Is the reform of cross talk feasible, and how did cross talk rise?

Resolutely resist adding anything that does not belong to cross talk, cross talk is another quintessence of the Chinese nation, there are so many foreigners who are very interested in Chinese cross talk, I don't understand, why Chinese is so dismissive of the good things left by his own nation? I like to listen to cross talk very much, I can say that I have been listening to it since elementary school, and until now I work, my enthusiasm for cross talk is still undiminished. Because there are really too many things that can be contained in the art of cross talk, no matter what can be expressed tactfully and delicately through cross talk, after you have laughed, you can't help but savor the content of cross talk.

Cross talk can both praise and satirize, and the cross talk that can combine praise and satire will deteriorate if other elements are added, I now feel that cross talk is changing step by step, sometimes I really feel very sad, think about the cross talk jokes when Mr. Hou Baolin was alive, it was a pure Chinese traditional cross talk, it was comfortable to listen to, and now I really feel a kind of sadness. Don't say much else, anyway, resolutely resist the degenerative reform of cross talk!

It's not that you don't change it, the more the cross talk is changed, the more it looks like a sketch, it loses its original connotation, the cross talk makes too little money, the creator is distracted and busy with other things, and the cross talk will naturally be sluggish if there are no good jokes. The current cross talk Guo Degang is good.

Guo Degang didn't actually talk about cross talk when cross talk was sluggish, he had been singing for a while, and when he was in Tianjin, he also spent his own money to form a class club, but it was not a cross talk club, and Bangzi Club, because of this Bangzi Club, he dragged himself down, and even divorced.

Cross talk has gone through a long downhill road, from the nineties of the last century to the beginning of this century, cross talk has continued to decline for a long time, and many famous actors in the cross talk circle have invested in the ranks of sketch actorsSuch as Hou Yaowen, Niu Qun, Feng Gong, Huang Hong, Gong Hanlin, Fan WeiWith their profound comedy skills, these humorists have also shown extraordinary talent in the field of sketches, and have dedicated countless classic sketches to the audience.

Several of the famous cross talk actors mentioned above switched to the sketch stageThe time is basically concentrated on the CCTV stage after the 90s

The reason why Lao Guo insisted on taking the "small theater" route Guo Degang didn't start talking about cross talk immediately when he first arrived in Beijing, he sang with a troupe at Pu Huangyu. Because by chance, I saw Wang Yuebo and other Beijing children talking about cross talk, playing tickets together, and they didn't say that for money. Slowly the audience is growing and is very popularGuo Degang began to feel that "cross talk should be like this" and "cross talk is still popular".

Since then, Lao Guo has become more and more insistent on taking the route of "small theater". Slowly gathered some like-minded cross talk friends and began to hold the Beijing cross talk conference. In addition to Deyun Club, Guo Degang also has a forum called "Cross Talk Commune"., is now the official website of Deyun Club, in the past, this ** was a forum, and this forum also incubated a "Tianle box office".

There is no way Hou Yaowen can still help him when he is alive, and Guo Degang was still a little famous at that time. But with the death of Hou Yaowen,Hou Yaohua's turmoil over the inheritance caused Guo Degang to be suddenly isolated, basically few people are willing to be on his side.

Even if he intends to act in a sketch, he can't find a way. Therefore, he could only choose to insist at that time, and it can be said that everything he has now was forced out by the status quo at that time.

I really like cross talk, and I don't forget that my teacher Hou Yaowen overcame public opinion and supported Guo Degang, who is Guo Degang's only and biggest backer. He knew in his heart how many doubts and criticisms Hou Yaowen had borne when he chose to support himHou Yaowen's only wish is to hope that the art of cross talk will not perish。Therefore, Guo Degang's persistence, in addition to his sincere love for cross talk, still wants to fulfill his teacher's last wish.

There are still many people who love cross talk, which makes Lao Guo reluctant. Selling tickets said that the road of cross talk came out and got the support of the audience, Guo Degang naturally wouldn't go to the sketch.

