The understanding and perception of Lishu, the advantages and disadvantages of learning Lishu

Lishu is a kind of solemn font common in Chinese characters, the writing effect is slightly wide and flat, the horizontal drawing is long and the straight drawing is short, paying attention to the "silkworm head swallowtail", "wave and three folds". It originated in the Qin Dynasty and reached its peak in the Eastern Han Dynasty, and the calligraphy world is known as the "Han Li Tang Kai".

Lishu is relative to the seal book, and the name of Lishu originates from the Eastern Han Dynasty. The appearance of Lishu is the Chinese script.

Another major reform has brought the art of Chinese calligraphy into a new realm, which is a turning point in the history of the evolution of Chinese characters and laid the foundation for regular script. The body of the official book is flat, neat and exquisite. By the time of the Eastern Han Dynasty, the paintings such as apostrophes, pinching, and dots were beautified to provoke upwards, and the severity of the setbacks was full of changes, and it had the beauty of calligraphy art.

The style is also becoming more diverse, which is of great value for art appreciation.

Reading and enjoying the feelings] Write 5 details of the official book.

China Shanxi Calligraphers and Painters Association.

Subscribe. There are many ways to innovate Lishu, especially in contemporary times, due to the development of diversified cultures, calligraphers pay more and more attention to the publicity of personality, coupled with the richness of unearthed cultural relics, the information that can be used for reference and take the law is increasing day by day, people are no longer satisfied with only absorbing the essence of Lishu from the orthodox Han monument, but focus more on the early Lishu (such as Jian, Silk Book, Cliff, Stone Carving, etc.), such as "Western Han Dynasty Wuwei Ritual Han Jian", "Open Bao Slope Road Carved Stone", "Laizihou Carved Stone", "Mawangdui Han Tomb Silk Book", etc., Including the "Good King Tablet" in the Western Jin Dynasty and the "Guangwu General Tablet" in the former Qin Dynasty, etc., from which the method of innovation in official writing is sought.

Specifically, the abnormal phenomenon of contemporary official calligraphy creation mainly includes five aspects: the combination of seals and lishu, peculiar shapes, integration into the grass, the interest of gold and stone, and the mixture of stele simplicity, which are analyzed in combination with the calligraphers and their works below.

1. Combined with the seal, we know that the official book is developed and changed on the basis of the seal book, so it is often said that "the seal is not separated", "the seal is subordinate, and the seal is subordinate". Contemporary calligraphers often use the penmanship of seal script and the structure of official script to create and explore, and achieve artistic effects that cannot be obtained under normal conditions, and increase unexpected aesthetic taste. The combination of seal and seal is to combine the official book and the seal book to write, in the pen to show the roundness of the line, more use of the center, in the knot is also the square fold of the body is less, more to take the circle potential.

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Ad. 2. The shape of the strange Lishu has outstanding characteristics, or the longitudinal and longitudinal potential, or the wide and flat are long, all of which have the wind god. The traditional Lishu shape is more horizontal and flattened, while the shape of contemporary Lishu works is more vertical and long, which is a variation method that contemporary Lishu creation pays special attention to, and it is used in the opposite direction, but it has achieved a special modeling effect.

3. The development of each font is based on practical writing, and Lishu is no exception. Among contemporary calligraphers, Mr. Zhang Hai is known for his expertise in grass li. In his early years, the official book was based on the Han Dynasty, and he sought more exquisiteness, taking the method of "Yiying Tablet", "Ode to Fenglong Mountain", etc., and later devoted himself to the study of the Han Dynasty silk book, the slip, and the line of cursive script into the traditional Han Li, opened up a new way of writing the official book - the grass li, but also fully embodies the beauty of the calligrapher's spirituality.

Everyone has to face these problems. In the face of this kind of problem, with these questions, let's examine the understanding and perception of Lishu. To sum up, I think it is necessary to think clearly about what kind of existence Lishu understands and perceives.

1.Understanding what kind of existence Lishu's understanding and perception is the key to solving all problems. Leonardo da Vinci once said a philosophical remark that bold and firm determination can be worthy of the sophistication of **.

This inspired me, the so-called understanding and perception of Lishu, the key is how to write the understanding and perception of Lishu.

