What are the representatives of the eastern Henan tune, and what are the differences in singing?

The western Henan tune originated in Luoyang. Among the representative figures, Danxing has Chang Xiangyu, Su Lanfang, etc.; The old students have Jia Baoxu, Wang Sui Dynasty and so on. In terms of singing, the voice is low, suitable for acting pessimistic and indignant, **deep and tragic.

The eastern diversion of Henan originated in Shangqiu. Among the representative figures, the old students include Tang Yucheng, Xie Qingjun, etc.; Xiaosheng has Zhao Yiting, Huang Ruxiu, etc.; Wusheng has Li Guofan and so on; Danxing has Ma Jinfeng, Dong Furong, etc.; Jingxing (flower face) has Li Sizhong and Wu Xinping. In terms of singing, he is impassioned, rough and heroic.

The tone of Yudong tune, the female statement is fast and pretty, and the male voice is high and bright. The tone of Yuxi tune, the female voice is sad and soft, and the male voice is desolate and tragic.

The melody of Yuxi is basically a palace tune, and the main note of the key is the central "1", and sometimes the "1" is also used as the terminating note. Because the key is basically in the middle range, it is sung with a big voice (real voice).

Representative figures: Chang Xiangyu, Cui Lantian, Tang Lanxiang, Yan Changgeng, etc.

The main tone of the tone of Yudong is the middle "5", and the "5" is the terminating tone, and the highest note is generally from the high note to the high note "3", which is generally sung with a falsetto.

Representative figures: Tang Yucheng, Ma Jinfeng, Huang Ruxiu, Zhao Yiting, etc.

The western tune of Henan opera has traces of local folk songs such as Shaanxi and Shanxi, while the eastern tune of Henan has traces of Shandong Bangzi, and their singing is high-pitched and passionate. The representative figure of the western Henan tune is Hu Fa, and the representative of the eastern Henan tune is Zhang Jiancai.

Henan West Tune (Xifu Tune), originated in Luoyang. The voice is low, the words are clear, the words are in the ears, the real voice is used to make the ugly and ugly, and the real voice is depressed and pressed, and the eastern Henan tune originated in Shangqiu. Impassioned, rugged and heroic.

The bite is heavier and the chord is high. There are many female voices, with bright, pretty and so on.

Xiangfu tune, singing tone: The key of Xiangfu tune is the same as that of Yudong tune, which belongs to a tone. ‍‍

Singing: The tune of Yuxi tune is basically a palace tune, and the main note of the key is the central "1", and sometimes the "1" is the terminating note. Because the key is basically in the middle range, it is sung with a big voice (real voice) to represent the characters: Chang Xiangyu, Cui Lantian, Tang Lanxiang, Yan Changgeng, etc.

The difference between the eastern and western tones of Henan is that the eastern part of the Henan calls the upper five tones and the western Henan calls the lower five tones. The eastern Henan tone is better at expressing the high-pitched and passionate character emotions, while the western Henan tone is most suitable for expressing the tragic and desolate character emotions. The eastern part of Henan mostly plays the Qing official and the original play, such as the Liu Gong case, and the western Henan tune mostly shows tragic characters such as Qingfeng Pavilion, Shen Baoxu Station City Tower and so on.

Needless to say, other professional knowledge, from these aspects can best extract the style of eastern and western Henan.

There are still many differences in their singing voices, for example, his singing voice is more euphemistic in western Henan, but it is more coarse in eastern Henan.

The representative characters of the actors of the western Henan tune are, Chang Xiangyu, Cui Lantian, Li Shujian, and the singing characteristics of the western Henan tune are soft and beautiful

The representative figures of the actors in eastern Henan are, Ma Jinfeng, Liu Zhonghe, Li Sizhong,

The characteristics of Yudong tune are, especially the male actors, the voice is high-pitched and bright, the voice is thick and gorgeous, and the portrayal of the characters in the play is strong, which is very attractive to the audience

Due to the phonetic differences in various places, Henan Opera has formed an artistic genre with regional characteristics. At the end of the Qing Dynasty and the beginning of the Republic of China, the Henan opera in Luoyang and other places mostly used the lower five tones, while the Henan opera in Kaifeng and other places mostly used the upper five tones.

The upper five-tone singing method in Kaifeng and other places is called"Tune to the east of Henan", the lower five-tone singing method in the Luoyang area is called"Henan West Tune"、"Xifu tune"。The representative figures of the western Henan transfer include Zhang Tongqing, Zhang Xiaogan, Zhang Fushou, Zhou Haihai, etc. The representative figures of the eastern Henan Tune include Tang Yucheng, Huang Ruxiu, Zhao Yiting, Li Sizhong and so on.

There is also a representative figure of Yudong Diao, he is Jin Deyi, who won the first prize of Henan Young Actors in 82, and his singing of Nanyang Pass is deeply loved by people.

All changes are inseparable from it, and it is still the auspicious charm for the ancestors.

