I just learned to sketch, but the line drawing is not good? Can t draw a thin line at both ends and

It won't take too long, as long as you master the method. You can slowly find the feeling, on the upper end of the paper slowly, light circle draw, remember to stay away from the paper, has not touched the paper, and then slowly fall the action to the paper, your action is to draw a circle, and then fall on the paper is a straight line, then the two ends of the falling and lifting lines are light and heavy in the middle can be felt, do not arrange the lines in the shape of a "well", other attention points on the line, come on!

The two ends are thin and thick in the middle, you need to change the pen edge, when the pen is thin, the pen edge follows the direction of the line, and when the middle is thickened, the pen edge and the direction of the line are swept vertically, and then when it becomes thinner, you can turn the pen edge. There is nothing difficult about the basic skills of painting, but it is practiced to feel that the painting is comfortable and can be used, and the techniques can be learned at the same time, without worrying for a kind of entanglement for too long.

The essence of painting is the grasp of form and the understanding of the things you are drawing, and the techniques are all tools, tools to achieve the effect of the things you want to paint. Happy learning!

Be sure to practice more At the beginning, you must consciously control the strength of your pen, and you must be light when you start to fall on the paper. Practice makes perfect, and diligence makes up for clumsiness. Slowly you will find the feeling!

When practicing, try to control the pen pressure at the beginning of the thread, don't start too heavy, each row of lines should be decisive and crisp, don't grind back and forth, and control the line spacing evenly. When practicing, don't just practice one direction, practice in multiple directions. When sketching, practicing lines is better than connecting lines alone.

1. The pen is light, the middle is heavy, and the pen is light, forming a solid line at both ends. This kind of line is easy to connect and is conducive to expressing the change of light and dark tones.

2. The pen is crisp, the pen is hooked, and the pen is slightly exposed. Note that such lines will cause obvious interfaces in the connection, and it is easy to cause clutter of lines.

3. The center maintains the strength is even, the speed is slightly slower, and the pen is restrained and subtle.

Such lines tend to give the picture a tactful depiction.

4. Draw straight from the tip of the pen to the side, the speed is fast and the lines are coherent, so that the strong lines drawn are conducive to the expression of rough texture.

1. The action of drawing lines should be correct, the wrist should swing up and down, the elbow should not be moved, and the whole arm should always be relaxed;

2. The lines are light, heavy, slow and urgent, and the effect is absolutely different, and it can be used flexibly according to the needs of the picture;

3. Interspersed lines to avoid 90-degree crossing.

Sketching is the basis of all painting, and outline and line are the general names for drawing. It has a natural rhythm. Different brushstrokes create different lines and cross-cutting relationships and rhythms, active and passive surroundings, planes, volumes, tones, and textures.

The best line when sketching is that both ends are consistent, and there is no distinction between the end of the pen and the end of the pen; The thickness of each line is consistent, and the spacing is consistent; Therefore, the level of sketching is one of the important indicators to reflect the painter's spatial modeling ability, and it will not pay attention to the overall and color like the painting with color, but focus on structure and form.

The sketch draws the lines thin at both ends and thick in the middle as follows:

1. The thickness of the lines of the sketch is related to the force used. If you want to draw a line that is thick in the middle and thin at the end, theoretically the brush is light first, then heavy, and finally light, but a total of one is so long, and you need to control the strength, which is basically not feasible.

2. The thickness is also related to the speed of the pen, when your strength is the same, the faster the speed, the thinner the stroke, so if you want to draw this kind of line, you must quickly put down the pen, and finally quickly close the pen. Practice a few times and you'll get the hang of it.

3. Hold the pen relaxed, don't let the pen stick to the paper all the time. If there are two thin ends and thick in the middle, it is obvious that it is because the entry and exit points are not forced. The hand should be relaxed, and the pen will be very tense all the time, and the line drawn will be very solid, and it will also appear very stiff.

Multi-contact straight lines (flat, vertical, diagonal).

In the process of drawing, it is best not to stick the pen on the drawing paper, the wrist is in the air, and follow the direction you want to draw several times.

At the beginning, when holding the pen, the tip of the pen touches the surface of the paper, do not use force, and slide it gently. The way to put pen to paper. The slope of the pen and paper is best around a 40-degree angle.

If it's the right way to hold the pen. That's the most comfortable incline. This way the nib of the pen does not exert force on the paper to appear a thick dot on the paper.

Of course. Use force at the wrist, not with your fingers. Maintain this inclination and support the paper with your little thumb.

Slowly push a little harder than you did at the beginning. When the desired length is reached, put the pen back away. Then it is natural to put pen to paper.

There will be basically no thick lines at both ends.

