What are the post 80s writers with better writing?

Yu Hua is very interesting. Medium and long stories such as "Xu Sanguan Selling Blood", and short stories such as "Friends" are very obvious. Especially when his characters quietly say very illogical but self-made inferences.

Cao Xueqin is very interesting, this point has been excavated by red scientists, so I don't mention it. Dickens is funny, simply spicy. Qian Zhongshu is very interesting, this is too famous, and "The Siege" is a model of complaining throughout the book.

Rabelais is interesting. Although "The Legend of the Giant" is a bit of a, pee, and fart, it is unrestrained and dignified as a whole, and it is very lively. Cervantes is interesting.

Don Quixote is a cute book sold in its entirety.

Wang Xiaobo. "A New Story" and "Bronze Age" have a very similar amusement: they both find fun in contextual deviations and time travel, and they are both very light, and both of them, plus Calvino, can outline a kind of empty fun.

For example, Lu Xun's Mozi, Calvino's Baron on the Tree and Wang Xiaobo's early Li Jing, that kind of fun is not just fun and funny, but the whole flying in the air is light and interesting, and every gesture is very interesting.

Shen Xiaozhi, if you want to define one attribute for all the authors I am going to recommend, she is the most spiritual one. A woman who has a lot of ideas, her heart is rich in articles, natural and rich, smart and graceful, and Guiyuan has the same humorous tone, and the humor is a bit technical, I think "One Color Spring" and "Childe Colorless" are good. But this author has a big problem that most of the plots of the works have the same ups and downs, and fortunately, the population is lost before the end, but on the whole, it is much better than other articles.

Among the post-80s writers such as Jiang Fangzhou, Chunshu, Han Han, Lingyi, Cangyue, etc., I have seen at least the works of these five people listed by the Lord, but the most impressive is Cangyue, Cangyue has created a flesh-and-blood, emotional, and imaginative thing, fascinating, and one of the enlighteners I first started reading.

I like Wu Jingzi very much, his "Confucianism and Foreign History" is interesting throughout the book, and the fun is not only in Fan Jinzhongju was slapped in the face, such as this sentence: Zhixian sat down at the table, using silver-inlaid cups and chopsticks. Fan did not raise a glass after retreating, and the county did not understand the reason.

Jing Zhai smiled and said, "Mr. Shi thinks he doesn't need this cup because of his respect." The magistrate hurriedly called for a change, and changed a magnetic cup and a pair of elephant chopsticks.

Fan Jin refused to lift it again. Jing Zhai said: "I don't need this chopstick.

Then he changed to a pair of white-colored bamboo, and it was just that. Know.

I like Shen Congwen very much, not only his pen, the kind, clean, beautiful, charming, but also countless sad and sad border city Xiangxi characteristics, the living characters, and Shen Congwen himself. When I was a child, I heard a story that Shen Congwen was in class for the first time, and he stared at the students under the podium, and watched a class like that, and when the class was about to end, he actually wrote a sentence on the blackboard with chalk: I was nervous, so I couldn't speak.

1, Guo Jingming.

Guo Jingming, born on June 6, 1983 in Zigong, Sichuan, is a Chinese writer, chairman of Shanghai Most World Cultural Development, and editor-in-chief of "The Most **" and other magazines.

When he was in high school, he published articles under the pseudonym "Fourth Dimension" under the Banyan Tree in Hayamori. In 2002, he published his first work, The Edge of Love and Pain. In 2003, it was well-known and concerned because of the fantasy ** "Phantom City".

In 2004, Guo Jingming established the "Island" studio and began to edit the "Island" series of magazines.

Representative works: "Sadness Flows Into a River" and "Small Times".

2. Xinyiwu.

Xin Yiwu, formerly known as Jiang Chunling, was born on August 4, 1981 in Guilin, Guangxi, a female writer in the mainland, and graduated from the Law School of Guangxi Normal University in 2004, majoring in social work.

Representative works: "To Our Dying Youth", "So You Are Still Here", "Shanyue Doesn't Know the Bottom of My Heart".

3. Le Xiaomi.

Le Xiaomi, formerly known as Ji Weina, is a writer born in Qingdao, Shandong Province.

Representative works: "Liangsheng, we can read blind can not not be sad", "Qingcheng", "Wutong is so hurt", etc.

4, Gu Man. Gu Man, born on October 21, 1981 in Yixing, Jiangsu, graduated from Nanjing Audit University. Also known as: mud mother, turtle man, Qi Cai, with the pen name "mud mother" to write Tanmei. Because of the slow writing, he is called "turtle man".

Representative works: "Why Sheng Xiaomo", "A Smile is Alluring".

5, Ming Xiaoxi.

Ming Xiaoxi, a famous contemporary female writer, holds a master's degree from Wuhan University.

Representative works: "Whirlwind Girl", "Ming Ruo Xiaoxi", "Bubble Summer", "There Will Be Angels to Love You for Me".

What are the criteria for a writer to write well? The scope of writers is too large, and it should be divided into poets, ** families, and essayists; There should also be a distinction in the genre of the subject matter, such as poetry, prose or story? It is only through the first step of defining the scope and criteria that we can move forward.

Personally, I think that the best way to reflect a writer's writing should be prose; Instead of poetry and **; There is too much room for imagination in poetry; ** Mainly to tell stories and build characters; You can only feel the vividness of the characters, and you can't see the author's writing skills.