Henan OperaIt is characterized by being easy to understand, concise and bright, with a long history and spread in the Central Plains. The biggest difference between singing and Peking Opera is that Henan Opera is calledHenan Bangzi, the big hail oak plum can be understood by some people. Peking Opera is composed of two basic tones of "Xipi" and "Erhuang", which is more elegant, and people who listen to Peking Opera need to have a certain historical foundation.

Peking Opera because of its special geographical location.

Respected as the "quintessence of the country", Henan Opera has a long history and has been declining in recent times. <>

Henan opera was developed by the Shanxi Bangzi introduced to Henan at the end of the Ming Dynasty combined with Henan native language and folk tunes, and was widely spread in Henan, Hebei, Shandong and other places, also called "Henan Bangzi". Henan dialect.

There are no incomprehensible words, and the use of "Zhongzhou rhyme" is late, so there is no language barrier in the process of spreading throughout the country, which is also the reason why Henan opera can flourish. Because of the prosperity of Peking Opera and Kunqu Opera, Henan Opera is gradually declining. <>

Some people will divide the opera into three, six, nine and so on, and Peking Opera is more elegant, which is "spring and white snow". Henan opera is popular and easy to understand, suitable for all ages, and is a "lower riba person". The rhetoric of Peking Opera is gorgeous, and people who do not have a certain amount of historical precipitation cannot understand it for the first time.

Henan opera is different, the language components are simple, and even children can understand the meaning for the first time.

There will also be some Kunqu opera added to the Peking Opera tune, which is magnificent and beautiful, and the overall feeling is very beautiful, and it is a pleasure to not understand it. <>

Henan Opera is known for its sonorous singing, moderate modulation, hearty tone, clear pronunciation, mellow charm, vivid and lively, flesh and blood, and good at expressing the inner emotions of the characters, and is widely welcomed by people from all walks of life with its high degree of artistry. Because its ** accompaniment is beaten with jujube wood bangzi, it was named Henan Bangzi in the early days.

If you agree with me, please give me a like or follow me, thank you very much. Also, how do you think it is different from Peking Opera in terms of singing? You are welcome to share your valuable comments in the comment area below.

It is characterized by the characteristics of the non-potato guess high singing voice, as well as the division of the industry, the costumes are the same as those of Peking Opera, the makeup is colorful, and there is a unique performance method of several feet; Henan opera is developed from the reform and innovation of Henan Bangzi, the singing tone is moderate, the words are clear, vivid and lively, flesh and blood, and good at expressing the inner emotions of the characters.

The singing and judgment of Henan Opera is relatively atmospheric, and then the words are clear, the form of expression is vivid and lively, and he is good at expressing inner emotions. Peking Opera mainly uses two reeds and Xipi as the main singing voices, and if the martial arts field is mainly old-fashioned, the main talk key in the literary field is played with the huqin.

His makeup is relatively thick and colorful, and the line is divided into Sheng, Dan, Jingzhaocong, Ugly and other roles, the key to the performance of the gesture is to have a flower face over the top, Xiao Dan to the chest, Xiao Sheng to the lips, red face to the eyebrows; The tone of Henan opera is full of cherry blossoms, with a degree of modulation, clear pronunciation, vivid and lively, and a sonorous atmosphere of special tassel rent, while Peking Opera needs to be interspersed with a series of tunes during the performance, including music card style, ballad style, etc.

The singing tone of the drama is generally characterized by clear pronunciation, distinct rhythm, and then the words are very colloquial. It is not like the Peking Opera, which has to sing and do these fixed procedures. Compared with Mo Han, Henan Opera is still a little easier to learn potatoes and potatoes.

The three major characteristics of Henan opera are collective creation, with a strong local flavor; No music and no score, oral singing; The audience is wide and entertaining.

Since the emergence of Henan opera, there has been no music and no score, and the working people often improvise and sing, and the lyrics and singing tunes are usually readily available, so when inheriting opera, they often rely on the master's words and deeds, and the apprentices often follow the master's singing style to form a fixed singing style.

The genre, content and singing style of Henan Opera are completely different from the real life of ordinary working people. Genre-wise, inspiration comes from little things; In terms of singing, it emphasizes both voice and emotion, and the main purpose is to reflect the short storyline of ordinary people's lives and parents. Because Henan Opera itself was created by the vast number of working people, and then sung by the actors of the troupe, it caused great repercussions among the masses, and was widely popular in Henan, Hebei, Shandong, and spread throughout China, making it the largest local opera in China.

The singing characteristics of Henan Opera

The singing cavity structure of Henan Opera belongs to the plate variant, and there are four main sound cavity plates, namely the 28 plates, the slow plates, the flow boards, and the loose plates.

The 28 board is the most expressive among the four major board categories of Henan Opera, and the variation is the most abundant. Slow boards include slow boards, gold hook hanging, anti-gold hook hanging, windward board and other plate types. The assembly board is also one of the commonly used boards in Henan Opera, which can be divided into flow board, slow flow board, loss Qin fast flow board, flow water board, etc.

