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A total of 14 articles on "** about literature and art" were collected. This book takes a modern standpoint to understand traditional literature and art, and puts forward many incisive and thought-provoking views. The criteria and differences of poetry appreciation, traditional attitudes towards nature and art, and character reviews are discussed.

Hello, classmate, I'm glad to ask you about your question, on the appreciation of elegance and vulgarity, each chapter of the clan is summarized as follows: It is a collection of some articles written by Mr. Zhu Ziqing after the victory of the Anti-Japanese War. A total of 14 articles on "** about literature and art" were collected.

This book takes a modern standpoint to understand traditional literature and art, and puts forward many incisive and thought-provoking views. The standards and differences of appreciation of poetry, the traditional attitude towards nature and art, and the character criticism are discussed.

Mr. Zhu Ziqing put forward his own insights on the history of the development of Chinese culture, the process from scholar culture to citizen culture. This paper analyzes the characteristics of elegance and vulgarity, and points out that the development of Chinese literary history has undergone a change from "vulgar" to "elegant" and then to "appreciation of elegance and vulgarity" by Chi Zhiqi. The text code is like a chapter longitudinal combing of the development process of literature, with history with theory, the combination of history and theory, and the language is full of interest.

Before sorting out the "historical development of 'elegance and vulgarity'" in the after-class exercise according to the content of the article, and understanding the context and reasons for its development, we should have an overall understanding of the characteristics of elegance and vulgarity in terms of culture that the author talked about.

Zhu Ziqing believes that the elegance and the vulgar are appreciated together. It can be said that it is close to the position of the people.

Although the "common appreciation of elegance and vulgarity" is mainly based on the standard of elegance, the "common appreciation" is mainly based on the laity.

Of course, this has to be lowered in the elegant side, and it has to be improved in the vulgar side, and it must be "vulgar and not harmful"; Yafang seems to be too vulgar to be "vulgar", and it cannot be "appreciated". But under what kind of judgment will the laity be "rewarded", and the elegant people can also come to "appreciate"?

Since the Anti-Japanese War, there has been a "popularization" movement, which has begun to turn to popularity. "Popularization" is also the road of "elegance and vulgarity", but the popularization goes further to achieve a situation where there is no distinction between elegance and vulgarity, only "common appreciation". This big gap will also be the so-called change from the right to the qualitative change.

On the Appreciation of Elegance and Vulgarity" and "On the Debate of Elegance and Vulgarity" are similar and different between elegance and vulgarity.

On the Appreciation of Elegance and Vulgarity and On the Debate of Elegance and Vulgarity both expound the views of the integration of elegance and vulgarity, but they are different. "On the Appreciation of Elegance, Hunger, Scum and Vulgarity" focuses on the unity of the attitude of "elegance" and "vulgarity" in classical literature, that is, classical literature should be presented by the aesthetic "elegance" and the irresistible means of "vulgarity" in appearance, so as to give full play to its artistic value. Mo Chun's "On the Debate of Elegance and Vulgarity" believes that aesthetic aesthetics should take "elegance" as the core, so that "vulgarity" can be subordinated to "elegance", and the function of "vulgarity" serves the positioning of "elegance".

The eighth main content of the classic Warring States Policy is as follows:

When Su Qin pierced his leg with an awl, he said ruthlessly: "How can there be a reason to persuade people that they can't get gold and jade splendor, and they can't take the respect of the prime minister!" "This is exactly what the Warring States Strategists were thinking.

Relying on their wisdom and arguments, they draw up ideas for others and conduct diplomacy, and they will help whoever uses them. They are professional, and what they want is their fame and wealth; When I help you, I help you, and when I don't, I may hurt you. Overturning, in their opinion, is nothing.

Originally, at that time, the seven heroes were separated, there was no co-master, there was no alliance leader, each did its own thing, whoever won won the power, there was no right and wrong in the world, and whoever you liked to help would help whomever you wanted, anyway. Su Qin said that he couldn't succeed in the future, so he changed it to the combination of verticals, and in the eyes of the strategists, this was of course. Zhang Yi said that the tongue is there, and if you say it, as long as you can say it, this is also the attitude of the profession.

They have no ideals or opinions, they just want to figure out the psychology of the Lord and turn around and do what they like.

