Essay on Qin dialect opera in my hometown, essay on Qin dialect

My hometown, Xi'an, is the ancient capital of the Thirteen Dynasties, so there are many cultural heritages. What impressed me the most was the magnificent and shocking Qin dialect. The Qin cavity, also known as random bullets, originated from the Western Qin Dynasty and is popular in Shaanxi and other places in northwest China.

And because it uses jujube wood bangzi as a percussion instrument, it is also called "bangzi cavity", commonly known as "bangbangzi". It is the first batch of intangible cultural heritage of the country.

When I was a child, there was often a Qin dialect opera troupe near my home to sing Qin dialect, so I have watched many Qin dialect performances. At first, I didn't like Qin dialect, but my grandfather would often take me to listen to Qin dialect. I was confused:

Qin Yan babbled, and I couldn't finish singing a sentence for a long time, and after singing a song, I didn't even know the general idea. At every turn, he roared hysterically around his neck, deafeningly, and he was upset when he listened. Why does Grandpa still like it so much?

So every time I go to the show, I run around or look around. Until one time, the actor of the troupe roared again, and he threw the microphone aside excitedly, but his voice was just as loud and loud. So my little me was shocked.

Not just for the loud voice, but for the strong sparks that burst out of his body because of his love for Qin Yan. At that time, the incomprehension and prejudice against the Qin dialect disappeared. I suddenly understood how much Qin Yan is something to love!

It is a drama native to the land of Qinchuan in 800 miles, which embodies the blood and vitality of countless generations of Shaanxi people! Since then, I have gradually come to understand and accept the Qin dialect.

This unrestrained drama adheres to the style that is in harmony with the land of Qinchuan, the antiquity that matches the Qin bricks and Han tiles, and the heaviness that is consistent with the people of Shaanxi. Qin dialect belongs to and is deeply rooted in this land, no matter how time changes, this kind of singing will never be extinguished!

Try to write it yourself, there are not many words in the Qin dialect.

[I love Qin dialect].

In northwest China, there is an ancient traditional opera repertoire - Qin dialect, which sings high-pitched and passionate, and its voice is like a roar, which makes people excited. I am a native of Shaanxi, and I have loved listening to Qin dialect opera since I was a child, and every time I hear Qin dialect, I feel very cordial, as if it has suddenly shortened the distance between me and my hometown. My grandmother is a fan of Qin, she often plays a disc and sings along with the people on TV, tells me the stories inside, and takes me to the theater.

Influenced by my grandmother, I watched "Three Drops of Blood" by Qin Yan, which is a representative repertoire of Qin Yan. This play tells the story of a county order named Jin Xinshu, who decided the case according to the legend and story in the book, and separated the father and son, and separated the sister and brother. satirizes those foolish officials who are unrealistic and only believe in book knowledge.

It is better to believe in books than to have no books, so we can't read dead books, dead books. I like to watch "The Case of Quanmei" the most, Bao Zheng in it is a big face, he is not afraid of power, iron-faced, selfless, and upright. "Chen Shimei" has also become synonymous with those men who climb the dragon and attach themselves to the phoenix, abandon their wives, and are ungrateful.

Now, I live in Lanzhou, and in the park on the banks of the Yellow River, I can often see those Qin fans singing Qin opera. Passing by there, I can't help but stop**. Some of them sing melodiously, some are high-pitched and powerful, whether they are wearing casual clothes or costumes, they are all the same, vivid, and they really make people not want to leave.

Although I like popular songs and dances like children my age, I prefer Qin dialect, not only because it is an excellent traditional culture, but also because he reflects profound truths with popular and easy-to-understand stories.

Qin Yan must be sung again, and the name is called random playing. Originated from the West Qin dialect, popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in the northwest of China, and because of its jujube wood bangzi as a percussion instrument, so it is also called "bangzi cavity".

The Qin cavity singing cavity includes two parts, "board road" and "color cavity", and each part is divided into happy sound and bitter sound. The former is good at expressing cheerful and joyful emotions; The latter is good at expressing grief and desolation, and can best represent the characteristics of the Qin dialect. Color cavity, commonly known as two tones, octave pitch, is mostly used in the emotional turmoil of the characters and the ups and downs of the plot development.

The Qin cavity is divided into slow plate, 26 plate, generation plate, starting plate, sharp plate, rolling plate and flower cavity, and the drag cavity is particularly distinctive. All plate singing voices are used with real voices; All color cavities are used with false voices. The main instrument is banhu, and the pronunciation is sharp and crisp.

