Why can the porcelain of the third dynasty of the Qing Dynasty occupy the top position in the porcel

Imperial enamel porcelain!

Qing Yongzheng blue and white porcelain is the blue and white porcelain of the Yongzheng period, regardless of the shape and decoration, can be summed up by a "show" word, and Kangxi blue and white upright, strong style is very different, but replaced by a soft and handsome style.

Kangxi blue and white is divided into three periods: early, middle and late: the early period is from the first year of Kangxi to the nineteenth year of Kangxi; The middle period is from the 20th year of Kangxi to the 40th year of Kangxi; The late period is from the 40th year of the Kangxi Dynasty to the end of the Kangxi Dynasty, of which the blue and white porcelain in the middle of the Kangxi period is the most prominent. Its shape is also various, including furnishing porcelain, as well as porcelain for daily life, sacrificial vessels, export porcelain and so on.

"Qing dynasty porcelain" refers to the Qing Dynasty Kangxi, Yongzheng, Qianlong three dynasties porcelain. These three emperors, Kangxi is benevolent and generous, Yongzheng is rigorous and meticulous, and Qianlong is dignified and free.

The differences in the personalities of the three emperors were not only reflected in their respective governing styles, but also influenced the production of porcelain. Those beautifully made porcelains with rich varieties are either ancient, elegant, or luxurious, both in the same vein and in very different styles.

A series of social reforms of the Yongzheng Emperor played a key role in the continuity of the prosperous Kangqian era. Yongzheng thirteen years (1735) died, the temple name Shizong, the name of Jingtianchang Yun Jianzhong Zhengwen Wu Yingming Kuanren Xin Yi Rui Sheng, filial piety to Chengxian Emperor, buried in the Qing Dynasty Xiling Tailing, the fourth son of Hongli.

Kangxi blue and white porcelain is famous for its fine glaze, bright blue and white, simple and diverse shapes, and beautiful ornamentation. Qing Dynasty Kangxi Dynasty (AD 1662-1722, Qing Shengzu Aixin Jueluo Xuanye year), the economy is developed, Kangxi 19 years Jingdezhen restored the imperial kiln factory, blue and white porcelain has made outstanding achievements.

Summary. The three dynasties of the Qing Dynasty are an important stage in the history of the development of Chinese porcelain, including the porcelain production during the three emperors of the Qing Dynasty: Kangxi, Yongzheng and Qianlong. The quality and craftsmanship of porcelain in this period reached a new peak, and it was known as "the first era in the history of porcelain".

The third dynasty of the Qing Dynasty is an important stage in the history of the development of Chinese porcelain, including the production of porcelain skin in the Qing Dynasty, when the three emperors of Kangxi, Yongzheng and Qianlong were burning. The quality and craftsmanship of porcelain in this period reached a new peak, and it was known as "the first era in the history of porcelain" Wu Qin.

Historically, the dynasty with the least amount of porcelain should be the Five Dynasties period (907-960 AD). During the period of the Five Dynasties of Hengjianyun, the political turmoil, frequent wars, and backward economic development caused the production of porcelain to be seriously affected. During this period, porcelain production was almost at a standstill, and the number of porcelains was relatively small.

Of course, this does not mean that there was no porcelain production at all during the late land period of the Five Dynasties. During this period, the production of porcelain in Jingdezhen had begun to rise, but the scale was small, and the level of dismantling technology was relatively low. It wasn't until the Song Dynasty that porcelain production really began to flourish and became one of China's main export sock goods.

Yes, Kang, Yong, Qian, Jia, Xian, Dao, Guang, Xuan, the one is relatively few.

During the Qianlong period, the production of porcelain was the most abundant, and the level of craftsmanship also reached its peak.

Comparatively speaking, the production of porcelain in the Kangxi and Yongzheng periods was small.

The porcelain production in the Jiaqing, Daoguang, Guangxu and Xuantong periods is also relatively rich, and the level of craftsmanship is also relatively high. Therefore, from the perspective of porcelain production, the amount of liquid porcelain produced in the Kangxi and Yongzheng periods may be relatively small.

1. The so-called "Qing Dynasty" porcelain refers to the porcelain of the Kangxi, Yongzheng and Qianlong dynasties of the Qing Dynasty. The varieties of porcelain of the three dynasties of the Qing Dynasty mainly include Doucai, Wucai, and Susancai, and the firing level of these porcelains is very high. In addition, during the Kangxi period, new varieties such as enamel color, pastel and underglaze three colors appeared, and monochrome glazed porcelain such as sky blue, sacrificial blue, and holly also increased unabated.

