What are the key points that need to be paid attention to in film and television post editing?

If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP).

Among the training institutions in the field of "film and television post-production technology", [Wang's Education] is the leader in China, and it does not join the branches, but is a chain campus directly operated by the headquarters. Different from many other large institutions of the same type: each campus of Wang's Education is physically face-to-face, the teachers are hand-in-hand, and there are special class teachers from morning to night, and the liver-bursting learning mode will improve quickly, especially suitable for students with poor foundation.

As for the precautionary measures for film and television post-production,Due to the people who are gradually familiar with the film and television post-production industry,On TV and the ever-changing post-production effects make people feel visually enjoyable,These film and television post-production is also known as post-packaging production。 So, what are the key points that need to be paid attention to in film and television post-editing? Let's find out today!

1. Sound and **.

For the prevention of film and television post-editing, there is no need to strictly correspond to the picture editing. In general, ambient sound is in and out.

Depending on the waveform and cutting point of the image, it is best to stagger 1-2 frames. Feel it with your eyes and ears. Don't be too obsessed with the wave pattern and tangent points.

Sometimes it is necessary to take into account that there may be a slight delay in sending the sound corresponding to the ambient sound to your machine compared to the "ambient scene" (which is recorded on the machine). We should pay attention to this in some big scenes in live and post-production. After all, light and sound travel at completely different speeds.

Second, the normal screen color.

One of the peculiarities of televisions is an increase in brightness and a decrease in saturation, but oversaturated colors tend to be greasy. One way to solve this problem is to pay attention to the transition of color levels, rather than just focusing on color blocks.

3. Color adjustment.

First, strip out the colors, just look at the grayscale, adjust the correct transitions and shadows, and avoid over-adjustment. Then adjust the color block, which is the largest part of the color contrast trend. For example, far colors are cool colors, and near colors are warm colors, and this is the process of color design.

Adjustments to image quality and color should not significantly lead to a deterioration in image quality. Otherwise, it's best not to tweak or fine-tune it.

Fourth, the luminous effect.

In general, light that is too blurry and stiff does not work very well, and it is better to be hard and change quickly or always change. Try and try to make the most reasonable lighting effect by yourself. For example, draw a couple of layers with PS and then adjust them in the composition.

While it is easy and practical to use the software plug-in directly, there are many situations where it is not suitable for the specific problem.

Do not abuse the light effect and avoid prolonged use. It's best to control the level of light and shadow effects, even the simplest glow effects, set 2-3 layers to adjust the difference in brightness and color.

About the key points that need to be paid attention to in post-editing, I will share it with you here. If you have a keen interest in film and television post-production, hopefully this article can help you. If you want to know more about camera skills, post-editing methods and materials, you can click on other articles on this site to learn.

Material preparation. In the post-editing, the material shot in the early stage is very important, "it is difficult for a good woman to cook without rice", and good material is the foundation of an excellent movie. The more materials, film and television materials, and the more sound effect materials, the better, but too many materials are also a burden for post-editing.

The connection of the picture should follow the editing rules. The connection between the two pictures should be "moving and moving, static and static", and the same or similar scenes cannot be connected, otherwise there will be a feeling of "jumping". Once the above situation occurs, it will be considered a taboo for editing.

The jump in the picture can be caused by two things.

Perfect Power is a comprehensive digital art service platform integrating production, learning and research. Since 1999, he has 24 years of experience in the CG industry, and the group's business covers film and television animation production, post-production special effects production, film and television packaging, advertising production, game design and development, book publishing, digital art education and other fields. Help 300,000 people realize their CG dreams, 50,000+ cooperative enterprises, 100+ film and television animation production, and 2,000,000+ minutes of digital courses.

At present, Perfect Power has set up training centers in Beijing, Nanjing, Chengdu, Chongqing, Qingdao, Wuhan, Hangzhou and other core cities, and has won various education awards issued by national authoritative institutions for many times, and has been praised as the "Whampoa Military Academy" in the field of CG talent training in the industry. Adopt the business project-driven case teaching method to provide students with professional and authoritative employment training for CG positions. <>

The basic principles of film and TV editing are the same, but due to the high cost of film, the artistry of editing is higher, and there are some basic rules of editing, such as dynamic splicing, static stillness, and artistic montage, pay attention to the post-processing of the lens while shooting in the early stage, and painting, in fact, it is the comfort of splicing or not, there is no fixed style, you can read the introductory books, and then you can play the charm of film and television art.

1. Flash white:

When compositing a program, instead of directly using white frame dissolve, you can make a brief animation by increasing the gamma and brightness on the source material, and then dissolve, so that the bright part of the picture will be white first, and then the whole picture will be white. It feels like an optical change, not monotonous, and it's best to keep something faintly visible even at the whitest hour, that is, not to use pure white monochrome.

2. Cut:

Instead of pure slicing, the compositing time and minute will be 1-2 frames of dissolve, and the transition will be smoother.