4. This is not only the control of strength, but more importantly, the conversion of the pen edge, the pen should be thin at both ends, the middle thick pen should be, the center (the pen stands up, the tip of the pen hits the paper, the strength is slightly lighter) under the pen, and slowly change the side of the pen to the side of the pen (the pen belly is on the paper, the force is slightly larger), and finally the pen stands up and ends quickly.

1. Start and draw a large outline position. Carefully observe the image characteristics and demeanor of the painted object, summarize the outline of the object with long and loose lines, and determine the position and general characteristics of the facial features.

2. Find the structure, the boundary between light and dark, and distinguish the bright and dark sides. Define the shape of the facial features, compare each object with neighboring objects, compare distances and sizes. Then draw the structural relationship of the head, pay attention to the contrast between left and right, pay attention to the relationship between points, lines and surfaces, and bone points.

3. Lay out the tone. Grasp the boundary between light and dark, unify the dark part, don't move the bright part, clearly mark the shape and size of the dark projection, establish a large black, white and gray relationship, clarify the shape of the facial features, strengthen the sense of volume, and pay attention to the relationship between the head sphere. Use a pen or paper towel to smooth out the tone, paying attention to the technique.

4. Shape the body. After the facial features are shaped, shape the hair, and the highlights can be left blank. When shaping, we must pay attention to the overall relationship of the picture, and do not stare at one place and paint repeatedly, so that it is easy to draw boring.

5. In-depth shaping and depiction of details. When depicting in depth, it is still necessary to pay attention to the overall relationship between black, white and gray, and when depicting the boundary between light and dark, the turning parts of the light and dark boundary line of the face should be natural.

6. Start from the dark part and go deep into the facial features to establish a sense of volume of the facial features.

Tools Raw materials: paper, pen.

1. The lines drawn quickly with the strength of the wrist are relatively straight, and the two ends are thin and thick in the middle, which is more suitable for drawing objects with a smooth texture.

2. Drawing lines with tension requires the strength of the pen to be heavy first and then light, and such lines are more suitable for expressing swinging leaves.

3. If the lines are drawn slowly with light force, they are more soothing, and can be used to make lines and patterns of cloth or gauze scarves.

4. This kind of straight and straight line needs to be evenly strengthened and fast, and the line on the cake box in the introduction is this kind of use.

5. This kind of free and casual circle can be very flexible, and it is more suitable for animal hair or canopy and bushes.

6. This kind of line should be fast and casual, not drawn with too much force, and is usually used to express some uneven things.

7. This neat line does not have much change, but it looks soft and delicate, which is more suitable for painting the petals of flowers.

8. Finally, a kind of line drawn gently with the strength of the wrist is relatively light and soft, which can be used to draw cat hair, etc.

I don't know how to express this, the problem is not difficult, it is a lack of practice. Let's analyze it, you can see that your hand and heart are not coordinated, practice more, to a certain extent, the heart and hand will have a tacit understanding. With tacit understanding, I believe that your painting will also improve rapidly.

These are just some of my own experiences in painting, and I hope it can help you.

You can only grasp the strength by practicing more, and then slowly increase the strength, and then finish with light.

The pen should be lightly dropped and closed.

If you're a beginner, you'll need to practice for a long time, but at first, take it slowly and force yourself to draw the lines you need.

Don't rush, it's like making a habit, and once you're used to a certain way of arranging lines, it's hard to change.

Hold the pen relaxed, and don't keep the pen on the paper.

The two ends are thin and thick in the middle, which is obvious, because there is no force at the entry and exit points.

The hand should be relaxed, and the pen that has been very nervous will make the line you draw very solid, and it will also be very stiff.

Multi-contact straight lines (flat, vertical, diagonal).

In the process of drawing, it is best not to stick the pen on the drawing paper at first, then hang your wrist in the air, draw a few more strokes in the direction you want to draw, and then draw on it according to the state that you just feel more comfortable.

The pen is light, and the pen is also light.

It should also be drawn straight, without a hook.

You can start by holding a ruler to help you draw.

This is not only the control of the strength, but more importantly, the conversion of the pen edge, the two ends of the thin middle thick pen should be, the center (the pen up, the tip of the pen on the paper, the force is slightly lighter) under the pen, slowly change the side of the pen to the side of the pen (the pen belly on the paper, the force is slightly larger), and finally the pen stands up and ends quickly.

Remember to adopt it.

The two ends are thin and thick in the middle, which is not only the control of strength, but more importantly, the conversion of the pen edge, the pen should be thin at both ends, the pen should be thick in the middle, the center (the pen stands up, the tip of the pen hits the paper, the force is slightly lighter) under the pen, slowly change the side of the pen to the side of the pen (the pen belly is on the paper, the force is slightly larger), and finally the pen stands up and ends quickly.

Sketching: refers to the painting method that uses monochrome or simple color tools to depict the outline, volume, structure, space, light, texture and other basic modeling elements of an object.