How does Mr. Lin Geng explain the laws of poetry art from a specific point

What are the characteristics of the language expression of Lin Geng's poetry?

Background information. 1 About the Author.

Lin Geng, a famous scholar in China. There are works such as "A Comprehensive Treatise on Tang Poetry" that have not been handed down.

2 Solution. "Leaves" means "leaves", but in ancient poetry, it is very rare to use "trees", "leaves", or "withered leaves". Because the author is a scholar and a poet, he has profound knowledge and rich associative power, so he has made a very fine aesthetic analysis of the differences between the artistic conception of the poems caused by "tree" and "wood", "leaves" and "leaves", "leaves" and "fallen leaves", and "leaves" and "falling trees", so that we have a deeper understanding of the subtleties in the art of ancient poetry, which is worthy of our reference.

Studying this text requires us to read it carefully and carefully, word by word, sentence by sentence, and through the whole text, and then we can grasp the meaning of the text by integrating all parts.

Word reserves. Love: Special love (one of the children or other juniors).

Conciseness: (language, writing, skills, etc.) concise and neat. also for washing.

万盈锭 (dìnɡ): a panacea. Lozenges, hard lumps that have not been made of the drug, are for the patient to swallow, and the juice is used internally or externally.

Do not fall into the words (quán): do not leave traces of employment in the use of language. Bamboo utensils for fishing.

Sparse: sparse and clear.

窸窣 (xī sū): Onomatopoeia to describe the small sound of rubbing.

Drifting: (flowers, leaves, etc.) falling; Falling. The metaphor is that there is no dependence and an unstable life.

Dense: (words, deeds, thoughts) meticulous and thoughtful.

Far away: Far away.

The linguistic expression characteristics of Lin Geng's poetry include the perception of the four seasons, the scenes of daily life, the expression of freedom, the pursuit of love, the pursuit of beauty, and the love and thinking of life.

Lin Geng is a poetic theorist who organically combines the study of classical literature with the exploration of new poetic forms, and his "semi-comic theory", "rhythmic sound group theory", and "universal Zen dismantling form theory" are such "communication".

From the observation and experimentation of rhythm and form, he discovered two rules of poetry in the construction of poetic lines:

The first is the "five-character group" ("all lines of poetry that can be pronounced contain a rhythm unit based on five words. ”）

The second is the "half-comic rhythm" ("The half-middle waist of each line of poetry has a function close to 'teasing', let's call this 'semi-comic rhythm', so that each line of poetry is naturally divided into two halves that are nearly uniform;Regardless of the length of the poem, the difference between the upper and lower halves is not more than a word, or it is exactly the same. ”

1. Always adhere to the basic premise of poetry as poetry (he believes that "'poetry' is only a special language, and if poetry has no form, it is prose, philosophy, discourse, or whatever, and it is not poetry anyway". And made a clear division of the boundary between poetry and poetry ("poetry" represents all "artistic conceptions", not equal to poetry).

2. His New Poetry Theory is based on his deep understanding of the medium of expression, and puts forward the famous view that form is not determined by "content", but by language, thus enlightening people: on the one hand, Chinese poetry must construct its own poetic form according to the characteristics of the Chinese language; On the other hand, language is developing and changing, and it is necessary to explore the laws of new formal construction in the face of this change.