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There are three dynasties in history that can be called accomplished dynasties, and the creators of these achievements are the emperors who made these three dynasties prosperous.
First of all, these three dynasties are the Han Dynasty that began with the Han Gaozu Liu Bang's beheading of the White Snake Uprising, the Tang Dynasty founded by Li Yuan, who started from the Tang Dynasty, and the Qing Dynasty that Aixinjue Luo changed its country name to Houjin after entering the Guannei.
Does that mean that the founder is an accomplished emperor? Definitely.
The so-called fighting the country is easy but it is difficult to defend the country.
Emperor Wu of the Han Dynasty, Liu Che, attacked the Xiongnu several times to protect the people of the Han Dynasty to live and work in peace and contentment, and this monarch can be said to be the most accomplished in the Han Dynasty; The rule of Zhenguan is the immortal work of Li Shimin, the Taizu of the Tang Dynasty, and the rest are not as good as the rest; In the history of the Qing Dynasty, we have to mention the longest-reigning emperor in Chinese feudal history, and at the same time the initiator of the prosperous Kangqian era, the Qing Shengzu Aixinjue Luo Xuanye.
These three monarchs are all outstanding leaders in feudal history.
And which emperor has the greatest credit, naturally there are different opinions.
Personally, I think that Liu Che has combat effectiveness, Li Shimin has the driving force, and Xuan Ye has the ability in all aspects.
First of all, Xuan Ye's ability to govern the world is not inferior to the first two; second, both civil and military; Thirdly, he studied both arts and sciences, but in this respect he was the only emperor who had a strong interest in geometry.
So my personal opinion: love Xinjue Luo Xuanye.
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The Qin cavity is the originator of the Bangzi cavity, which has experienced six stages of development: formed in Qin, refined in Han, prosperous in Tang, complete in Yuan, mature in Ming, and spread in Qing.
Qinqiang opera, one of the oldest dramas of the Han Chinese people, originated in the Western Zhou Dynasty and originated in Xifu (the core area is Qishan (Xiqi) and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province). Matured in Qin. The Qin dialect, also known as the random bomb, is popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in northwest China, among which the Xifu Qin dialect accent of Baoji is the oldest, and retains more ancient pronunciation.
And because it uses jujube wood bangzi as a percussion instrument, it is also called "bangzi cavity", commonly known as "桄桄" (because the bangzi makes a "trance" sound when hitting the knot). On May 20, 2006, it was approved to be included in the first batch of national intangible cultural heritage list.
Qin cavity"Formed in Qin, refined in the Han Dynasty, prosperous in the Tang Dynasty, complete in the Yuan, mature in the Ming, broadcast in the Qing Dynasty, after several evolutions, it is a grand view"In the legendary manuscript of Wanli in the Ming Dynasty (1573-1620 AD), there is a passage that indicates that the lyrics are sung in the singing voice of [Western Qin dialect two offenders], and they are all seven characters of the upper and lower sentences, indicating that the Qin dialect was not only formed at that time or before that, but also spread to other places.
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The development of the Qin dialect is a long and long historical process, which was created by thousands of folk artists. But not many names were left.
It is he who brought the Qin dialect into the capital of the Qing Dynasty, let the national opera learn from the Qin dialect, and let the whole country know the art of the Qin dialect.
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The Qin cavity was not created by someone, and there is no founder.
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Chen Renyi, male, born in 1924, born in the year of Jiazi in the lunar calendar, Qin Xusheng, a native of Jingyang, Shaanxi, Qin Xusheng.
Li Aiqin, female, was born in Xi'an City in April 1939, the year of the lunar calendar.
Ren Zhezhong, male, was born in 1925 in a poor peasant family in Jianjun Town, Yongshou County. Qin is a small student.
Liu Suishe, male, born in 1962, is a native of Zhouzhi, Shaanxi. He has been fond of opera art since he was a child, and was admitted to the Meixian People's Troupe in 1977.
Xiao Ruolan, female, Qin Yandanjiao. In September 1934, he was born in Hanyuandian Village, Weiyang District, Xi'an City.
Wang Fusheng, male, a famous Qin clown performance artist, is a native of Chang'an County, Shaanxi Province.
Ma Youxian, female, Qin Yandanjiao. Han nationality, born in 1944, in Heyang, Shaanxi Province.
Li Ruifang, female, born in 1935, is a native of Tianshui City, Gansu Province. He is a national first-class actor, and has served as a director of the Chinese Dramatists Association, an executive director of the Shaanxi Dramatists Association, a member of the Standing Committee of the Shaanxi Provincial People's Congress, the vice president of the Shaanxi Provincial Opera Research Institute, and the head of the Chinese Opera Troupe; Won the national award"May Day"Labor Medal, an expert who has made outstanding contributions to the country.
Su Yumin, male, Qin Yanxiao and Xu Sheng. Also known as Sanyi, Yong San. Originally from Shang County, Shaanxi, he was born in Xi'an City in 1917 in the year of Ding Si in the lunar calendar. The third son of Su Changtai, the founder of Sanyi Society. Died on December 29, 1966, on the 18th day of the 11th month of the lunar calendar.
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Qin cavity originated from the folk songs and dances of ancient Shaanxi and Gansu, and grew up in Chang'an, the political, economic and cultural center of ancient China, and gradually formed after the creation of generations of people, because since the Zhou Dynasty, the Guanzhong region was called "Qin", and the Qin cavity was named after it. The Qin dialect was "formed in Qin, advanced in the Han Dynasty, Changming in the Tang Dynasty, complete in the Yuan, matured in the Ming Dynasty, broadcast in the Qing Dynasty, and after several evolutions, it became a grand view", which is a very ancient opera and can be called the originator of Chinese opera. The Qin cavity singing cavity is a plate variation, which is divided into two types: joyful sound and bitter sound, the former is good at expressing cheerful and joyful emotions; The latter is good at expressing sadness and desolation.
Its art is characterized by high agitation and strong urgency. Especially the singing of the flower face, it is even more loud to open the throat, the locals call it "breaking the head", and the outsiders joke: "Singing the Qin dialect, first, the stage must be strong, so as not to collapse; the second is that the actor should be in good health, so as not to get tired and sick; The third is that the audience should be bold so as not to be frightened."
For details, see: "Encyclopedia Business Card--- Qin Cavity".
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