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Because it is one of the embroidery species with the longest inheritance in China. It has the characteristics of rigorous stitching, flat stitches, rich changes, vivid images and rich three-dimensional sense. The number of Shu embroidery stitches is the first of the four famous embroideries.
Moreover, the Shu embroidery method is flexible and adaptable. Generally, embroidery products are made of silk, satin, silk, yarn, and crepe as fabrics, and according to the needs of embroidery, the production procedures, colors, and threads are different. Shu embroidery often uses halo needles to express the texture of embroidery, reflect the light, color and shape of the embroidery, and embroider the embroidery vividly.
Such as the agility of the carp, the agility of the golden monkey, the beauty of the characters, the magnificence of the mountains and rivers, the diversity of flowers and birds, the simplicity of the panda, etc. It also adopts "line embroidery", using halo, yarn, rolling, hiding, cutting and other techniques on the white soft satin fabric, writing with needles and using thread as ink, and the embroidered patterns are smooth and soft. It not only adds a moist feeling of pen and ink, but also has a smooth and transparent texture.
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Colorful, full of three-dimensional, varied, meticulous stitches, this is the characteristics of Shu embroidery, Shu embroidery is still very beautiful, has a long history, very beautiful embroidery.
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The characteristics of Shu embroidery are very exquisite, and at the same time, it can also reflect many small things through embroidery, which is very collectible, and has also become China's intangible cultural heritage.
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Shu embroidery is also known as Sichuan embroidery, with soft satin and color silk as the main raw materials, the subject matter has landscapes, characters, flowers and birds, insects and fish, etc., the needle method has more than 100 kinds of needles, halo needles, oblique roller needles, swirl needles, ginseng needles, shed ginseng needles, knitting needles, etc.
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Shu embroidery, also known as "Sichuan embroidery", is the traditional Chinese craft of embroidering patterns on silk or other fabrics using silk threads, Shu embroidery was first seen in the records of the Western Han Dynasty, the process at that time was quite mature, and at the same time inherited the characteristics of bright colors and common red and green colors.
Representative works: the huge "Hibiscus Carp" seat screen in the Sichuan Hall of the Great Hall of the People in Beijing, the hanging screen of the famous Shu embroidery "Shu Palace Music Girl", the double-sided heterochromatic "Aquatic Grass Carp" seat screen, and the "Big and Small Panda" seat screen.
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The earliest record of Shu embroidery text, from the Western Han Dynasty writer Yang Xiong "embroidery" poem, the poem expressed the author's high praise for Shu embroidery skills.
Chang Xuan of the Jin Dynasty clearly put forward that Shu embroidery and other products in Shu, including wall jade, gold, silver, beads, blue, copper, iron, lead, tin, brocade, etc., can be regarded as "treasures of Shu", which fully illustrates the rarity and uniqueness of Shu embroidery as a local handicraft.
In fact, the history of Shu embroidery, like Shu brocade, is the wisdom and creation of the ancestors in the ancient Shu period.
Shu embroidery is concentrated in Chengdu, Sichuan, and is known as the treasure of Shu in the Jin Dynasty.
Shu embroidery with soft satin and color silk as the main raw materials, stitching includes 12 categories of a total of 122 kinds: with halo needle, paving needle, rolling needle, truncated needle, doping needle, cover needle, cutting needle, pull needle, sand needle, Shantou needle, etc., exquisite"The stitches are neat, the wire pieces are shiny, tight and soft, and the car is screwed to home"。
It gives full play to the specialty of hand embroidery and forms a strong local style.
The theme of Shu embroidery is mostly flowers and birds, animals, landscapes, insects and fish, people, in addition to the pure appreciation of the embroidery screen, there are quilts, pillowcases, clothes, shoes, cushions, tablecloths, headscarves, handkerchiefs, painting screens, etc.
There are both huge strip screens and small pocket pieces, which are exquisite works of art with both ornamental and practicality.
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<>1. The main raw materials of Shu embroidery are colored silk and soft sections. The stitches for making Shu embroidery are divided into 12 categories and as many as 130 kinds, and the common needle methods are rolling needles, truncating needles, fainting needles and laying needles. Shu embroidery fabrics are generally made of satin, silk, yarn, etc., and the color, thread and production process used in different embroidery are also different, and these processes will be adjusted to a certain extent according to the needs of embroidery.
In addition, the characteristics of Shu embroidery are that they are more adaptable and flexible, and they are good at using halo needles to express the texture of embroidery, which can be very disturbing to show the characteristics of embroidery patterns, such as the magnificence of mountains and rivers, the agility of carp and the diversity of flowers and birds.
2. Shu embroidery, also known as Sichuan embroidery, is a kind of silk thread embroidered on silk or other fabrics to create a beautiful slow letter pattern, which is one of the traditional crafts in China. Shu embroidery has exquisite and delicate stitching and orange infiltration of delicate and bright colors, and has formed a unique style of its own. In addition, Shu embroidery is also one of the longest inheritance of embroidery in China, and Suzhou embroidery, Hunan embroidery, Guangdong embroidery and known as China's four major embroidery, because of its own unique style and charm, so it has become the first of the four famous embroidery.
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Shu embroidery, also known as "Sichuan embroidery", is the traditional Chinese craft of embroidering patterns with silk thread on silk or other fabrics, Shu embroidery was first seen in the records of the Western Han Dynasty, the craft at that time has been quite hidden and familiar, and at the same time inherited the characteristics of bright colors of the pattern and the red and green colors of the commonly used stove calendar.
Representative works: the huge "Hibiscus Carp" seat screen in the Sichuan Hall of the Great Hall of the People in Beijing, the hanging screen of the famous Shu embroidery "Shu Palace Music Girl", the double-sided heterochromatic "Aquatic Grass Carp" seat screen, and the "Big and Small Panda" seat screen.
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