Classics:

Classic Discussion (Outside: On the Appreciation of Elegance and Vulgarity)" and that session: Mr. Zhu Ziqing used simple and practical words to introduce the classic works in China's cultural heritage in thirteen articles.

Written in 1942, the book has been widely circulated for more than 60 years and has become an enlightenment classic for the popularization of traditional Chinese culture. The book is incisive, fluent, and in-depth, and is a primer for general readers to understand ancient Chinese cultural classics.

The first edition of the book was first published by the Shanghai Observation Society in May 1948 and was the last book of Mr. Zhu Ziqing during his lifetime. The book contains "Fourteen Essays on Literature and Art", discusses the appreciation standards and differences of poetry works, and puts forward many incisive and thought-provoking views.

The main contents of the appreciation of elegance and vulgarity are as follows:

The May Fourth New Culture Movement opened the door to new Chinese literature. The New Culture Movement started with popular literature, and a group of cultural figures such as Lu Xun guided New Literature into the palace of pure literature, while other literary workers engaged in the creation of popular literature. Since then, Chinese literature has developed in a state of interaction between the elegant and the vulgar.

During the Anti-Japanese War, the special cultural background promoted the integration of Chinese literature, and embarked on the road of both elegance and common appreciation.

Mencius has a cloud: "The mouth is also the taste, and there is the same taste; The ear is also to the sound, and there is the same hearing; The eyes are also beautiful. This sentence is about human nature, that is to say, human feelings are not far apart, as far as the article is concerned, people also have a lot in common in appreciation.

In the process of its development, both elegant literature and popular literature will gradually become universal, and embark on the road of common appreciation of elegance and vulgarity.

Of course, it is not that elegant literature is generally accepted, or popular literature is generally accepted, but that elegant literature or popular literature is gradually integrated under the effect of the laws of literature itself, and elegant literature may be vulgarized, and popular literature may gradually be refined. In the period after the May Fourth Movement, the elegance and vulgarity of Chinese literature struggled and merged with each other, and gradually moved towards unification.

Zhu Ziqing pointed out at the end of his article "On the Appreciation of Elegance and Vulgarity": The turn of the 19th century and the 20th century was a new era, and the new era brought us a new culture and gave rise to our intellectual class. This intellectual class is not much older than the scholars of the past, but includes more elements from the people, who gradually break up with the rulers and go to the people.

As a result, there is vernacular authentic art, lyrics and dramas have an orthodox status, and there are all kinds of Europeanized arts, but this kind of literature and art cannot be appreciated by ordinary citizens, not to mention the ...... of the peasants and workersSince the Anti-Japanese War, there has been a popularization movement, and this movement has begun to turn to popularity. Popularization is also distinguished from elegance and vulgarity, or elegance and vulgarity, but popularization must further achieve a situation where there is no distinction between elegance and vulgarity, only common appreciation.

"On the Appreciation of Elegance and Vulgarity" is a collection of some articles written by Mr. Zhu Ziqing after the victory of the Anti-Japanese War. A total of "Fourteen Brief Articles on Literature and Art" were included. In the preface, the author explains that he "attempts to understand tradition from a modern standpoint", and the so-called "modern standpoint", according to the author's understanding, "can be said to be a position of 'appreciation of elegance and vulgarity,' or it can be said to be a position that favors the laity and ordinary people, or it can be said to be a position close to the people."

All the articles in the book are speaking in this direction."

Elegance and vulgarity: In the old days, people with a high level of education were called "elegant", and people with a low level of education were called "vulgar".

Appreciation: People of all levels of education can appreciate it.

Elegant and popular appreciation, refers to the character of both beauty and popularity, describing some literary and artistic works that are both beautiful and popular, and can be appreciated by people of all cultural levels. Speaking out of the Ming Sun Renru "Dongguo Ji Mianju": "I can smell the good songs of Mianju, and appreciate the elegance and vulgarity." ”

Explanation]: Describe certain literary and artistic works that are both beautiful and popular, and can be appreciated by people of all cultural levels.

From]: Ming Sun Renru's "Dongguo Ji Mianju": "I can smell the good songs of Mianju, and appreciate the elegance and vulgarity." ”

The fiftieth chapter of Qing Cao Xueqin's "Dream of Red Mansions".

Syntax]: subject-predicate; as a predicate, a definite, a complement; Compliments.