, including the strong in the graceful, the line in the graceful, the outer standard and the inside contains the clear, concise practice and movement appropriately, these can be said to be the realm and method that the grass learner must appreciate.
3.To study "Seventeen Posts", if there is no ink, you can only find a copy of the Tang Dynasty; If there is no copy of the Tang Dynasty, find a good engraved copy. Finding two copies of the Tang Dynasty in the "Seventeen Posts" is "The Distant Eunuch Post" and "The Wandering Eye Post", which can be of great help to the understanding of the quality and authenticity of the "Seventeen Posts".
4.The writing brush is mainly based on "paving", and there are few "twisting edges", which can also be inspired in Wang Xizhi's other calligraphy. With "paving" as the keynote, it is carried out by leaping and pressing, and it also plays the role of "adjusting the front".
This kind of "paving" can also be found in Sun Guoting's "Book Pedigree" and Zhao Wenmin's letters.
5.The pen of "Seventeen Posts" still retains the characteristics of "Lishu", which is also the difference between this post and other cursive scripts. This subordination is not only expressed in the overall atmosphere of the work, but also in the specific brushwork.
For example, the painting of the word "long" in "Yimin Post" does not take the usual method of "longitudinal quotation", but retains the ripples in the official book, which makes the whole work look incoherent and unsmooth at first.
6.The dot painting characteristics of "Seventeen Posts" are like the pen of regular script, the writing speed is not fast, the pen is strict, and it is far from the square. The dot painting of "Seventeen Posts" is particularly clear, like a real book, the pen is in place, the words are beady, the writing is full of emotion, and the "love" and "law" have been harmoniously integrated here.
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Very valuable and worth collecting.
The key to value depends on whether it is rubbed or rubbed print.
If it is the original extension, the value is at least 100,000.
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Rubbing
I thought it was handwriting
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The undulating strokes in "Seventeen Posts" are full of rhythm. Some words are connected with a lot, and there are mentions and presses between the implications, and sometimes they seem to be connected and broken, so we should pay attention to the change in the thickness of the pen and the conversion of the direction of the stroke. Some words have a large arc of the pen, forming a circular font, such words especially need to pay attention to the ups and downs of the line, the speed of writing is not too fast, the speed is easy to draw circles.
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There is about a one-dollar coin.
The size is about the same, because the seventeen posts are Wang Xizhi.
The cursive ruler, the ancient ruler is about a little smaller than a magazine now, so the word can not be very big, now the printing quality of the publishing house has improved a lot, a lot of copybooks are the original large printing, you can buy a look, the better publishing houses are Shanghai Painting and Calligraphy Publishing House, Shanghai Lexicographical Publishing House, Jilin Literature and History Publishing House, Cultural Relics Publishing House, Xiling Seal Publishing House, these copies are good.
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Sorry, I can't be sure exactly how big the words are in the Seventeen Posts, but I can provide you with some information about the Seventeen Posts.
"Seventeen Posts" is Wang Xizhi's cursive masterpiece in his later years, named after the first two characters "Seventeen". The original ink is one zhang and two feet long, that is, Zhenguan Zhongneben, a total of 17 lines, 943 words, is one of Xuanhe's famous posts.
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