The real test of a writer's writing should be prose; The form is scattered and the meaning is not scattered, which can best reflect the writer's writing skills; Narrative and discussion, while narrating a person or an event, let the reader enjoy and resonate. Common ones are narrative essays, lyrical essays, and argumentative essays.

There are not many essayists in modern China; Prose includes travelogues, essays, essays, and all other genres except poetry**; It seems simple, but in fact, there are not many works of prose that can be handed down. "Camel Xiangzi" Lao She's description of the scenery is very good, paving the way for emotional description, which can be described as a domineering literary world, and it is high-spirited.

Foreign essayists are not counted, because their works have been translated.

is a well-known prose master in China, and the top spot should be none other than Sima Qian; "Historical Records" is the pioneering work of Chinese prose.

Based on this, writers with good modern writing include Lin Yutang, Lu Xun, Mao Dun, Zhu Ziqing, Bingxin, Guo Moruo, Ba Jin, Sun Li, Wei Wei, Liu Baiyu, Ai Qing and so on.

Their works include "In Praise of Poplars", "Mr. Fujino", "Praise of Cherry Blossoms", "Affection for Farewell", "Moonlight on the Lotus Pond", "Three Gorges of the Yangtze River" and so on.

First place: Wu Ziyou, the masterpiece "Whose Youth Is Madter Than Me", Beijing-born Wu Ziyou is more unlucky, and finally became the first writer to leave after the 90s. This makes us remember his sentence even more:

In the 20th century, there were two genius writers, the female is Zhang Ailing, and the male is me. "It's a little arrogant, even Li Ao, who has always been nonsense, and Han Han, the big brother born in the 80s, support him, which shows his charm.

Second place: Zhang Xini, the representative work "If I Were Helen", the word post-90s shows that it is fateful, and we see more misfortune in Zhang Xini. And her warm words and strength will definitely move you, there is one more of her in the 90s, let us see that the post-90s are a warm generation.

Third place: Qing Xia, author of "Flowers and Crying Dew", because of his precocious ambition and flying literary brilliance, he was named "female version of Han Han". should be the first post-90s female writer to debut in China.

She is very popular with middle school girls in the Beijing area. Become a representative of the post-90s writers of the Beijing School.

Fourth place: Yang Yang, whose masterpiece is "Time Magic Qin", received a manuscript fee of 5.2 million yuan and established his unshakable position in the post-90s. There are only a handful of Chinese writers who can get millions of yuan for a book, and the afterlife is terrifying, even a 10-year-old boy catches up.

Shang Qiyuan, who once used the pen names "Prodigal Son Walker" and "Little Seven". One of the representatives of post-90s writers in Chinese mainland, screenwriter and emerging director. He is a columnist for many magazines, has won many literary and art awards, and was once named "the most humane writer of the post-90s" and "the last line of defense of traditional literature".

Representative works "The Great Portal", "On the Road, Meet Love" and so on.

Chunshu, Chen Ang, Ze Ying, Hong Shaoqian, Zhou Jianing, Xiao Fan, Liu Weidong, Xing Rongqin, Yu Ziyu, Mei Yong, Guo Ao, Chen Qi, Bai Aixin, Cao Lijie, Wu Ziyou, Zhang Mudi, Hou Bohan, Su Xiaoyan, Ling Yi, Yu Huidi, Liu Xiangchuan, Ren Jiaxing, Sun Mengjie, Lin Xi, Ciqi, Li Tang, Zhang Xini, Li Junyang, Yuan Xiaofei, Chen Sikai, Wang Zhengyan, Lin Zhuoyu, Xia Qiqi, Another Wei, Mai Dudou, Bai Ding, Lu Riyang, Ganzoro, Xu Shilong, Qin Yu, Chen Sheng, Yi Na, Liang Zi, Yang Kai, Wang Liheng, Xia Ji, Su Zixi, Han Yu, Tang Binwen (in no particular order).

Zuo Xiaoqi, Gu Tingcheng, Hong Shaoqian, Du Cheng, Su Yu, Xiao Ziluo, Ma Wenxiu, Zou Pei, Bian Qiong, Lin Weipan, Zhang Mudi, Gu Yujie, Yuan Xiaofei, Hou Bohan, Zhang Peiliang, Liu Jingnan, Xu Shilong, Kang Yuanfei, McDulldou. Chen Ang, Wang Zhanhei, Li Shanglong, Rui Xi, Lu Sihao, Wang Suxin, Zhou Chaojun, Zhang Haochen, Xing Xinghuang, Zhou Yu[1], Song Aman, Ding Hao, Zhang Wei, Pan Yungui, Wang Xingyu, Pu Erding, Wang Yongheng, Li Tang, Gao Jiacheng, Tang Jiesheng, Ma Xiaokang, Zhang Jiayu, Yuan Zihao, Zhang Chunying, Sun Qingyue, Wan Tete, Li Xiaodan, Zhang Xiaohan, Guo Peiwen, Su Xiaoyan, Sun Yuchen, Wang Yi, Gu Wenyan, Mo Xiaoxian, Xia Lin, Zhou Lin, Yu Youyou, Xia Yindan, Yuzhen, Shang Qiyuan, Wu Xiaoshi, Jing Zhuoran, Feng Shuo, Chen Chen, Zhou Hongxiang, Zhuang Ling, Wang Tianning, Liu Junwen, Bu Lingnan, Fan Dunzi, Sun Lukang, Fang Huize, Zheng Zaihuan.

Some names don't sound like writers.