Ask for the 12 songs of Dream of Red Mansions, what are the 12 songs in Dream of Red Mansions?

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The twelve pieces are "Dream of Red Mansions - Introduction"; "Lifelong Mistake"; "Vain Eyebrows"; "Hate Impermanence"; "Flesh and Bone"; "Sadness in Music"; "The World Is Intolerable"; "Joy and Revenge"; "False Flowers"; "Smart and Tired"; "Lingering in the Aftermath"; "Late Shaohua".

At the beginning of "Introduction to Dream of Red Mansions", Sakuchai sighed about the love between men and women, which is consistent with the "main purpose of love" said in the first episode. This song and the following songs all imply a kind of unknowable lament of fate, indicating that the author has a deeper and broader sustenance.

The author believes that women are not allowed to have their eyebrows in terms of talent, talent, etc., but that society has suppressed and buried their wisdom and intelligence. Especially with the decline of the feudal family, so many innocent girls were destroyed together, which the author deplores.

Ideological content:

Dream of Red Mansions reflects the characteristics of the times when feudal society flourished and declined. What it depicts is not a love story of "flowers and candles in the cave room and the title of the gold list"; Instead, he wrote about the love and marriage tragedy between the feudal aristocratic young Jia Baoyu, Lin Daiyu, and Xue Baochai.

The great social significance of ** lies in the fact that it does not describe this love tragedy in isolation, but takes this love and marriage tragedy as the center, and writes the rise and fall of the four representative families of Jia, Wang, Shi and Xue at that time;

Among them, with Jiafu as the center, it exposed all kinds of darkness and evils in the later period of feudal society, as well as its insurmountable internal contradictions, and made a powerful criticism of the decadent feudal ruling class and the feudal system that was about to collapse.

Twelve pieces in Dream of Red Mansions: the first introduction to "Dream of Red Mansions". sigh the love between men and women.

The second branch (lifelong mistake) sings about Baoyu, Dai Yuchang, and Baochai.

The third branch (vain eyebrows) aria Bao Nai jujube jade, Daiyu.

The fourth (hateful impermanence) aria the Führer.

The fifth branch (divided flesh and bones) sings about spring.

The sixth (sadness in music) sings Xiangyun.

The seventh branch (the world is intolerable) sings the wonderful jade.

The eighth branch (happy family) sings to welcome spring.

The ninth branch (virtual flower language) is a sigh of regret with spring.

The tenth branch (smart and tired) sings Wang Xifeng.

The eleventh branch (Liuyuqing) aria Sister Qiao.

The twelfth branch (Evening Yunhua) sings Li Kun.

The thirteenth branch (the end of a good thing) sighed Qin Keqing.

The fourteenth branch (Flying Birds Throw into the Forest) summarizes the twelve pieces.

The original song of the twelve songs of "Dream of Red Mansions" is Chen Li.

Chen Li's singing voice is poignant and euphemistic, Chen Li in the singing, she casts her soul in every note, and sings "Dream of Red Mansions" with her whole life. Her love, her art, has conquered hundreds of millions of listeners.

The twelve pieces are "Dream of Red Mansions - Introduction", "Lifelong Mistake", "Vain Eyebrows", "Hate Impermanence", "Flesh and Bone", "Sadness in Music", "The World Is Intolerable", "Happy Family", "False Flower Mistake", "Smart and Tired", "Lingering in Yuhua", and "Late Shaohua".

Features of the 12 pieces of "Dream of Red Mansions":

Through the twelve pieces of "Dream of Red Mansions", we can understand that the profound ideological connotation, heavy historical accumulation, rich cultural content, complex social phenomena, numerous characters, and chaotic events of "Dream of Red Mansions" are the reason why the author can control them freely and with ease, in addition to his superb writing skills, and more importantly, the use of various rigorous writing strategies of filial piety. Through the analysis of what the author wants to write and the presentation of the text, combined with the reader's interpretation, it can be found that Cao Xueqin has carefully designed a variety of writing strategies in order to achieve her multiple creative purposes such as describing the ancestors, the decline of Ming Shengye's friendship, the transmission of the boudoir, the sigh of fate, the immortality of words, and the personal experience. <>