2.For me personally, Lishu's understanding and perception is not only a major event, but also a life-changing one. Under this difficult choice, I thought about it and couldn't sleep well.

For me personally, Lishu's understanding and perception is not only a major event, but also a life-changing one. Why did the understanding and perception of Lishu occur? So, I think, everybody has to face these problems.

When facing this kind of problem, it is necessary to think clearly about what kind of existence the understanding and perception of Lishu is. From this point of view, for me personally, Lishu's understanding and perception is not only a major event, but also may change my life. Everyone has to face these problems.

In the face of this kind of problem, to sum up, for me personally, Lishu's understanding and perception is not only a major event, but also may change my life. Understanding what kind of existence Lishu's understanding and perception is the key to solving all problems. After the above discussion, how to achieve the understanding and perception of Lishu, and how to produce the understanding and perception of Lishu.

I think we generally think that if we get to the bottom of the problem, everything else will be solved. In life, if the understanding and perception of Lishu appears, we have to consider the fact that it appeared. Benjamin Franklin once said that reading is easy and thinking is difficult, but without one of the two, it is useless.

And that inspired me, and Benjamin Franklin inadvertently said that reading is easy, thinking is hard, but without one of the two, it's useless. This makes me think deeply. Personally, the significance of Lishu's understanding and perception to me cannot but be said to be very significant.

And these are not entirely important, the more important question is that Spain once said that their own shoes, they know that they are tight. And that inspired me, as Phelps casually said, that sometimes reading books is a clever way to avoid thinking. It's a short sentence, but it makes me think about it.

Why did the understanding and perception of Lishu occur? Everyone has to face these problems. In the face of this kind of problem, under such a difficult choice, I think about it and can't sleep well.

To sum up, generally speaking, as far as I am concerned, the significance of Lishu's understanding and perception to me cannot but be said to be very significant. Generally speaking.

Lishu, there are Qin Li, Han Li, etc., it is generally believed that it is developed from the seal book, the glyph is mostly wide and flat, the horizontal painting is long and the vertical painting is short, pay attention to the "silkworm head swallowtail", "a wave of three folds".

According to the unearthed slips, the official book was founded in the Qin Dynasty, the legend is that Cheng Miao was subordinate, the Han Dynasty reached its peak in the Eastern Han Dynasty, the upper inheritance of the seal book tradition, the lower opening of the Wei and Jin Dynasties, the Northern and Southern Dynasties, the calligraphy of later generations has a non-negligible influence, the calligraphy industry has the "Han Li Tang Kai" said.

The details are as follows:

1. Benefits: Hanli calligraphy is simple to use.

Han Li calligraphy is a calligraphy work left over from the pre-Qin and Han dynasties, due to the long time, belonging to the ancient period, and the degree of civilization at that time was not high, there is no paper preservation"Calligraphy", and only some Han Jane and cliffs, inscription works.

These works are the best teaching materials for people to learn calligraphy today, and there is a common feature that they are all derived from seal script, but some of the glyphs have undergone some changes, but the pen used in writing is the same, that is, a single seal penmanship.

2. Disadvantages: In fact, there is no harm in learning Lishu, if you have to say, you can't learn other calligraphy, because it will interfere with each other, and there is no uniqueness.

Hanli calligraphy can inspire creative inspiration:

Learning calligraphy is not only about sticking, but also about copying the post like a master, in fact, it is like it, it is accurate, and it is necessary to complete the first step of learning calligraphy, and more is to innovate on this basis.

In addition to a solid foundation, calligraphy innovation also requires understanding and inspiration. It can be said that the combination of the two will bring the best spring to innovation.

First of all, the dot painting in Hanli calligraphy is simple and clumsy, which is taken from the image of nature and derived from the meaning of nature, so it is a natural product, which is also deep in people's hearts"Frank"affection. You can refer to them in your creation"Childish and straightforward"meaning.

Secondly, the glyph structure in Hanli calligraphy is naïve. In the process of development, calligraphy is born from the process of childishness, clumsiness, and beauty, and there are at least the first two kinds of artistic beauty in Hanli calligraphy.

Finally, the brushwork of Hanli calligraphy is used to create works. No matter what people do, they use the most direct, simplest, and most effective way to achieve their goals, and no one wants to complicate simple things. Learning calligraphy is the same, since there is a simple penmanship, who is willing to spend more brains and painstaking efforts to find, it is also a good way to use the penmanship of Hanli calligraphy to create a good work.

