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Gongbi painting pays more attention to the business position than freehand painting, and the gongbi painting is exquisitely worked, neatly used with the brush, and the painting steps are clear. Freehand painting pays more attention to the use of brushes, and the use of brushwork is more abundant.
Gongbi painting and freehand painting both belong to a kind of painting technique of Chinese painting, and the two correspond to each other. Gongbi painting belongs to the neat and meticulous painting method, which requires the use of neat, meticulous, and meticulous techniques to depict objects. However, freehand painting often uses extensive and concise brushwork to draw the shape and spirit of the object to express the artistic conception of the author.
Freehand painting does not seek to be similar to the fine work, but only to outline the demeanor of the scenery with a refined brush, and express the taste of the author. In particular, the rise of literati painting played a positive role in the development of freehand painting. They advocate the use of extensive and concise brushwork to draw the form and spirit of the object to express a specific artistic conception, which is a subjective expression of the author's things.
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The difference between Gongbi painting and freehand painting is that Gongbi painting has a complete set of painting contexts. In fact, it is the same as calligraphy, which is relatively mature.
The middle line, surface, and dyeing artistic conception of Gongbi are the same principle. If you don't understand the true spirit of "using the pen in ancient ways", your work will not be able to resist scrutiny. A good Gongbi painting can stand up to scrutiny and appreciation.
Gongbi painting and freehand painting both belong to Chinese painting, the layout of Gongbi painting is rigorous, neat and meticulous, the lines are fine and meticulous, and relatively realistic.
1. The significance of Gongbi painting to painters is: Gongbi painting is the basis for learning Chinese painting, and if you learn Gongbi painting well and then learn freehand painting, you will experience the fun of painting.
To draw a good painting first, first of all, we must sort out a bunch of sketches, arrange the sketch subjects on a piece of paper, after repeated scrutiny and modification to form a manuscript, and then replace it with cooked rice paper or cooked silk to outline the line, when outlining the line, you need to pay attention to the distance and the near virtual reality, the thickness of the ink line, and the frustration with the pen. Then after repeated dyeing, unified dyeing, cover dyeing and other methods of coloring. The result is a colorful Gongbi painting.
Second, what about freehand painting, it requires skilled brushwork and painting.
Of course, there is also a way to draw the line first and then fill in the color, but the paper used must be half-cooked, or whole raw rice paper. The coloring method is different, because the raw rice paper has a strong ability to absorb water, and the small freehand coloring is generally used in light color, or the brush is adjusted to a pen with a variety of colors, and the color is written into the white drawing by using the calligraphy penmanship, and the pen is written down, with thick and light. From the point of view of appreciation, freehand painting is more artistic conception of ink painting than gongbi painting, which seems to be simpler than gongbi painting, but in fact it is not simple, and it requires a solid foundation of pen and ink to draw a good freehand painting.
Freehand painting pays attention to the embodiment of "meaning, mood and emotion, and the painting eye should be prominent, and any depth can not be stronger than the "painting eye". Although it is freehand, it is necessary to be bold in writing, careful management, and use ink like gold. Freehand painting is not yet mature, but many painters have been trying to explore and develop.
To sum up, the happy realm of painting is: to treat freehand painting as gongbi painting, and gongbi painting as freehand to create.
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Gongbi painting and freehand painting are both genres of painting in Chinese history, but Gongbi painting pays attention to reality. Freehand painting mainly lies in the artistic conception in the body conversation.
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The biggest difference between Gongbi and Freehand Painting is that their painting style is completely different, and Gongbi Painting is a little simpler.
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The differences between gongbi and freehand are as follows.
1. Different styles.
Gongbi, as the name suggests, is the use of neat, meticulous and meticulous techniques to depict objects. Gongbi painting pays more attention to the position of Sun Heying than freehand painting, the workmanship of Gongbi painting is exquisite, the pen is neat, and the imitation steps of Gongbi painting are clear.
Freehand painting pays more attention to the use of brushwork, and the use of brushwork is more abundant. Pay more attention to the traces of "writing". Pay more attention to artistic conception.
2. The penmanship is different.
Gongbi painting is made with meticulous brushwork, and Gongbi painting emphasizes the beauty of lines and meticulousness, which is the characteristic of Gongbi painting.
Freehand painting is a painting method as opposed to gongbi painting. Freehand is as opposed to the pen. Freehand pays attention to the use of the pen, and expresses the author's emotions in the pen and ink, which means to write God in form.
It requires the use of a rough and concise pen to draw the shape and spirit of the object to express the artistic conception of the author.
3. Different expressions.
Gongbi paintings are mainly based on ladies, flowers and birds. For example, Zhou Fang's "Walking Diagram" is a representative of gongbi painting. The characteristics of freehand painting are more atmospheric, focusing on one go. For example, Qi Baishi's "Shrimp" is a representative of freehand painting.
Gongbi painting is a relatively objective representation of an object. Freehand painting is a subjective expression of the artist's perception of things.
It is said that during the Tang Dynasty, Xuanzong ordered the painters Li Sixun and Wu Daozi to depict the landscapes of the Jialing River in the Datong Hall together. Li Sixun is good at painting and painting, and it took him several months to complete this mural. Wu Daozi painted more than 30,000 miles of Jialing landscape in one day, which can be imagined, he could not paint with the technique of heavy color with a fine brush, it must be relatively rough and concise.
This shows that the painting at that time had a distinction between fine brushwork and freehand.
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Summary. The difference between Gongbi painting and freehand painting is that Gongbi painting has a complete set of painting contexts. In fact, it is the same as calligraphy, which is relatively mature. The middle line, surface, and dyeing artistic conception of Gongbi are the same principle.
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<> the largest of gongbi and freehand paintings.
Distinguish. Okay, oh, kiss <>
The difference between Gongbi painting and freehand painting is that Gongbi painting has a complete set of painting contexts. The actual reading hand is the same as calligraphy, and it is more mature and high-speed. The artistic conception of the middle line, surface and dyeing of the fine brush is the same reason.
The fine brushwork is finely crafted, oh kiss <>
It's a stroke of a stroke, kiss <>
Freehand painting is a large-scale rendering of kissing <>
The main difference between the two is in the technique of painting, oh kiss [awsl] [awsl] [awsl].
Gongbi painting has a complete set of painting contexts. In fact, it is the same as calligraphy, which is relatively mature. The middle line, surface, and dyeing artistic conception of Gongbi are the same principle.
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The characteristics of Chinese freehand painting are as follows:
1. Write God in form, and write in God's freehand;
Freehand painting focuses on expression, lyricism, and speech, while Western modern painting focuses on subjectivity, expression, and emotion, and there are quite similarities between the two in emphasizing that painting expresses the high-impact inner emotions of the creative subject.
2. Expressed with a center forward, a side forward, and a reverse forward;
The so-called "painting is born from the heart" in Chinese freehand painting refers to the use of color in freehand painting, which is fascinating, lyrical, and ever-changing, and the ever-changing brush and ink pours out the thoughts, feelings and feelings of the painter, the main body of creation;
3. Use color expressions to convey meanings, and different color feelings are full of different emotions of painters;
Under different emotions and moods, every detail of the painter's color is closely related to the painter's psychological activities. This emotional expression of the use of brush and ink is realized on two levels.
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