Because Guo Degang is not good at acting in sketches, and wants to focus on the development of cross talk career, he has not changed his career and has been engaged in this industry.

I think the main reason why Guo Degang didn't change his career to acting in sketches is that he loves the profession of cross talk very much, and he wants to spread the cross talk culture and train many apprentices.

To put it bluntly, cross talk and sketches are forms of comedy derived from local dialects. This is also the reason why we always feel that Tianjin people and Northeast people are more happy to live in the world.

Compared with Tianjin dialect, which has a certain foundation of "irony", the Northeast dialect, which is easy to understand and easy to learn, is undoubtedly more popular and popular. In fact, all the holders of other dialects who have come into contact with the Northeast dialect, as long as they are not from Shanxi, will be assimilated by this magical dialect, the reason is because the Northeast dialect is too magical, and the tone is smooth and simple.

The Northeast dialect, also known as the "Northeast Mandarin", is a second-level dialect below the first-level dialect - the official dialect.

Mandarin is the first-level dialect with the largest coverage area and the largest population in China, and most of the north and southwest regions are under the "rule" of Mandarin, except for the "dialect castle area" - Shanxi.

Just as the Han nationality is produced by different regional histories and cultures, many places also have different dialects due to different customs and cultures. The official dialect area is so large, and naturally it also covers a lot of folk customs and culture, so according to the factors such as history, customs and culture, geography and climate, it is subdivided into eight secondary official dialect branches under the official dialect, and the northeast dialect above is the regional dialect formed from the place of Songliao.

Nowadays, the official dialect of Northeast China is mainly distributed in most of the three northeastern provinces, eastern Inner Mongolia, northeast Hebei and other northeastern regions in a broad sense.

Judging from the above introduction, the Northeast dialect is a very common second-level dialect, why is it so different from other dialects, so that people who come into contact with it can be "infected"?

This involves the historical development and characteristics of the Northeast dialect.

Some areas in the northeast are specifically assigned to the rule of the Central Plains Dynasty can be traced back to ancient times, which is the area of Jizhou in the division of "Kyushu" by Dayu, and it is also the area of Shandong in the "Thirteen Provinces of Han Land" that has been passed down in later generations (Shandong has Liaodong Metropolitan Division, which is under the jurisdiction of Shandong), which is the authentic Chinese Han land. Therefore, the origins of the early dialects in its territory are basically the same as those of the Chinese dialects.

In ancient times, it was already realized that the local language was not understood, and in order to facilitate communication, the ruler prescribed the "Yayan" with the capital Luoyang as the basic pronunciation as the official language for the communication between the nobles and ** in various places. In layman's terms, the official language is Henan Luoyang dialect. Due to the limited materials and methods of learning, Yayan was only accessible to the middle and upper classes.

In the Spring and Autumn Period, the cultural boundaries of the feudal kingdom were initially formed, and reached their peak in the early Warring States period, when the major vassal states had formed a relatively distinctive "vassal state dialect".

Kyushu is roughly divided.

And during the Warring States period, the study of "Yayan".

Guo Degang is a cross talk actor in Deyun Club, known as "the person who saved cross talk", Guo Degang insisted on cross talk because of his love and insisted on "returning cross talk to the theater".

Because Guo Degang has his own dreams, and he will always stick to what he likes, and now he has made great achievements.

Because Guo Degang loves the cross talk industry very much, and has been committed to the cross talk industry all his life, he is particularly persistent in this regard.

Nowadays, there are many choices in the field of language performance arts, such as singing, hosting, speaking, etc., in addition, cross talk is also a very famous and very interesting language performance art. One of the most well-known cross talk groups in our country should be Deyun Club, and Deyun Club has also circled a wave of fans, and these fans also have their own names called Deyun Girls. As an art, cross talk originated very early, dating back to more than 2,000 years ago, and cross talk has also gone through different stages of development before it evolved into what we hear now.