The current situation of Lishu is described as follows:

The development of Lishu in the creation of various forms of calligraphy today can be described as tepid, and its audience is unattainable compared to cursive writing, and it is slightly inferior to regular script, slightly better than seal script and seal carving.

Compared with other fonts, Lishu lacks the advantages of the continuation of the line of grass Kai, since the Han Dynasty has not been the mainstream font, the number of Xi is minimal, to the Qing Dynasty before the Qing Dynasty, although there are: Li Longji, Xu Hao, Dang Huaiying, Zhao Mengfu and a few other people, but finally failed to form a climate, its height is not representative, can not be compared with the Han Dynasty, the Qing Dynasty.

Lishu is in the seal book and the line of grass Kai and, plays the role of connecting the previous and the next, but in terms of the difficulty coefficient of the skill is not very high, its dot painting is flat, the body posture is peaceful, a slight change can be surprising, so at present, many grass masters often make a cameo, to control the technical ability of the grass to write the official book is very fast, can also get some fun, it seems to be good, according to which I feel that the official book is easy to learn. However, from the perspective of those who specialize in official books, there is still a big gap in its in-depth degree and the degree of orange sales.

At present, the scope of the law is still based on the Han stele as the main source of law, and the classic inscriptions such as "Ritual Tablet", "Zhang Qian Tablet", "Xianyu Huang Tablet", "Cao Quan Tablet", "Ode to Shimen", and "Good King Tablet" of the Eastern Jin Dynasty are still dominant.

The official books of the Qing Dynasty are mainly concentrated in Deng Shiru, Yi Bingshou, Zhao Zhiqian, Jin Nong, and Zheng Yan. In recent years, with the unearthing of new cultural relics, such as inscriptions, slips, and silk books, a large number of discoveries have attracted calligraphers in addition to the value of literature and history.

In an exhibition, the style of the works, the different sizes of the characters, and the multi-bucket samples of the forms should also consider their richness and the effect of the exhibition hall, so the exhibition plays a regulating role in the creative direction of calligraphy. Of course, the artistic level of calligraphy cannot be determined by the size of the characters, but also by the depth of the ontology.

"Hello, Lishu" is a font style in Chinese calligraphy, which has the following characteristics:1Fine strokes:

The strokes of Lishu are relatively thin, the font lines are beautiful, and the writing requirements are fine and delicate. 2.Structurally stable:

The glyph structure of Lishu is relatively stable, the structure is clear, and it conforms to the structure of Chinese characters. 3.Specification of the pen:

Lishu's strokes require a pure posture to be more standardized, avoiding the "flying white" phenomenon, and the font is clear and upright. 4.Dignified and steady:

The characters of the book are dignified and steady, and they appear solemn and majestic, especially suitable for writing important official documents and letters and other formal documents. 5.Easy to learn and easy to understand:

As one of the categories of calligraphy, Lishu is relatively easy to get started, and it is relatively easy for beginners to understand and master. In short, "Lishu" is a beautiful, dignified and standardized calligraphy font style, which has the characteristics of fine strokes, stable structure, standardized brushwork, dignified and stable and easy to learn and understand, so that it has a unique status and value in Chinese calligraphy.

Dear, Hello Lishu is an ancient Chinese character writing style, and its special code points are: 1The stippling is thick:

The strokes of Lishu are thicker than other rolling fonts such as regular script and Xingshu, and the form is more distinct. 2.Straight curves:

Lishu's strokes pay special attention to the combination of curves and straight lines, making the strokes appear more rhythmic. 3.Sleek lines:

Lishu's pen year is required to be smooth and natural, and has a certain degree of coherence, so that the whole font is displayed very smoothly. 4.The distance between the parts is close:

The various parts of the official book are interdependent and tightly combined, giving people a sense of overall compactness. 5.A wide range of colors:

Since Lishu began with simple script, in order to make the paper clear, highlight or weaken the information, Lishu used a variety of colors and color combinations. In short, Lishu is stout and heroic, horizontally imposing, pays attention to the combination of curves and straight lines in shape, and the interdependence of various parts, all of which have become an indispensable part of Chinese character art and culture.