What should we pay attention to in the writing of old style poems, and what are the key points?

If we say "old style poems" and "new style poems" now, it mostly refers to "old style poems (including ancient style poems and near-style poems)" and "free style", depending on the tone of the subject, this should be the meaning.

In the old style poems we usually read, the number of words in each sentence is generally the same, that is, three-word poems are three characters per sentence, and four-word poems are four-character ...... per sentenceWhat we usually see is five-character poems and seven-character poems. The old style poems are divided into ancient style poems and close style poems, both of which must rhyme, but the near style poems are more particular about the matching of flat and square, and there are special rules, and the ancient style poems are basically just rhyme. Most of the old style poems we usually learn are near-style poems, too many, so that it is not good to give examples, such as all the rhythmic poems, but there are also a lot of excellent ancient style poems, such as Li Bai's "Will Enter the Wine" and other long poems (this kind of unequal long sentences of ancient poems are all ancient style), and other long sentences of ancient style poems, such as Meng Jiao's "Wandering Ziyin", "After Dengke", Li Shen's "Compassion for Nong", Du Fu's "Wangyue" (this poem is similar to the five laws is actually not), Cui Hao's "Yellow Crane Tower" (this is similar to the seven laws is actually not) and so on.

Free style, that is, modern style poetry, there are no hard requirements for the number of words in each sentence and whether it rhymes, it can be said that there are no hard rules, the key is to see whether the content is poetic.

It is said that there is no superiority in both types of poems, and they can write wonderful verses. However, in the current reality, the new style of poetry seems to have a tendency to degenerate. I just read the so-called pear blossom body, lamb body, etc.,I feel that there is nothing surprising.,The current mainstream of new style poetry (free verse) seems to be like this.,Say white and white.,Say Xuan Zhen Xuan.。

Let's still read the old style poems, I feel that the old style poems are better understood and more realistic. Old style poetry is not the same as ancient poetry, and there are many people who like to write old style poetry today, including myself.

April 4, 2020 During the Qingming Festival, the festival is empty, and the pedestrians on the road are surging. Asking people to pay tribute to the memory of the mother is the most unforgettable nurturing grace. Empty and sad, thinking bitterly at night.

There are a few strands of silver silk on the left sideburns, and the peach blossoms are two lines of rain and tears. When did you report Sanchunhui?

Which teacher evaluated.

There is no distinction between the old and the new, it is the division of time, what the Chinese teacher wants to say, I forgot.

Definition: A term used in modern Chinese literature. It is also called old style poetry or simply old poetry.

After the rise of the May Fourth Literary Revolution, it is a general name for the traditional Chinese poetry style with extremely strict rhythm, including Wuqiyan quatrains, Wuqiyan rhythm poems and other styles. In general, old-style poems can be divided into two categories: ancient style poems and near-style poems.

Characteristics: Ancient style poems have the characteristics of relatively free rhyme, arbitrary rhyme, repetition of rhyming footwords, and allowing prose sentences. Near-style poems have the characteristics of a poem limited to one flat rhyme, the use of rhyme in even-numbered sentences, the use of adjacent rhyme or no rhyme in the first sentence, and the repetition of rhyming words.

Ancient style poems are generally called ancient style, which are written in accordance with the practice of ancient poems, and the form is relatively free, not bound by the rhythm. Judging from the number of words in the poems, there are so-called four-word poems, five-word poems, and seven-word poems. Four words are four words and one sentence, five words are five words and one sentence, and seven words are seven words and one sentence.

After the Tang Dynasty, four-character poems were rare, so they were usually only divided into two categories: five-character and seven-character poems. Five-character ancient style poems are referred to as Wugu; Seven-character ancient style poems are referred to as Qigu; Those who use both three, five and seven words are generally considered seven ancients.

Because modern people are no longer able to get in touch with poetry and ancient texts every day like ancient people, there are many obstacles in composing ancient poems. The use and meaning of ancient characters and modern words are slightly different, after all, modern words are evolved from ancient characters, which is more convenient for the use and communication of the current information age, but ancient characters have another exquisite artistic conception, plainness, etc., we feel that many sentences in ancient times read very smoothly and very good, and have feelings, it is because of its combination of word sound, word meaning, character and word class, so we must understand the meaning of words and parts of speech and word classes, and understand that ancient people pay more attention to word choice and sentence formation than modern people. What you want to write is ancient poetry, and ancient poetry pays more attention to the use of flat pronunciation and rhythm.

The first thing to write poetry is perceptual imagination, imagination and sensitive feelings are the processing plant of poetry art, the second is the unique image thinking of the Chinese, the reason why the ancient poetry is very meaningful, is the credit of image thinking, and the direct response to the artistic conception is the word, to consider the use of words, this must have enough vocabulary, the best poetry is to subtract one word is not good, one more word is not good, change a word will not have the original feeling at all, such as you feel that subtracting one or two words does not affect the whole, but looks more concise, just write five words, on the contrary, write seven words, and so on.

There is also to pay attention to the overall layout of the poem, opening, bearing, turning, and combining is the overall rhythm, and the syllables of each word are the rhythm of each sentence, there are ups and downs, there are combinations and scatters, the rhythm is beautiful, and it is smooth and pleasant to read out, just like a song that never gets tired of listening.

Read more ancient poems, as the saying goes: if you are familiar with 300 Tang poems, you will not be able to compose poems and chant. It's right to take a look at more, plus your own pondering, such as the lonely sail far away and the blue sky, only to see the Yangtze River skyline, why does the author write like this, use such words, if you change it to something else, it won't work.

There is also more practice, at the beginning may be written is the use of words, and then the use of thoughts, there are moving thoughts and emotions into the words, so that the poems can be touching, and without these thoughts and emotions, it is a bunch of gorgeous rhetoric piled up in the air. Therefore, it is better not to have flowery rhetoric, but also to have emotional expression. But emotions are very emotional things, Chinese pay attention to just right, more is not good, less is not good, this can only be grasped by your long-term practice.

In short, it's more to read, write more, think more, I'm in a hurry here, some deficiencies and hope to understand, since you have written poems for two years, you should know these, I don't bother to speak, if you still want to improve, just read some related books.

lz can read Teacher Ye Jiaying's book, maybe it will help.

When there is no trace, it is all wonderful, and as soon as it is done, it is stated that "this kind of obstacle is encountered by anyone who writes old style poetry." The breakthrough of the bottleneck still has to rely on itself.

I think it's good to explain the meaning that can be expressed, and as for the cheesy or something, it is decided according to the poet's life experience and perception. The more people experience, the more transparent their views and understanding of things will be, and the level of poetry will definitely improve accordingly, so it is recommended that the landlord stick to it, and see more and practice more will definitely improve.

More back Li Shangyin and Su Shi, one is more subtle and euphemistic, the other is more concise, if you want to be graceful, you can memorize more words of Li Qingzhao and Liu Yong, and if you memorize more, you will naturally borrow it, and it will be good at that time!

First is plain poetry, then rhythm, and then refining words. The most important thing is the artistic conception. There is no poetry without artistic conception!

Two sentences in three years, a groan and two tears, this realm can be written.

Insist on reading and memorizing every day, and it will be a little basic after a year. Then travel more and expand your horizons.