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I think that if you want to make your sketches look different, it's actually the heart that matters. The same model, everyone draws a different taste.
I think the landlord will follow his own heart, and your picture will also show a different style according to your heart.
Techniques are all secondary.
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Don't draw a sketch of the National Art Field, what you see is the painting of the National Art University students themselves, not the paintings of the National Art students, and you will not see the good works.
When you draw your eyes, you want to have a god,,Don't just stare ahead when you draw,,Look left or right,,And don't be white in the white of the eye,,Give a little gray,The heaviest place of the eyes is the place where the eyes are close to the upper eyelids,,, don't draw the upper eyeliner the same,,There must be virtual reality,,There is also the highlight of the eyeballs,Because I am now in college,,Painting is rarely drawn,,So there is no **,,You draw it first according to this method,,,It's not suitable for you to find something else。。
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First of all, how about their own lines, deep places go deep, bright places are bright, especially the gray surface and highlight lines should be smooth and not messy, the landlord said that the facial features are prominent, but remember not to cut the facial features to death, pay attention to the transition. Reflective light can be wiped with hands or paper towels, but wiping also requires technology, otherwise it is like a piece of cake, pay attention to changes. Control.
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1. Learn to compare and observe as a whole.
2. Understand the structure and carry out in-depth painting.
3. Some techniques: for example, the darkest part of the object is at the junction of light and dark, and the edge pays attention to the contrast between virtual and real ......
4. Draw some long-term homework and be able to draw something intriguing.
Judging from what you are in, the painter is to strengthen the contrast of light and dark in the near facial features, so that he has a more sense of space and volume, and he must deal with the real in the distance more than the real in the distance! Make it more front. If you want to draw the texture, you need to figure out the structure first, and ...... the relationship between black and white of lightI'm sorry, but I have to improve my abilities:
Learn to compare, learn the right way to observe, and draw holistically.
Learning techniques can make the surface effect look improved quickly, but without the overall control ability, you can draw machinery and "oil".
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I think the demeanor and the atmosphere of the picture are more important.
It's important to shape the first feeling you see on the model.
About black, white and gray It depends on whether you draw a male model or a female model.
Women's faces can't be too dark, clean, feminine, and mainly shaped by eyes.
Men's faces are mostly stiff depending on the model's features, and attention is paid to the volume of the nose (except for the elderly).
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First, to position with lines, that is, the overall composition arrangement, the first thing to do is to position the head and jawline. First sketch the simple outline of the head to determine the general shape of the person's head, then use the positioning line between the head and the chin to find out the position of the eyes, and then determine the position of the mouth from the positioning line between the nose and the chin, and pay attention to the overall posture of the head in the process.
Second, after determining the outline and overall shape of the head, it is necessary to depict the facial features, starting from the major key and the relationship between light and dark, and at this time, it is necessary to find out the boundary between light and dark in each part. We must pay attention to the grasp of the relationship between primary and secondary and virtual reality, and then draw the shadow position of the facial features, and pay attention to the proportional relationship between each part. Finally, different forms of techniques such as diagonal lines and vertical lines are used to process the picture.
Third, the proportional relationship between the five senses and the parts of the five senses is further clarified, and the relationship between the part and the whole is coordinated. And dive into the details. Of particular importance is the structural relationship, which must be accurate and cannot be changed at will.
Accurate positioning is the basis of the next step of creation, and it is necessary to pay attention to the overall effect, and not to be too deliberate in the pursuit of local meticulousness and lose the big relationship.
Fourth, finally on the basis of the first few steps of paving, begin to make overall adjustments to the picture, to grasp the relationship between primary and secondary, virtual and real, light and heavy, and consciously change according to the effect of the picture, although it is an overall adjustment, but do not change too much, there are many students in the last time to find the problems in the picture, at this time it is too late to adjust in depth, which needs to lay a good foundation in the first few steps, which is also the key to emphasizing steps.
Preview of the final result!
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1 Whether the head structure and the individual characteristics of the object are accurately represented 2 Whether the composition of the picture is comfortable and whether there is a reasonable sense of space 3 Whether the expression is vivid and not stiff 4 Whether there is a sense of painting and no craftsmanship.
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To sketch a head, you first need to understand the big chunks of the skull. Then look for bone spots. It's like drawing a cube. It's just that there are a few more bone points on the cube.
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Hello, sketch avatar can be divided into five stages: familiarization with selection, composition drafting, paving light and shade, stereotyping and depiction, and adjustment.
1. Observation: Carefully observe the image characteristics and demeanor of the object, summarize the outline of the object with long and loose lines, and determine the irrelevant position and general characteristics.
2. Start-up. Start by drawing the outer contours of the figure, then draw the lineline to find out the proportions of the facial features. Compare each object with a phase; Compare the distance and size of adjacent objects; Then draw the structural relationship of the head, pay attention to the contrast between left and right, pay attention to the relationship between points, lines and surfaces and bone points.
3. Find a pattern shop tone.
Grasp the sensitive junction line, unify the dark parts, clearly mark the shape and size of the light and dark projections, determine the black and white relationship between the starting and falling, relax the lines, clarify the irrelevant shapes, strengthen the sense of volume, and pay attention to the relationship between the head sphere.
4. Shaping. When depicting the relationship between light and dark, the turning point of the light and dark junction of the face should be natural, starting from the dark part, going deep into the facial features, and establishing a sense of volume of the five senses.
5. The shaping of the facial features is a complete explanation of the global green ivy.
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Operational definition of sketch: A painting that uses a single color to represent changes in lightness. Painting tools are art activities that deliberately shape the form of objects according to certain drawing principles on the picture carrier.
Sketching is a variation of sketching. The level of sketching is one of the important indicators that reflect the painter's spatial modeling ability.
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Shaping is also an in-depth portrayal.
First of all, there must be a general black, white and gray relationship, and the shape should be accurate.
The most important thing is to draw the facial features well, which is to draw the facial features well, first of all, you must have an understanding of the facial features, his internal and external structure composition, so that you can draw well, understand the nature, when you paint, you will understand**The painting is heavy**The painting is light, I suggest that you go down to the part, which will help to cultivate in-depth ability.
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