3. Picture color:

Try to avoid pure black and pure white in the picture, even if it is black, and choose red, blue, etc., which are pressed to a very dark color instead, which will make the whole color more coordinated, and the specific color tone will be determined by the overall tone.

4. Composition:

In addition to the severity, authority, strength and other embodiment occasions, try to choose asymmetrical composition, try to consider the composition from the point of view of editing, cohesion, don't be too obsessed with single-picture composition, with the aspect ratio of TV, the composition of a single shot is very difficult, the composition of the time we usually consider not only the part shown on TV, should fully consider the dynamic, time and space have changed three-dimensional composition.

5. Sound and picture:

For ambient sound, it does not have to correspond strictly to the picture editing, and generally speaking, ambient sound is first-in, first-out. It is better to stagger 1-2 frames according to the waveform and the clipping point of the picture, and use your eyes and ears to feel it, and don't be too obsessed with the consistency of the waveform and the clipping point.

1. Material arrangement

In the early stage of shooting, a large amount of material will definitely be accumulated, and when organizing, you can mark the scenes that you think are more important, systematically classify the materials, and have a general understanding and what kind of editing method should be used.

2. Rough cutting

Rough cut is the first sample of the film in which the shots and paragraphs are combined in a rough order during the editing process. At this time, ** is basically formed, there is a complete storyline and it is relatively smooth, and the audience can understand what the situation is.

3. Fine cutting

Fine shear is a further modification and refinement of the rough shear. Every shot of the fine cut is meticulously processed. However, fine cutting generally cannot be completed at one time, and it has to be modified and processed many times.

The selection of the clipping points of the package, the length of each shot, the nodes added to the background**, the shaping of the character, etc. This process requires enough patience to revise it repeatedly.

4. Export into a film

After the above three points are completed, the last step is to export the finished film, and the next step is to wait for it to be finished with enough time and patience.

Because of the rise of short-term ** now, any enterprise, any studio or individual needs to edit a large number of ** to package the brand, send Douyin, send Moments, send ** and other self-** channels to display. Because new content is updated and released every day, there are not enough editors to recruit at all, and the imbalance between supply and demand has caused editors to have high salaries (whether they are looking for a job or taking private orders at home, the monthly income is easily over 10,000, and 20,000 or 30,000 yuan is not uncommon.) [Recommend a free "short** clip post" study **]:

And the editing technology does not require superb computer technology, nor does it require artistic attainments, it is basically a fixed routine, what style of film you want, what rhythm you want, you can easily master it after three or four months of training. But if you have a little computer foundation, you can drag with the mouse, click on the icon, and save, unless you don't want to learn, you can't learn it. However, if you want to learn well and have relatively weak self-control ability, it is recommended to go to a better training institution, and the strength and scale of the top few institutions in China recommend Wang's Education.

In the ** clip, [Wang's Education] is the boss in China, and each city is a chain campus directly operated by the headquarters. Different from many other large institutions of the same type: each campus of Wang's Education is physically face-to-face, the teacher is hand-in-hand, and there is a special class teacher from morning to night, and the liver-bursting learning mode will improve quickly, especially suitable for students with zero foundation.

Summary. Key points to pay attention to in film and television editing: 1. Flash white:

When compositing a program, instead of directly using white frame dissolve, you can make a simple animation with gamma and brightness up on the original material, and then dissolve, so that the bright parts of the picture will be white first, and then the whole picture will be white. It feels like an optical change, not monotonous, and it's better to keep something faintly visible even at the whitest time, that is, not to use pure white monochrome. 2. Cut:

Compositing with 1-2 frames of dissolves instead of pure cuts, the transition will be smoother.

Key points to pay attention to in the direct editing of the shadow clan: Suizen 1, flash white: When compositing the program, if you don't directly use white frame dissolve, you should increase the gamma and brightness on the original material to make a simple animation, and then dissolve, so that the bright part of the picture will be white first, and then the whole picture will be white.

It feels like an optical change, not monotonous, and it's better to keep something faintly visible even at the whitest time, that is, not to use pure white monochrome. 2. Cutting: When compositing, 1-2 frames of dissolving are used instead of pure cutting, and the transition will be smoother.

3. Picture color: Try to avoid pure black in the picture, and the type is pure white, even if it is black, it is replaced by red, blue, etc., which will make the overall color more harmonious, and the specific tone will be determined by the overall tone. 4. Composition:

In addition to seriousness, authority, power and other performance occasions, try to use asymmetrical composition, try to consider the composition from the perspective of editing and cohesion, don't be too obsessed with single-picture composition, with the aspect ratio of TV, the composition of a single shot is very difficult, when composing, we usually consider not only the part shown on TV, but also the dynamic, three-dimensional composition with changes in time and space. 5. Sound and picture: Closure is an ambient sound, which does not have to strictly correspond to the picture editing, and generally speaking, the ambient sound enters first and then exits.

It is better to stagger 1-2 frames according to the waveform and the clipping points of the picture, and it is better to feel it with your eyes and ears, and not to be too obsessed with the consistency of the waveform and the clipping points.