Flyboard is also known as "non-board", no board without eyes, free rhythm, belongs to the loose board category.

What is the difference between the auspicious tone of Henan opera, eastern Henan, and western Henan?

Answer: Due to the differences in pronunciation in various places, Henan Opera has formed an art genre with regional characteristics. At the end of the Qing Dynasty and the beginning of the Republic of China, the Henan opera in Luosheng and Xiyang mostly used the lower five tones, while the Henan opera in Kaifeng and other places mostly used the upper five tones, forming a sharp contrast.

In order to distinguish, Henan opera artists call the singing tones of Luoyang and other places as Henan West Tune (also known as Xifu Tune), and call the singing tones of Kaifeng all over the country as Henan East Tune (also known as Xiangfu Tune). After the founding of the People's Republic of China, Henan opera experts subdivided the eastern Henan tune into auspicious fu tune, eastern Henan tune, and Shahe tune. This division is widely recognized, that is, the auspicious tone centered on Kaifeng; the eastern Henan diversion centered on Shangqiu; the western Henan tune centered on Luoyang; The Shatuanyu River tune, which is popular in the area of the Nansha River in eastern Henan, is also called "local Bang".

Among them, the auspicious note tune, Shahe tune, and eastern Henan tune mostly use the upper five tones, and the western Henan tune mostly uses the lower five tones; Now that the Xiangfu tune and the Shahe tune have declined, the eastern and western Henan tunes have shown tenacious vitality.

Henan Henan opera, also known as Henan Bangzi, is the most harmful in HenanIt means that the opera genre is the popular song of 100 million Shandong people. In Henan Province, from children as young as how old to old people, you don't need to hum a sentence or two about Henan Henan opera, and you are embarrassed to say that you are from Shandong. When discussing the Henan Henan opera faction, they are still marked by the name of the master himself, and are divided into Chen, Chang, Cui, Ma, Yan, Sang and Tang factions.

The first six are all Hua Dan,

It is known as the six famous Dans of Henan Henan Opera, and the representative characters and repertoire are their ownChen Suzhen played Cui Jinding in "Three Sedan Chairs".Master Chen Suzhen passed away on March 29, 1994. She ranks first among the six famous Dans of Henan Henan Opera, is known as the "Queen of Henan Henan Opera", and innovates the first faction in the Henan Henan Opera industry, "Chen Men (Chen School) Plastic Arts", which is likely to be limited by the original promotion standards, and her reputation throughout the country is not as good as Chang Xiangyu and Ma Jinfeng. Classic works include "Cosmic Edge", "Spring and Autumn Match", "Three Sedan Chairs" and so on.

Chen Suzhen has many apprentices, <>

Among them, there is no shortage of expert roles in the Henan Henan opera industry. Including Cui Lantian, the founder of the Cui faction of her own school, she studied under Chen Suzhen in 1943. The Liu faction is also the Liu faction in eastern Henan.

This is the Liu faction founded by Mr. Liu Zhonghe, the red-faced king of eastern Henan. Teacher Liu Zhonghe's singing style is impassioned and high-spirited, strong and smooth, especially in the traditional opera to play the king's brand image, and has been praised by Chinese opera critics as "a clear voice, half of the country." It is known as Henan Henan Opera Ma Lianliang.

Folklore also has the view that "if you don't eat buns for three days, you have to look at Liu Zhonghe".

The key repertoire of Liu Pai's representatives includes "Hitting the Golden Branch", "Blood Splashed Black Yarn", "Three Dozen Golden Branches" and so on. Liu Zhonghe: Hit the golden branch, fifteen runs

There are many celebrities in Henan Henan opera who are not factional: Ren Hongen's "The Marriage of an Unlucky Uncle", Meng Xiangli's "Fragrant Soul Girl", Jia Wenlong's "The Man in the Mountain", etc.

auspicious note tune is the mother tune of Henan opera; Henan West Tune, also known as Xifu Tune; Tune to the east of HenanHigh. Impassioned, high-pitched and robust, slightly higher than the eastern tune of Henan, so it is called "sacrificing life". Shahe Tune; Modern tones.

The representative figures are Zuo Zongtang and Zhang Zhidong, who are Hua Mulan and Mu Guiying respectively. I think Henan Opera is very good.

The singing voice of Henan Opera is characterized by sonorous atmosphere, moderate modulation, and hearty tone.

Henan opera is known for its sonorous singing, moderate modulation, hearty tone, clear pronunciation, mellow charm, vivid and lively, flesh and blood, and good at expressing the inner emotions of the characters.

It is widely welcomed by people from all walks of life because of its high degree of artistry. Because its ** accompaniment is beaten with jujube wood bangzi, it was named Henan Bangzi in the early days. According to the statistics of the Ministry of Culture, in addition to Wuhu Province in Henan, Hubei, Anhui, Jiangsu, Shandong, Hebei, Beijing, Shanxi, Shaanxi, Sichuan, Gansu, Qinghai, Xinjiang, Taiwan and other provinces and municipalities have professional Henan Opera troupes.