The golden and bronze immortal words and Han songs can be divided into three meanings, namely:

The golden and bronze immortal song expresses the mourning of the death of the country.

What this poem expresses is a solemn feeling that is intertwined with the pain of family and country and the sorrow of life. The poem consists of twelve verses, which can be roughly divided into three parts. The first part is the first four sentences, mainly as far as Emperor Wei Ming is concerned, saying that Wei's decline is due to the fact that he does not believe in immortals and has no elixir of immortality, and he cannot make the country stable for a long time.

The second part is:

The fifth and sixth sentences, mainly for the bronze man in the Han Weiyang Palace, said that it was forced to be demolished and would be far away from its homeland, which was tantamount to a sentient thing, and it was sad and weeping because of parting. The third part is the last eight sentences, mainly as far as the bronze man is concerned, saying that it was transported from Chang'an to Luoyang, and suffered all kinds of hardships on the way, which shows that in addition to the pain of losing the country, it also feels the pain of displacement.

"The Song of the Golden and Bronze Immortals" is a poem written by the Tang Dynasty poet Li He who resigned due to illness and traveled from Beijing to Chang'an on the way to Luoyang. The poet uses the historical events of the golden and bronze immortals to express the sense of rise and fall, the pain of the family and the country, and the sorrow of the life experience. The whole poem is peculiar in conception, but also deep and moving; The image is distinct, but also varied; The words are strange, but they are also dense.

The poem is both inventive and deeply moving; The image is distinct, but also varied; The resentment was beyond words, but there was no expression of anger and anger. The choice of words and sentences is strange and appropriate, rigid and soft, hatred and love are mutual, jagged and neat.

This is indeed a poem that has both a unique style and a perfect beauty.

The background of the creation of "Golden and Bronze Immortal Song of the Han Dynasty":

This poem was written more than 90 years after the fall of the Tang Dynasty, and the reason for the poet's sense of rise and fall should be understood and appreciated in connection with the social conditions at that time and the poet's situation. Since the Anshi Rebellion broke out in the last years of Tianbao (Tang Xuanzong, 742-756), the Tang Dynasty has been in a slump.

Although Tang Xianzong was known as the "Lord of Zhongxing", in fact, during his reign, rebellions broke out one after another, the northwest frontier was repeatedly frightened, the land was lost, the devastation was full of devastation, and the people were struggling to survive. The aristocratic home of the poet's "Tang kings and grandsons" has long since declined.

In the face of this harsh reality, the poet was in a very uneasy mood, and he was anxious to establish his deeds, restore the prestige of the country, and at the same time glorify the lintel and restore the status of the clan. Unexpectedly, after entering Beijing, he ran into walls everywhere, had no hope of entering, and had no way to serve the country, so he finally had to leave with anger. It is in this context that this poem was written.

1. Vernacular translation: In August of the first year of Emperor Qinglong of Wei Ming, the edict palace official led the car to the west to take Han Xiaowu to hold the dew pan immortals, and wanted to set up the front hall. The palace officials dismantled the plate, and the immortals came, but they burst into tears. Li Changji, the grandson of the Tang Dynasty, then composed "Golden and Bronze Immortals and Han Songs".

2, Liu Lang, who was buried in Maoling, seemed to pass away in a hurry in the autumn wind. The neighing of his horses was heard at night, but there was no sign of him at dawn. The laurel trees next to the painting bar still exude the fragrance of late autumn. The thirty-six palaces of Chang'an City are now mossy and green.

3. Wei Guo ** drove the copper people to a different place thousands of miles away. As soon as he walked out of the east gate of Chang'an, the cold wind shot directly into the eyes of the bronze man. Only the Han Yue, who got along day and night, accompanied the bronze man out of the official residence. Remembering the monarch of the early days, the copper ** is like teardrops of lead water.

4. The withered bluegrass bids farewell to distant guests, on the ancient road leading to Xianyang. If the heavens have feelings, they will also become old because of sadness. The plate that is alone in Chang'an is lonely and faint under the desolate moonlight. Seeing that Chang'an is fading away, the sound of Weishui waves is getting smaller and smaller.

1. Vernacular Judgment Chain Translation: In August of the first year of Emperor Qinglong of Wei Ming, the edict palace official led the car to the west to take Han Xiaowu to hold the Lupan immortals, and wanted to set up the front hall. The palace officials dismantled the plate, and the immortals came, but they burst into tears. Li Changji, the grandson of the Tang Dynasty, then composed "Golden and Bronze Immortals and Han Songs".

2, Liu Lang, who was buried in Maoling, seemed to pass away in a hurry in the autumn wind. The neighing of his horses was heard at night, but there was no sign of him at dawn. The laurel trees next to the painting bar still exude the fragrance of late autumn. The thirty-six palaces of Chang'an City are now mossy and green.

3. Wei Guo ** drove the bronze man to the land thousands of miles away. As soon as he walked out of the east gate of Chang'an, the cold wind shot directly into the eyes of the bronze man. Only Han Yue, who got along with her grandson day and night, accompanied the bronze man out of the official residence. Remembering the monarchs of the past, the copper ** is like teardrops of lead water.

4. The withered bluegrass bids farewell to distant guests, on the ancient road leading to Xianyang. If the heavens have feelings, they will also become old because of sadness. The plate that is alone in Chang'an is lonely and faint under the desolate moonlight. Seeing Chang'an gradually moving away, the sound of Weishui waves is getting smaller and smaller.

Legend has it that the people of the Han Dynasty believed that the gods could descend to the world, drink the dew, and make people immortal. There is one person who firmly believes in this statement, and he is Liu Che, Emperor Wu of the Han Dynasty. In order to dew the immortals, Emperor Wu ordered the construction of the Shenming Platform in the Jianzhang Palace of Chang'an, which is about 67 meters high, and then cast copper immortals holding copper plates in both hands, so as to obtain the dew of the immortals.

In fact, the dew in the dew plate is nothing more than the water vapor condensed in the dish due to the temperature difference in the morning and evening. Emperor Wu of the Han Dynasty regarded these condensed droplets of water as immortal dew, and handed over the next dew to the monks. After mixing the dew and the crumbs of jade, Fang Shi asked Emperor Wu of Han to take it, and told Emperor Wu of Han that he would be immortal.

However, in 87 BC, Emperor Wu of Han still died.

Although it cannot make Emperor Wu of the Han Dynasty immortal, if the copper immortal Chenglu plate is preserved to this day, it must be a rare handicraft. Unfortunately, after the fall of the Han Dynasty, Emperor Cao Rui of Wei Ming, the grandson of Cao Cao, ordered the relocation of the Tongxian Chenglupan from Chang'an to Luoyang.

Unexpectedly, during the relocation, the copper fairy Chenglu disc was completely damaged, and the last broken parts were also discarded. This history has been recorded by many documents such as "Romance of the Three Kingdoms" and "Spring and Autumn of the Han and Jin Dynasties", and even the one hundred and fifth chapter of "Romance of the Three Kingdoms", one of the four famous works, "Wuhou pre-ambushed the plan, and the Lord of Wei dismantled the Chenglu plate", this history is also described.

Li He, a famous poet of the Tang Dynasty, was also very emotional after reading this history, and wrote a poem "Golden and Bronze Immortal Song of the Han Dynasty", in which "if the sky is loved, the sky is also old", which has become a famous sentence widely recited by later generations.