Canon D50 with Tamron 17 50 lens I want to match another lens I don t know which brand is better

Updated on number 2024-08-08
10 answers
  1. Anonymous users2024-02-15

    The Tamron A16 is still good in terms of color performance and sharpness, but because there is no ultrasonic motor, the dark part is very difficult to diagonal, hesitant or not right.

    Matching another one mainly depends on what you do with it and your budget.,There's too much room for choice.,Sigma Xiaohei is not recommended.,Serious focusing,If you go to Canon70-200, if you don't think it's too heavy, go to XB or ISXB If you don't pursue the aperture, ISXXB is enough,XXB is not recommended,Telephoto on IShe stabilization is very important,It can greatly improve your film yield。

  2. Anonymous users2024-02-14

    Oh, yes. Canon is 50d....

    What is the purpose of the landlord buying a mirror? The characters are directly on the header Canon Genuine or Sigma's 50 which is also great.

    Shooting landscapes It is recommended that the original Canon 17 40L is used in small format or standard bull heads, but you have 17-50, so it seems to be useless, hehe.

    Telephoto birds, flowers, all good, Sigma 70-200, go pick one, or Xiaoxiaobai without anti-shake. Or the original 70-300 little green

    Tamron's shot is good.

  3. Anonymous users2024-02-13

    Landlord, Canon doesn't have a d50 Nikon's is a d50, Canon's should be 50d! What is the other lens of the landlord for, if you like to shoot flowers, birds, fish or something, Sigma's 70-200 is cost-effective, about 5k price, or there is original cleaning can buy 70-200 f4** is also more than 5k.

  4. Anonymous users2024-02-12

    I've used 40d, and the current equipment in my hand is exactly 450d+17-50, if you simply talk about the effect, it's definitely 50d

    First of all, the 50D is equipped with a relatively high practical ISO (ISO

    Noise at 1600 is slightly less than at ISO 800 at 450D), secondly, for shooting dynamic portraits, especially for models with natural and fleeting expressions, the success rate is very high, and secondly, 50

    In color and sharpness than 17-50

    It should be slightly better, and the color is slightly reddish.

    However, in most cases (unless you're shooting privately, one-on-one with the model), the 17-50 zoom is definitely easy to move, it is equivalent to the very common focal length of 27-80 on the 50d and 450d, and the constant aperture is not as good as the 50

    But it's basically enough. And 17-50

    The closest focusing distance is only, and you can get closer when shooting small objects.

    Although it is not equipped with an ultrasonic motor, the focusing speed is still a cut faster than that of the 17-50.

    So, if you plan to upgrade in the future, then the first 50D+50 is more suitable, if you rely on this configuration for a long time, then 450D+ is obviously more suitable for you, if the budget is sufficient, you can consider upgrading to the VC version (i.e. B005), with image stabilization, in the case of insufficient lighting, the success rate of shooting is higher (of course, if you shoot portraits indoors, it is recommended that you at least consider configuring a flash, whether it is domestic with TTL or the original factory).

  5. Anonymous users2024-02-11

    The correct solution is:

    Learning photography can give you the most significant improvement in image quality. Including how to shoot in the early stage, and how to deal with the software in the later stage**.

    Comparatively speaking, the difference between the best and worst lenses is not one-tenth as much as the former.

  6. Anonymous users2024-02-10

    In addition, all prime lenses will have a significant improvement in image quality in this focal length, and there are 17-40mm f-4 (5100 yuan), 17-55 F yuan -35 F yuan and a little more than 35 F yuan in zoom lenses).

  7. Anonymous users2024-02-09

    The equivalent focal length of the Canon SLR 650D with the Tamron 18-200 lens is about 29-320mm, and the 18-200mm is one of the lenses with the largest zoom ratio at present.

    But this lens is not satisfactory in many aspects, such as large distortion at the corner of the wide slag Liang Town, low edge resolution, poor background blur effect, slow focusing speed, and average overall workmanship.

    The reason for the existence of the 18-200 lens is that the focal length is practical, and it is useless to say that the good point is to go all over the world with one lens, and the bad point is useless.

    If you want to be convenient and cheap, you can pay attention to the Canon 18-135mm STM, and the image quality is better than 18-200mm. This lens uses a new type of stepping motor, and the autofocus will not be noisy when shooting, and the focusing speed is very fast, and the focus is accurate when shooting movies. Also, there is a lens lock on the bottom of the lens to prevent the lens from automatically slipping out.

    Pay attention to image quality and budget is not an issue, you can also pay attention to the EF-S 15-85mm, this lens is used on the 650D with an equivalent focal length of 24-136mm, the imaging effect has obvious advantages over the previous two lenses, and it is one of the best hanging heads for Canon C-format SLR cameras.

  8. Anonymous users2024-02-08

    In addition, jade hangers or something, it's best to get on a macro lens. And then with the effect of lighting.

    Portrait of a person, recommended portrait king 50

    Different needs and different lenses can give full play to the best film effect. If the requirements are not so high, the A16 is sufficient. Or, if you go to the A16 first, you think it's not enough to meet your needs, so you go on other shots.

  9. Anonymous users2024-02-07

    1.Choosing 17-50 is definitely better than the set head, 3 points, 1 is that the constant aperture of this lens is much larger than the set head; 2 is that the focal length of this head is exactly less than 3, and the internal distortion control is much better than that of the sleeve; 3 is that the image of this head is sharper than the head of the set, and the biggest indicator of shooting still life commodities is sharpness, how to look at a blur?

    2.Choosing 17-50 can basically meet your shooting needs, but it is not the most suitable for this price point; When it comes to portraits, this lens is nothing special, and the depth of field for the longest 50mm is not particularly ideal, of course, this head is used everywhere to use more, the so-called compatible with more compatible functions are definitely not as good as specialization.

    For things like jade, you need good lighting and lens imaging to show the details.

    You can try Tamron's 90 micro, a lens that can take care of both portraits and macros, and shooting jewelry with a macro lens is the best choice.

    The aperture of this lens is not small, it has a macro function, and you can see it by looking at the name, the prime head is better than the zoom lens in any way.

    It's just that because of the fixed focus, it may be inconvenient to go out and play something, but this head out portrait is much better than 17-50.

  10. Anonymous users2024-02-06

    1.Right.

    2.Jade pendant portraits require a proper shooting environment.

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