2. The porcelain of the three dynasties of the Qing Dynasty is the most abundant, both antique and innovative, and all kinds of decorative porcelain have increased greatly compared with the Yuan Dynasty and the Ming Dynasty. Kangxi has Guanyin bottles, mallet bottles, etc.; When Yonggao is in charge, there are bull heads, quadruple bottles, lantern bottles, ruyi ears, etc.; During the Qianlong period, all kinds of delicate small utensils appeared, such as snuff bottles, bird food cans, imitation ivory, etc.

Emperor Xi reigned for 61 years, is the longest reign of China's feudal emperors, during the reign, the recovery of Taiwan, pacification of Geerdan, created a Kangxi event, the society is relatively stable, provides a good social foundation for the development of porcelain, Jingdezhen potters have the energy to develop the handmade porcelain industry. Kangxi made great efforts, rewarded cultivation and weaving, supported handicraftsmen, and supported handicraftsmen in terms of policy, and with good policies, porcelain artists had the motivation to produce good porcelain. What is good at the top will be very bad at the bottom.

Emperor Kangxi is an emperor who likes porcelain very much, he once sent Zang Ying to be elected as the pottery supervisor, went to Jingdezhen to preside over the kiln affairs, produced the famous Zang kiln, and also restored some varieties that have been stopped in the past, and let the Nian Xi kiln act kiln affairs, and the famous top of the kiln was also born here.

The emperors of the Qing Dynasty all liked porcelain, with Kangxi, Yongzheng and Qianlong being the most prominent, producing many rare treasures, pushing the production of porcelain in ancient China to an unprecedented height.

Throughout the Qing Dynasty, Jingdezhen always maintained its status as the porcelain capital of China. Due to the needs of the domestic and foreign markets, the production of porcelain in Jingdezhen has also developed greatly, under the influence of painting in the same period, the painting of porcelain in the folk kiln, freehand and realism coexist, with the pen bold, the number of porcelain sold in Europe in the Qing Dynasty is huge, and many of the shapes and glaze decorative patterns made in accordance with the requirements of foreign customers have been produced, enriching the means of production of the kiln.

From a technical point of view, China's traditional porcelain-making process reached its maturity in the Qing Dynasty. The quality of high-grade white porcelain of the Qing Dynasty has reached the highest level in history, both in appearance and in terms of physical-mechanical properties.

Because the economic development of the Qing Dynasty was stable, the people lived and worked in peace and contentment, and there were few wars, so people had time to appreciate porcelain, so the development of porcelain craftsmanship was promoted.

By the time of the Qing Dynasty, the craft of porcelain was already very mature, whether it was the choice of material or the mastery of fire, so it reached the peak of craftsmanship.

The Song Dynasty, with its economic prosperity in China's feudal history, can be said to be the most prosperous feudal dynasty in Chinese history. In Chinese history, the porcelain production technology of porcelain is also advanced, and the Song Dynasty emerged five famous porcelain kilns such as Ding, Ru, Guan, Ge and Jun. With the experience left by the people of the past, the porcelain production of the Qing Dynasty has also made great progress and innovation, and the porcelain-making process in China has developed to an unprecedented height in the Qing Dynasty.

Kangxi period, porcelain in the blue and white porcelain, blue and white porcelain to the fetal glaze fine, blue and white bright, simple and diverse shapes, beautiful ornamentation, Kangxi kiln also broke through the shackles of the official kiln in the ornamentation, so that the ornament is full of life, no longer lifeless, there is an innovation and reform in the production of porcelain, the Kangxi period, the painting themes on the porcelain blank are also very rich, such as landscapes, characters, stories and long poems and other various.

To the Qing Dynasty Yongzheng Dynasty blue and white porcelain style from the Kangxi Dynasty upright, bold and changed into soft, handsome, the subject matter is more extensive, varieties and shapes are also more abundant, blue and white color has pure blue, gray blue and blue purple three, created a new shape of porcelain. <>

It has reached a higher level, including the selection and processing of raw materials more elaborate than before, and it has also tested the painters, reflecting the prosperity of the Qing Dynasty. Under the requirements of Yongzheng's aesthetic style, he also personally stipulated the shape and pattern of porcelain, and did not allow the production of porcelain with exaggerated ornamentation and inappropriate specifications, the decoration style was elegant and abnormal, the content was mainly feathered flowers, supplemented by landscapes, and the characters rarely appeared, and the porcelain of the Qing Dynasty was more attractive, its pattern was relatively novel, not as rigid as the previous porcelain, and the aesthetics began to be different, without the previous monotony. <>

When the Eight-Nation Coalition invaded China, they robbed our country's porcelain, which is really shameful and proud, and shows that foreigners recognize our Chinese porcelain. But isn't it, in the eyes of foreigners, porcelain is amazing, they know that the method can't be made, which shows the wisdom of the Chinese.