1. Cross talk derived from Haiyu did not form a performance form of its own more than 2,000 years ago, nor did it have its own proper name. Cross talk was originally derived from the performance form of haiyou, in fact, cross talk still has a lot of similarities with haiyou, and they will use some more witty, even slightly harsh words, to achieve an effect that makes the audience laugh, both of which exist as a form of entertainment. <>

2. Stand-up comedy In the process of development, stand-up comedy first appeared, stand-up comedy, as the name suggests, is a performance completed by one person. In such a performance, a person stands on the stage and begins to perform his cross talk, no one should foil him, and no one echoes him, so in stand-up comedy, there is still a great need for humor and witty language, only in this way will the audience not feel very bored, in order to make his performance firmly attract the audience's attention. The founder of stand-up comedy is Zhang Sanlu, and Zhang Sanlu was slowly abandoned because he couldn't get his partner to interject because of his performance, so stand-up comedy came into being.

3. Since there is stand-up comedy, there must also be stand-up comedy, and stand-up comedy is a more common form of performance now, whether it is in **, or in the performance of Deyun Club, it is performed by two people on stage together, these two people sing and harmonize, bringing a wonderful cross talk performance to the audience. In the course of historical development, there has even been a seemingly dazzling form of multi-talk comedy.

Cross talk should have arisen more than 2,000 years ago, when cross talk was derived from the art of haiyu, and it was relatively similar to haiyou, and then gradually developed into the current crosstalk.

In ancient times, cross talk was storytelling, and there were fewer entertainment activities in ancient times, but in modern society, the pace has become faster, and the time for storytelling is too long, it has become a joke, and cross talk has risen.

Cross talk is the rise of storytelling culture, ancient people did not have these entertainment projects now, teahouse listening to storytelling is one of the few entertainment activities in the past, cross talk was born here!

Cross talk actually started from storytelling culture, there was no entertainment in ancient times, everyone drank tea at most, and there was a storyteller in the teahouse, which slowly became the interaction of two people, that is, the prototype of cross talk.

There are certain benefits, and now Guo Degang's reputation in the cross talk industry can be said to be above 10,000 people under one person, if he hadn't been excluded back then, it might have made the cross talk industry brilliant.

Needless to say, it can be promoted. In my opinion, when they excluded Deyun Club, it was not conducive to the development of the cross talk industry, if they worked together at the beginning, then today's cross talk will definitely be known by more people.

Not necessarily. If Guo Degang hadn't gone through those hardships, he might not have been able to reach today's heights. will not open a new era of cross talk.

In the cross talk world, there are no rules on stage, and there are no rules off the stage. This rule can't be changed, and if you change a lot of cross talk, you can't perform it, and it's not so funny.

The rule of the cross talk industry may be that the young and the young are orderly, one day as a teacher, and one life as a father. For example, in Deyun Club, Guo Degang will be in the C position no matter what, and Guo Degang's apprentices should also respect him, this kind of old rule that has been passed down for I don't know how many years must not be changed.

If you don't act, you can't act, you can't do it, open the point, there is no size on the stage, set rules off the stage, be a teacher for a day, be a father for life, and keep the truth from the old rules. None of them can be changed.

The old rules in the cross talk industry are: you are allowed to have something that you can't act, and you are not allowed to have something that you can't. There are no rules on or off the stage. A teacher for one day, a father for life, the mouth of the wine pot can't be poured in front of others, and the tea can't be changed.

After the founding of the People's Republic of China, the art of cross talk became popular quickly and became a national and national form of quyi.

Cross talk turned out to be an urban genre, which was only circulated in cities. After the liberation, as cross talk actors went to the army, mines, factories, and rural areas to live and perform condolence, cross talk went from the city to the countryside, from the interior to the frontier, from the factory workshop to the PLA troops, and gradually developed into a national genre. In April 1956, when the North-South opera exchange performance was held in Shanghai, cross talk and burlesque were performed for the first time in the "Cultural Square" with a capacity of 14,000 spectators.

During the Korean War, the Propaganda Team to Resist US Aggression and Aid Korea also played a certain role in popularizing cross talk throughout the country. Later, almost every province had cross talk. In remote areas and ethnic minority areas, dialect cross talk and ethnic minority cross talk have also been created according to the characteristics of their own languages.