Colorists, please come in! Colors are easy to draw flowers

It's your problem, people are like their paintings, they are like their people, and painting is painting people.

Repair the inside and the outside, find the problem, start from the fundamental problem in your own heart, change the fault of your own people, and the problem will naturally disappear.

Whether there is a problem with your person who doesn't know what to prioritize or something else is up to you to think about.

When I took the exam, I didn't use lemon yellow (it's better to use light yellow instead of color), I didn't use lime, and of course I didn't use purple (cobalt blue for gray cloth). These colors will float up, and of course they will flower.

You draw because you look so carefully that you can't tell which lines are important and which are not. There are some lines and color blocks that you see, and you don't necessarily have to draw them, but focus on the key color blocks or sketch lines.

In terms of color, don't mix one color too much, that is, don't faint so many times when two shades come out of one color, just three or four times to come out of the color you want. Don't add lots and lots of colors to one color, but change the fresh blend. The sketch will be gray because your black areas are not dark enough, and the highlights are not bright enough ......The whole is not clear, it must be spent.

That's my feeling, and if you draw flowers, these are the main factors.

There are also two floors upstairs, one says to use a soft pencil, it is recommended not to use it, it will be reflective, easy to grind the picture, because the pen is too soft, and the painting is too dark and rigid. The experience of the second floor is a good reference.

Uh: That's a question

When I paint, I first draw the dark part of all objects, don't be afraid to draw too dark, because you can adjust it later, and then draw the bright part after you finish painting, let it be dark and dark, light up, and then paint the middle color, so that at least the picture will not be "gray" Then, every color on the painting is to be adjusted, that is, you don't need to paint in solid colors, isn't it popular to paint high-grade gray now, it's best not to contrast the tones together (red and green, blue and orange, yellow and purple) when grading, otherwise the picture will be dirty, and it's okay to use a little less; Moreover, when mixing colors, the color should not be evenly mixed, and there should be a trace of color in the pen to give people a feeling of rich color, which has the advantage of not looking "flowery" in the picture

Generally, when painting still lifes, there is a lining This will affect the tone of the whole picture, so if I do a good job of the overall tone, the picture will be very whole.

Because you said that you have been painting for a few years, so I will not say the repeated words of your teacher, I suggest that the landlord copy the book inside, according to the above steps, and it will be fine slowly

Hope it helps.

The easiest way to sketch is to start from the deepest place when playing the tone, black and gray, and there are only a few deepest places - projection, light and dark junction, then every time you start from the depths.

The color is bold, grasp the contrast between cold and warm, and when the cold light is generally cold, add some warm color to the dark place, and it will naturally go dark, and vice versa.

This is my own understanding, and I say it in more vernacular, hoping to help the landlord.

I paint in oil, do you know how I paint colors? Haha, I've never looked at color composition or anything like that, I rely on my feelings to feel color, I didn't know how to paint at all when I first learned to paint, and then I learned how to feel objects by sketching, and then I naturally painted colors, I didn't learn at all, haha, when you feel that painting anything doesn't matter one day, you will be very happy, of course, painting is also very lonely, and you will lose some emotional things.

Add less white powder, and wait for the picture to dry up with the brightening of the color with high purity, don't reduce the purity, first spread the relationship, it is necessary to open the relationship between light and dark, and the relationship between the near real and far virtual, and the dark will be darkened, and the bright part will not be painted first, and finally in the brightening.

The main building should be ruthless in painting, hehe, the sketch should be heavy, it must be heavy, and it will be heavy to death, the pencil is hard, use a soft pencil, and the sketch will be gray if it is not heavy!! The part that is not heavy and brighter will not light up because black and white are contrasted, and as long as it is heavy, the gray problem will be solved. The color of the main building is said to be a big relationship with flowers, it depends on whether the sense of space in the front and back of the color is not as pure as the front of the contrast, the gray behind the gray, if there is a façade and a plane, then pay attention to the relationship between the two, the color should be harmonious and unified, and then the blue cloth in the picture may not be blue.

Colors and colors echo each other, hoping to solve the problem of the flowers you paint

Painting color is mainly to establish a large tone This depends on yourself Look at what your first feeling is about this picture and surface Then determine the tone of this painting "I generally look at the proportion of color in this painting, what tone to paint and then shape the picture according to this tone, the color of each stroke must be around the tone of the painting So it is not easy to paint The general gray tone of the picture does not return to the flower Only must dye the main body pure For example, fruit or something It is not too much to take the solid color directly