What are the principles of film and television post editing matching?

Post-film and television productionThe principle of clip matching – the main action is in line with the direction

If there are too many words in the material, we should try to find the same words to match.

Of course, we can also use the single-action method. The purpose of action editing is to keep the two actions the same, that is, action A and action B are the same, and we only keep the first half of action A, the second half of action B, and the two shots are connected.

The advantage of this is that it avoids repeating a complete action, and the actions can be matched and grouped together.

2. The principle of film and television post-editing matching - scene matching

Of course, we can also find the same scenes from the footage and match them, but we still need to keep their categories consistent.

For example, a character's shooting scene can include all scenes, media scenes, and near-field scenes, and cover multiple angles. Generally speaking, if we match the characters together, it is best to match all the close-ups of the characters, paying attention to the consistency of the positions and angles of the characters.

If it's for the product, we can match their scenes together, such as mobile phones**. In general, the beginning of the film is a close-up of the appearance of the phone, a group shoot.

3. The principle of film and television post-editing matching - fixed lens matching

There will be a material dedicated to fixed lenses, i.e. cameras without any action mode lenses, especially to introduce and interpret the performance of the environment. At this point, the fixed lens itself tends to be boring. If the combination lens is not good, the negative will be more boring.

At this point, we should pay attention to the following:

Cinematic logic: narrative logic and.

Temporal logic. Each structure of the film is divided into two categories.

Each lens has a similar length.

The principle of film and television post-editing matching is actually to match the logic, category, scene, angle, action and direction of movement of the shot, so that the picture will not appear disorganized and the expression will be clear. Matching clips are better suited for short summaries.

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Summary. Film and television editing needs to pay attention to the following points: 1. Flash white:

When compositing a program, instead of directly using white frame dissolve, you can make a simple animation with gamma and brightness up on the original material, and then dissolve, so that the bright parts of the picture will be white first, and then the whole picture will be white. It feels like an optical change, not monotonous, and it's better to keep something faintly visible even at the whitest time, that is, not to use pure white monochrome. 2. Cut:

Compositing with 1-2 frames of dissolves instead of pure cuts, the transition will be smoother. 3. Picture color: try to avoid pure black and pure white in the picture, even if it is black, and replace it with red, blue, etc., which will make the overall color more coordinated, and the specific tone will be determined by the overall tone.

Film and television editing needs to pay attention to the following points: 1. Flash white: When compositing a program, if you don't directly use white frame displacement, you should increase the gamma and brightness on the original material to make a simple animation, and then dissolve, so that the bright part of the picture will be white first, and then the whole picture will be white.

It feels like an optical change, not monotonous, and it's best to keep something faintly visible even at the whitest time, that is, not to use pure white monochrome. 2. Cutting: When compositing, 1-2 frames of dissolving are used instead of pure cutting, and the transition will be smoother.

3. Picture color: Try to avoid pure black, pure white, even if it is black, use very dark red, blue, etc. to replace, which will make the overall color more coordinated, and the overall tone will determine the specific hue tone.

In this case, it depends on whether your clip fits into these three categories.

One category, film and television commentary. It's easiest to be original. Changing the core requires a sweet voice and a certain amount of eloquence.

The second category, film and television inventory, is like mixing the same character and different film and television roles together. Language: A lot of time looking for material. Three categories:

Film and television mixed editing, you need at least three film and television clips to be mixed and edited together.