Because the quality of porcelain that appeared in the Qing Dynasty was very high. Therefore, in the Qing Dynasty, Chinese porcelain reached its peak. It is also very normal.

Because porcelain reached its peak in the Qing Dynasty, various styles emerged one after another, so that the world felt the charm of porcelain.

Mainly for the Qing Dynasty to earn a huge difference, because Europe and the United States and other countries are very fond of Chinese porcelain, so they imported a large number of inflows.

The porcelain of the third dynasty of the Qing Dynasty refers specifically to the porcelain made during the Kangxi, Yongzheng and Qianlong periods of the Qing Dynasty. The porcelain produced during this period is often associated with Jingdezhen. Historically, Jingdezhen porcelain developed in the Five Dynasties, matured in the Song and Yuan dynasties, and was brilliant in the Ming and Qing dynasties.

From the perspective of the firing process, it has gone through three important stages from celadon to white porcelain, and from white porcelain to colored porcelain. Jingdezhen in the Ming and Qing dynasties was the center of China's porcelain industry, and even in the heyday of China's porcelain industry, the official kiln porcelain almost became synonymous with Jingdezhen kiln. Especially after the Yongle year, Western art and pigments were introduced into our country, which played a role in promoting the porcelain industry, and at the same time, the emperor of the Ming Dynasty attached great importance to the manufacture of porcelain, and the country devoted all its efforts to burn porcelain in Jingdezhen, producing extremely fine.

In the second year of Hongwu in the Ming Dynasty, Jingdezhen built a kiln, specializing in firing imperial porcelain, only seeking exquisite product quality, regardless of the cost, so the porcelain-making process has developed rapidly, almost all Song porcelain can be imitated, the effect is imitated vividly, some have reached the situation of chaos, people are dazzled, dizzying. The blue and black colors are more sophisticated than those of the previous dynasty, and the pure color has reached the point of perfection. The Ming Dynasty also created five-color and blue-and-white five-color depictions, which are generally depicted in five colors: red, yellow, green, purple, and he, and blue-and-white colors are generally depicted in red, yellow, green, purple, and blue and white five main colors.

The Jingdezhen porcelain industry in the Qing Dynasty has a new development on the basis of the Ming Dynasty, the most successful and influential is that the Qing Dynasty colored porcelain replaced the blue and white porcelain to become the mainstream of the official kiln porcelain, changing the Song, Yuan, and Ming Dynasty to blue and white porcelain as the mainstream of the situation. In the Qing Dynasty, Jingdezhen also created enamel porcelain; The invention of pastel, also known as "soft color", can be said that the Qing Dynasty reached the peak of the firing process of color glaze or colored porcelain, and many varieties have never been seen before, and there is no one after them. In particular, the Kangxi, Yongzheng and Qianlong dynasties set the world's famous kilns, the essence of the country's skills, the output of porcelain, the richness of the variety, and the exquisite craftsmanship, all of which are incomparable.

In addition, the intervention of the Qing Dynasty emperors exceeded that of the previous dynasties, and the most typical was the Qianlong Emperor. Because Emperor Qianlong had a high artistic accomplishment, he had high requirements for the shape, pattern, and variety of the vessel, and it was necessary to be approved by the imperial court and the imperial pattern before it could be fired. In the Qing Dynasty, there was another person who had to be mentioned, and this person was Tang Ying, the governor of pottery.

The Ming and Qing dynasties both had pottery supervisors, and the greatest achievement and fame was Tang Ying in the Qianlong period, known as the "Tang kiln" in history. Tang Ying from the sixth year of Yongzheng to the twenty-first year of Qianlong, supervised the pottery of the official kiln in Jingdezhen for 27 years, and the porcelain craftsmen at that time ate, lived and worked together, and the production of porcelain in the official kiln during this period concentrated on the most outstanding achievements of the historical peak of China's porcelain making in the Kang, Yong and Qian dynasties. In the eighth year of Qianlong, Tang Ying was ordered to compile 20 articles of "Pottery Diagram Edition", which summarized the whole process of Jingdezhen porcelain-making process more completely and systematically, and became the earliest monograph on ceramic technology in China.

It refers to the porcelain fired by the three dynasties of Kangxi, Yongzheng and Qianlong! Remember, remember, remember ......