What s wrong with my sketch? 50

Drawing, you have to take your time, look at your drawing board, you are a college entrance examination candidate. Don't be in a hurry to light and shade, your painting, first of all, is the problem of shape, fruits, plates, and dark glazed jars, cups, including plaster, the shape is problematic, followed by the problem of perspective, the perspective of your plate and other still life is inconsistent, resulting in the picture looks twisted, if you are in the shape, perspective is no problem, you can go on the light and shade, while paying attention to the relationship between the white cloth and the plaster and the plate, all three are white, distinguished, the light and dark should not be local, It is necessary to be whole, pay attention to the relationship between the front and back, and consider the virtual and the real.

Next, explain the dark boundary line and projection, the light and dark boundary line can not be too dead, from your picture to see that your light and dark boundary line is too dead, lack of excessive, heavy places are not heavy, resulting in no sense of weight on the table of fruits, not enough sense of volume, pay more attention in the future. Let's talk about projection, projection is also made of shape, the projection on the screen is not very clear, the direction of the projection should be consistent, the shape of the object on the lining is undulating, the level is divided on the projection, your picture will look very delicate, the structure of the lining is painted, pay attention to its surface, you only need to pay attention to the black, white and gray three sides, your lining will rise, do not die.

Your painting, the overall black, white and gray is okay, if it is a provincial joint examination, it is probably between 68 and 78 [100 points paper] Copy more before the exam, don't be nervous. I hope the above can help you, and I wish you success in the college entrance examination.

From my point of view, 1 First of all, the angle is not well chosen, every object can be seen completely, and the picture is too scattered Generally speaking, in a picture, the first visual impact point is the upper right of the midpoint Take your painting is almost in the geometry and the fruit (of course, you can show it at any angle, but you are still just a beginner, so I think it is very important to choose an angle to express) 2The way the lines are drawn is too simple, take a look at the direction of your lines, and then look at other people's works in the book to compare it 3 The main and secondary are not clear, to be close to the real and far from the virtual, the earthen jar in your picture and the fruit bowl in front of it are more solid, and the middle ones are too empty, and the three-dimensional sense will become tasteless, 4The contour line is unclear, the boundary between light and dark is too rigid, and the cloth is too stiff

The modeling is not rigorous, the picture is gray, the tone is thin, the light and dark transition line lacks potential changes, and the overall picture is a little stunned without in-depth depiction. Black, white and gray, reflective, and environmental colors should be explained clearly.

The jar is well drawn, but the fruit is not good The fruit can't pay too much attention to the boundary between light and dark And it's not plaster Even if there is, it's not obvious You lack too much The shape of the cloth is not right It looks unreasonable and too rigid In fact, you don't need to paint all the cloth and then wipe it white and draw the color of the cloth Summarize the light and shade of the cloth The front is a little bigger, the front is a little deeper, and the back is a little shallower, and there will be a feeling from near to far The cup can actually be summarized The drawing is a little shallower Overall, the perspective of the whole painting is not done well The jar is too detailed The fruit is too brief The front thing should be the most detailed, but the weight of the jar is very good.

1.Isn't the folds of the interlining too exaggerated?

2.The whole picture is tilted, I don't know if it's a problem with the shooting.

3.Is the shadow of the goblet scattered?

4.The shadows on the screen (especially behind the wine glass) don't feel too messy, not to say, not in line with reality, the whole picture is very messy, this is the most embarrassing part of the exam.

5.Most importantly, I feel that you are mostly imaginary, out of proportion and asymmetrical in angle.

Maybe the language is too ......However, in order to draw a picture well, especially a sketch, the most important thing is to practice a lot and observe.

The picture is not overall enough, the lines are not clear enough, and the shape of each object is not accurate, so it is best to practice more.

There is not enough transition between dark and light surfaces.

The relationship between black and white is not bad, but it may be that the photo is not good, I look a little out of shape, and the lining can be more delicate, the dark part of the fruit is a little too much, and the overall space has not withdrawn, the white lining behind is a little backward, I hope to understand what I mean.

I don't know what age you are, but I still want to say that in addition to the provincial joint entrance examination, most of the self-exams in other schools do not test sketch still life.

The space level is not opened, the fruits and plates in front should be drawn more carefully, which is conducive to the space level being opened, and the edge behind the white cloth can be treated more virtually. The cloth is too hard to feel its softness, and the jar of the picture is well drawn.

The spatial hierarchy is not opened. The relationship between fiction and reality is not grasped well. The thing didn't sink, it was a little floating, not whole, rough, not fine.

It's good to have the courage to hang out after a long time of studying, to solve the problem of painting now, maybe the answers here won't help you much, the key is to paint more by yourself, find your own feelings about the shape and tone of the object, and deal with the picture, find a teacher who paints well, settle down and learn to paint, maybe the answer to all your questions is in the object you want to depict.

The light and dark levels of the objects are not prominent, the proportions are not well mastered, and the relationship between black and white is not clear, so keep up the good work!

The relationship between light and dark is not handled well. The lines are too stiff and the shapes are not very accurate.

The modeling is not rigorous enough, and it is necessary to pay attention to the in-depth portrayal of the main object.

The drawing is too rigid, there is no sense of line, you can practice more lines!!

Haha, there is not enough time, there is no problem with painting, as long as the direction is consistent, it will be done.

I feel that the interlining is a bit of a problem, and the boundary between light and dark is not too obvious.

I can't tell what the pointed thing on the table is, and the others are gone, and the painting is not bad.

The big structural relationships and the chiaroscuro relationships came out, but they weren't shaped.

I don't know much about it.,Light and shade don't seem to be handled well.。

Interlining and fruit need to be improved.

First of all, 1, it is not particularly strict for whether the lines are straight or not. If you don't have straight lines, then you can make some ** strips appropriately. If you can't hit it horizontally, then why not hit it vertically?

Changing the angle, you can always straighten the line! Moreover, lines are the basis of sketching, so practice more when you have nothing to do, and draw more!

2. The so-called shadow you mentioned is the so-called three major sides and five major tones.

I suggest you do so. First of all, a shallow layered tone. That's the glossy side. Then hit it again on the gray side and a few times on the dark side! How many times you go back and forth like this, and slowly covering it with lines will be too soft.

Of course, it's not that you can't wipe it with your hands, it's just that you may not wipe it very well at the beginning, so you teachers.

I suggest you wipe it, I suggest you wipe it with bread or tissue paper, it works very well and is too soft

3. In art, there is no absolute good or bad. Sketching is just the basics. As long as you draw with your heart, it will always be good! Don't care what other people do. As long as you follow the steps to draw, you will always draw well After all, everyone's style is different!

Finally, I hope you can get the painting done soon

Common problems in sketching should include composition, outline, modeling, perspective, three-sided tone, line-up, etc. It's hard to say. You can go to my space to view 15 professional answers to netizens, including the following articles.

In particular, there are methods to correct the shortcomings of sketch painting and summarize good perspective knowledge. Most of the articles have received a lot of praise, which may be beneficial to you, so you may wish to read them.

How to learn to sketch well.

Sketch still life, sketch composition.

How to draw a sketch.

How to improve your sketching fundamentals and drawing skills.

Some problems with sketching.

In the art sketch, how to line the tones of the various large surfaces of the plaster geometry.

Sketch block-to-surface relationships and split screens.