Qin Yan's performance is simple, rough, delicate and profound, touching with emotion and full of exaggeration. There are more than 1,400 traditional plays, including both literary and martial arts, especially the Susheng and Tsing Yi operas, and even the stage plays, the main plays, the folding plays and the small plays, and this play is the majority. The foot color line is divided into four lives, six dan, two nets, one ugly, a total of 13 doors, also known as "thirteen nets", its performance skills are very rich, since the section and stunts have everything, commonly used are to go to the horse, pull the shelf, spit fire, fight down, sweep the lantern flowers, play with the fire roller, gun back, top light, gritting teeth, swivel chair and so on.

After the Xinhai Revolution, Xi'an established the Yi Folk Society, specializing in the Qin dialect, determined to reform, absorbing the nutrition of Peking Opera and other operas, and the singing voice tended to be soft and beautiful from high-pitched and excited, which not only preserved the original style, but also integrated into the new style.

Qin dialect is a kind of opera rich in local characteristics created by the people to express their own life, which has been continuously enriched and improved by various generations, and has maintained its unique artistic quality in the long-term development path, reflecting the industrious life and heroic fighting spirit of the working people. To this day, the Qin dialect is still the main favorite drama of the people in the northwest region.

The cavity of the Great Qin. When my grandparents were young, they were famous amateur Qin actors in their hometown.

At that time, whoever had a red and white funeral in the compound where our family lived would definitely invite their grandparents to go, because their Qin opera sang vigorously and loudly. At that time, every time I watched a performance, I would always ask my grandmother, "Why did your tears come out when you say it?"

The instrument is so loud, why is your voice so loud? I asked a lot of questions like this, and I don't remember my grandmother very well at the time, but my grandmother's loud singing voice still echoed in my ears from time to time.

After retiring, my grandparents participated in the famous local Qinhua self-music class together, singing was very hard, and I needed to run around the city and countryside often, but my grandparents were always happy and had no complaints.

After the death of her grandfather, her grandmother rarely went to singing, but listened to the "Voice of Qin" at home every week, and occasionally stared at the photos of her grandfather singing with herself. Later, as I grew up, I finally understood the emotions expressed by the Qin people when they roared at the Qin dialect. The Qin dialect originally came from the folk of Shaanxi, and what it expresses is just the most ordinary joy, anger and sorrow of all beings in the world.

Qin Yan's singing sometimes makes people feel that their hearts and intestines are broken, and sometimes they make people feel angry, such as the sad and lamenting "Dou E's Injustice", as well as the "Three Niang's Godson" that makes people can't help but say "pity the hearts of parents in the world", and then there is the "Quanmei Case" ......that makes people's hearts happy

Now, I understand the joy and desolation in the Qin dialect, and I also feel the simple, rough, hard-working, and delicate character characteristics of the Qin people shown by the Qin dialect, and I know why my grandmother's performance is so popular, because my grandmother loves the Qin dialect and loves life even more.

This is the charm of Qin cavity. As the saying goes: Qin people, Qin Feng, Qin Yun. With its unique charm, the Qin dialect interprets the simplicity, cheerfulness, enthusiasm and heroism of the Shaanxi people.

I love my grandmother, and I also love Qin Yan, because I am an authentic Shaanxi baby.

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Since there is more time today, I was not satisfied with reading the "Qin Cavity" in the book, so I went to the Internet and browsed Mr. Jia Pingwa's "Qin Cavity" roughly. I finally struggled to go through this little book, but how to say it, there wasn't much joy or sorrow. In the book, the author follows his usual writing style, that is, the unique Jia's style of writing - vulgar, durable, but very Qin local dialect charm.

After reading this work, I couldn't help but think of Lu Yao's "Ordinary World". If you think about it carefully, there is a connection between these two works. "Qin Cavity" can be docked with "Ordinary World" in terms of the times.

However, Lu Yao's works are more prominent and typical in expressing social changes. Both literally and thematically. Relatively speaking, "Qin Cavity" is far inferior in this regard, Mr. Jia Pingwa tried to express the changes of the times from the changes in Qingfeng Street, to show the impact of this change on the countryside, farmers, and agriculture, but after I re-read it, I found that he did not expose this change very deeply.

I think this is a work with a strong tragic atmosphere. It can be seen that Jia Pingwa longs for the rural life in the past, and he still can't bear to be lost in the countryside, agriculture, and peasants in the tide of reform.

Comment: I personally feel that this ** is a bit anticlimactic, the first half is exquisite, and the back is a little rough. In particular, "the children of the summer breeze and the snow did not ......"This plot feels a bit distorted.

Putting aside whether such a thing will happen in reality, this plot alone has little to do with the work. After reading it, I wondered, does Mr. Jia Pingwa want to use this pen to continue to attract the reader's attention and increase the uniqueness of the work?