Regarding the issue of color still life, color still life color toning

First draw the apple's intrinsic color (the color it has), then the ambient color (the color that affects it), and for gouache there are more pigments and more colors. The sketch relationship should be visible in the color.

The relationship between virtual and real, in another simple way, is the focus point of the SLR camera. It is really the focus on depicting the object, and the composition is placed in the place of ** division is the blur behind the reality, creating a sense of space.

In the same way for the sketch relationship, the front that is most clearly visible to the naked eye is the real (sometimes you can see with the empty eye) to create a space.

Solid fruit backgrounds and wall fading accentuate the theme.

Sketch to highlight the facial features, and that's it.

See smiled.

The inherent color of apples plus a little gray is to highlight the wonderful place, and the virtual is not to rob the real.

Is it sketching? It depends on the warmth and coldness of the gray cloth. Add some ambient colors and complementary colors to the dark side, not only in sketches, but also in color, in front of real and in the back, to create a sense of space and volume.

That's a watercolor pen, try to choose a wide head for painting gouache, and beginners can draw whatever color they see, be bold.

When you adjust some gray, you can't simply look at the color of the paint box like you need, just use it, or just add a white or something, ask for the richness of the color, add more colors to make it not only present this color but also make the purity reduction stable.

1. Color still life color mixing method bai

1. Draw the outline with ultramarine or ripe brown or dark red du + black zhi2, add water and brush the light and shade.

3. Spread the color tone, dao use Puran + dark red + object intrinsic color + environmental color 4, paint the dark part: use puran + dark red + object intrinsic color + environmental color 5, paint the middle tone: use puran + dark red + object intrinsic color (improve brightness) + environmental color 6, draw the bright part:

With a high-purity color + intrinsic color, "add as little white as possible".

2. Skills. 1. Paint heavy colors first, from dark to light, from the beginning to the end on the basis of the inherent color 2. When painting a single object, the object is a warm object, and the bright part is pure and warm. The dark part is colder.

3. The spatial relationship between the front and back of the picture can only be expressed by color purity, composition, volume, cold and warm, and proportion.

4. Cold-toned paintings are generally cold on the bright side, warmer on the dark side, and the light part is the light source color, so the dark part is the ambient color.

The color of the painting is exquisite.

bai is made with ash.

は premium gray.

For example: purple and green. It's a high-grade gray.。。

Purple plus dao more points, that is, special purple gray. Green plus more points is green gray. Then, according to the intrinsic color of the still life, add the adjusted gray to it.

It is like a white interlining, and in the mixed gray, I add white. and color tendency... Layer by layer.

Tick by tick to find a relationship... From front to back. From left to right.

Colors are varied.

We generally paint colors, dark parts, and thin parts. Go dark, go down. The highlights should be clean! Bright Grey!

The highlights are not pure white, but also have a tendency to color.

When I say gray, you might think it's a dirty color. But, you think the other way around. Colors are meant to complement each other. Right? For example, when black and white are put together, white will make black appear darker.

Black will set off white, and white will be whiter.

When painting colors, you must dare to use colors. Be bold and use color. The more careful you are, the worse you draw.

The brushstrokes must be natural. Don't deliberately look for cloth folds. Don't forget, the interlining is always a foil to the still life, always a foil.

Also, it is the still life group, and the main object must be highlighted. The rest of the still lifes are all foils to the main body. The picture must be impactful.

The sketch relationship is the most basic ...

To draw colors, we must go from the whole to the part to the whole. Finally, there is the portrayal

It is recommended that you read more of the high score papers of the college entrance examination over the years. Don't blindly learn from the masters! Don't forget, you're going to take the exam. Not a freelance painter!!

1. Color still life color mixing method:

1. Draw the outline with ultramarine or ripe brown or dark red + black.

2. Add water and brush the light and shade.

3. Spread the color with Pulan + dark red + object inherent color + environmental color.

4. Draw the dark part: use Puran + dark red + object intrinsic color + environmental color.

5. Paint intermediate tones: use plain + crimson + intrinsic color of the object (to improve brightness) + ambient color.

6. Paint the bright part: use high-purity color + inherent color to "add as little white as possible".

Second, the color of the still life toning law.

1. Paint heavy colors first, from dark to light. From the beginning to the end, it is painted on the basis of intrinsic color.

2. When painting a single object, the object is a warm object, and the bright part is pure and warm. The dark part is colder.

3. The spatial relationship between the front and back of the picture can only be expressed by 1: color purity, 2 composition, 3 volume, 4, cold and warm, and 5 proportions.

4. Cold-toned paintings are generally cold on the bright side and warm on the dark side.

The bright part is the light source color, and the dark part is the ambient color.

First of all, you have to understand the relationship between colors, such as pure gray, cold and warm, brightness, purity, hue, brush, etc., plus the corresponding purposeful practice is much faster, I am from Hangzhou Landscape Painting Studio.

First find out the approximate color of the object, according to this tone tone, according to the feeling.

I think it's important to be subjective when painting colors.

When mixing colors, pay attention to the overall coordination, the combination of cold and warm, light and dark, brightness and purity.

Personally, I think you can start with gray painting, and if you really can't do it, you can try monochrome (ultramarine or ochre and black and white).

After the relationship is mastered, slowly brighten the picture.

Also, don't adjust a color too many times, and the color will not be beautiful if the color is too dirty.

When I was learning color, the teacher asked me to draw dots for two months... The color is accurate... Embarrassment.

There is no pattern, it may be that this should be less but you put more, more and less. It's good to draw often.

There is no concept of the tonal relationship of the still life itself, the color scale of the still life is not opened, and the contrast of the style of the defined area of the intrinsic color, the light source color, and the ambient color is not grasped. The depth, volume, and texture of the still life are contrasted and deepened in many aspects. Painting color depends on the mutual support of feelings and theories in order to paint color paintings with feelings.

Your question is not about color, and it's not about how to go deeper; Instead, there is a problem with sketching, and it is recommended that you strengthen your sketching practice, and you will see what the problem is. The first two are also talking about sketching, but I guess you can't understand it, and you have to practice it yourself to understand. So.

Colors can only be drawn if you have a certain foundation in sketching. Your program is a bit messy.