A verse that describes the raw beauty of the unpolished

1) If you are powdered, it is too white, and if you are in powder, it is too red.

2) An increase of one point is too long, and a decrease of one point is too short.

If you increase one point, you will be fat, and if you lose one point, you will be thin.

Such as the beauty of artistic conception.

The form of beauty presented by the artistic conception of classical Chinese poetry is repetitive and multifaceted, and it is presented in front of us in a variety of forms. That is to say, when you read poetry, you can experience the beauty of artistic conception is different, not that the beauty of artistic conception is a kind of artistic conception or that kind of beautiful feeling is a feeling, not like this, in fact, the beauty of artistic conception is very rich, I summarize it into eight aspects. The first artistic conception is called "majestic and magnificent"; the second is called "open and open"; the third is called "desolate and tragic"; The fourth type is called "deep and depressed".

What these four types have in common is that they express a kind of "masculine beauty".In addition, there are four kinds, the first is called "Rich and Magnificent"; the second is called "calm and quiet"; The third is called "fresh and elegant"; The fourth type is called "bleak and cold".These four generally express a common denominator, that is, "feminine beauty".

Therefore, the artistic conception of poetry is beautiful, and the feeling we feel is nothing more than "masculine beauty" and "feminine beauty".Then the type of "masculine beauty" is the artistic conception of "majestic and magnificent", the poetry of this artistic conception is often when writing the scene, majestic and magnificent, and the lyricism is galloping, majestic, and the language is often exaggerated and thrilling. The second kind is called "open and open", the general characteristics of this artistic conception are like this, the scene is often out of the dust, the virtual and the real are born, and the lyrical time is often open and cheerful, soothing and long, and in terms of language, it is generally healthy and bright, strange and handsome.

The third is called "desolate and tragic", and the general characteristics of this artistic conception are that in writing scenery, it is often vast and far-reaching, steep and sparse, lyrical is often heroic and vigorous, generous and sad, and in terms of language, it is often simple and strong, just and tragic. The fourth is "deep and depressed", this kind of poetry, its general characteristics are that the content is deep and accumulated, the feelings are deep, and the meandering back and forth is depressed.

Ancient poetry is a general term for ancient Han poetry, which refers to Chinese poetry before the Opium War in 1840. Taking the Tang Dynasty as the boundary, the poems were all ancient style poems before, and after that, the ancient style poems gradually declined and gradually died out. Ancient style poetry is also known as ancient poetry or ancient style; Near-style poetry is also known as today-style poetry.

From the "Book of Songs" to the Yu Xin of the Northern and Southern Dynasties, they are all ancient style poems, but the poems after the Tang Dynasty are not necessarily all close style poems, specifically because of the rhythm and rhyme.

Introduction to ancient poems. Ancient poetry refers to Chinese poetry before the Opium War in 1840, and from the perspective of rhythm, ancient poetry can be divided into ancient style poetry and close style poetry. Taking the Tang Dynasty as the boundary, the poems were all ancient style poems before, and after that, the ancient style poems gradually declined and gradually died out. Ancient style poetry is also known as ancient poetry or ancient style; Near-style poetry is also known as today-style poetry.

From the "Book of Songs" to the Yu Xin of the Northern and Southern Dynasties, they are all ancient style poems, but the poems after the Tang Dynasty are not necessarily all close style poems, specifically because of the rhythm and rhyme. The main techniques are; Fu, than, Xing.

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Therefore, after Liang and Chen, "ancient poems" have formed a special category name with specific meanings. It is called together with the lyrics of the two Han Yuefu, which specifically refers to the five-character poems written by anonymous people in the Han Dynasty, and has developed into a poetic style that generally refers to the artistic characteristics of "ancient poetry". And "Nineteen Ancient Poems" occupies the status of a representative work of "ancient poetry" in the history of literature, and this title has become a thematic title.

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Ancient style poetry, also known as ancient style, there are fifteen national styles in the Book of Songs, and later generations extended poetry to also call "wind".

The ancient poetry style before the Tang Dynasty was a kind of poetry that did not pay attention to the rhythm and did not have a limit on the number of words and sentences. After the Tang Dynasty, due to the emergence of near-style poetry, in order to distinguish the ancient style poetry from the emerging rhythmic poetry, the poet deliberately imitated the writing style of the ancient poetry of the Han and Wei dynasties and limited it in some aspects, thus forming a fixed pattern of ancient style poetry in the Tang Dynasty. The result was to turn the completely free poetry style of the Tang Dynasty into a kind of semi-free poetry between metrical poetry and free verse.

Near-style poetry, also known as modern style poetry ("near" and "present" are both in the Tang Dynasty), emphasizes strict discipline. The common names of rhythmic poems and quatrains formed in the Tang Dynasty have relatively strict regulations on the number of sentences, the number of words, and the use of rhyme. Fold.

"Clear water out of hibiscus, natural carving. It is a poem that describes the great poet of the Tang Dynasty (Li Bai): "After the chaos and separation, Tian'en Liuyelang remembers the old travel book and presents Jiang Xiawei Taishou Liangzai".

Such as a dream order (Song) Li Qingzhao.

I often remember the twilight of the Creek Pavilion, and I don't know the way back.

Returning to the boat at night, he strayed into the depths of the lotus flower.

Fighting, fighting, startling a shoal of gulls and herons.

What is the role of the phrase "happy to return to the boat late" in the text? Connecting the previous and the next, his personal feelings naturally turn to the description of the scene.

What kind of feelings does the poet express in this poem?

This word expresses the taste and mood of her early life in a unique way of Li Qingzhao, the realm is beautiful and pleasant, and the short size gives people enough beauty enjoyment.

The two sentences of "Chang Ji" are plain and harmonious, and naturally lead the reader to the context she has created. "Chang Ji" clearly indicates that the place is in the "Xiting", the time is "sunset", and the author is so drunk that he can't even identify the path back after the feast. The word "intoxicated" reveals the joy of the author's heart, and "I don't know the way back" also twists and turns to convey the author's feelings of staying and forgetting to return, and it seems that this is a very pleasant trip that left a deep impression on the author.

Sure enough, the two sentences of "Xing Quan" were written, and this kind of interest was passed into one layer, and the Xing was exhausted before returning to the boat, so what about the Xing Xing? It just shows that the interest is high and I don't want to go back. And the sentence "mistakenly", the writing is smooth and natural, without any traces of axe chisel, echoing the previous "I don't know the way back", showing the protagonist's forgetful mentality.

In the blooming lotus bushes, there is a leaf flat boat rocking, and the boat is a young talent who is not exhausted, such a beautiful scenery, suddenly jumping low, and is about to come out. Two "battles" in a row express the anxious mood of the protagonist who is eager to find a way out of the way. It was precisely because of the "struggle for the crossing" that it "startled a shoal of gulls and herons" and scared away all the waterfowl perched on Zhouzhu.

At this point, the words stopped abruptly, and the words were exhausted but the meaning was not exhausted, which was intriguing.

This poem is concise in wording, only a few fragments are selected, and the moving scenery and the author's pleasant mood are fused together, writing the author's good mood when he was young, which makes people want to go boating with her and indulge in intoxication. As the saying goes, "juvenile feelings are self-sufficient", this poem is not carved and rich in a natural beauty.