Impressions of the myth about the director s various retarded minds

The person from Beiyanshan is Yi Xiaochuan, and the specific discussion is in the post I wrote.

My brother watched it very carefully, and frankly speaking, I think that in addition to Zhang Shi's wonderful performance, the only thing that can leave a little impression on this play is the gorgeous costumes and palace. Don't mention anything else.

Oh, yes. Particularly brain-dead. The end result.

I really don't know if the director is nervous.

What is the purpose of finding handsome guys and beauties to play a miserable love myth? Isn't it just to infect the audience's hearts when you do TV series looking for handsome guys and beauties to act?

Since it's a tragedy, you have to be tragic too, right?

Beautiful mythology, tragic plot, you have to make it beautiful, right?

How can Yi Xiaochuan and Yushu lose immortality, how did you make them so ugly?

You can add lines to let the audience know that there is no immortality, right? , Yushu died Xiaochuan, why didn't you arrange to die with her?

Instead of being a tragedy, why don't you make it a little more tragic?

Why don't you add more touching lines?Die together again?

At first, I thought it was because they weren't afraid of the audience or because it was illogical.

But why don't you let Xiaochuan live and live, why don't you let two people live or both of them die?

One lives and one dies, why don't you add more touching lines?

Ok-sook died, she was buried in**?

Could it be that Xiao Chuan still gave her there?

You let him live and live, make him an old b-head, and how to touch the hearts of the audience without his appearance?

The most ridiculous thing is the last sentence left for us.

Ogawa said to Kim Hee-sun's poster, "You're not as pretty as her." ”

Big Brother Director: I suspect that you are top-notch brain-dead.

Invincible. Hey, I don't know what to say.

Anyway, it's inexplicable, I don't even know what Gao wants to hate anymore. Does he hate Xiaochuan for losing Satsuki? What other people are his slaves? Can't you love her?

He is a difficult brother and a difficult brother, why does it inexplicably make him hate Xiaochuan so much?

Seeing the end, it's as if Ogawa and Yushu are sorry for them.

In particular, that Lola is still talking, and you guys made him like this.

A pair of immortals are matched with a sinner, yes.

It's really a brain-dead director.

It's so disgusting that everyone scolds him for being a brain-dead. Myself.

One. You don't understand the plot of the story, the people of Beiyanshan are "rocky people", through fake words and noun activities, people trapped in the mountains by rocks, the story tells you at the beginning of the story, the fate of this thousand-year-old character story, this person only plays a role in threading the needle to history, but never appears, but knows everything well, from ancient times to the present, and Xiaochuan has lived for two thousand years and has not been able to change the history of Li, and Gao wants to change history (at the beginning he sent someone to grab the treasure box, in order to obviously not want anyone to open it), It shows that he has admitted the inevitability of history and his fate, in the end, only Xiaochuan did not die, became an old man, the people of Beiyanshan are obviously Xiaochuan himself, after thousands of years of wind and rain, he can only conform to fate, just like the creation of soldiers and horses, to promote the occurrence of everything, like the butterfly effect, everything can not be avoided, the more you impose changes, the more you go to the worst outcome, with the help of the power of the stars to live for two thousand years (in fact, through time and space, the same can also be imagined as the effect of the stars), the stars disappear, he will also disappear, I think Xiao Chuan should have died in ancient times, the most obvious place, the old urge said that Beiyan likes to practice in that cave, in fact, he is trapped in this mountain, from ancient times to the present, his heart has been trapped there, because his beloved is also in it, only here, can he recall his beloved woman.

Two. This is not a fairy drama. Three.

This is not primarily a portrayal of war, unlike the Three Kingdoms charity show, although the bigger the scene, the better. Four. You're basically picking bones, there's no strict logic in the story, as long as it's reasonable in the context of the story, if you want to ask, the first sentence should ask why the story appears on TV, it's definitely not reasonable, it's not true.

"Mythology".'s lens articulation is the best in domestic films.

Mythology is directed by Hong Kong director Tang Jili, Jackie Chan and Kim Hee-sun.

Leung Ka-fai and others starring in the intertwined ancient and modern, mythological love films. It was released in Chinese mainland on September 23, 2005.

The film was nominated for Best Film at the 25th Hong Kong Film Awards (2006) and the Hundred Flowers Award at the 28th Popular Film Awards.

2006) Best Director nomination, the 12th China Film Huabiao Awards (2007) Outstanding Co-production Award and other honors.

Jackie Chan's movie is to let more audiences understand the narrative logic, so each scene of "Myth" chooses the most direct and smooth editing method, and the lake, arms, paintings, horses, feet and mice in the picture are all used as means to convey the parallel narrative process, which makes the audience not need to think too hard.

Background of creation

Speaking of the origin of filming "Myth", Jackie Chan said that his filming of costume dramas was an attempt.

It just so happens that there are ancient and modern times in "Mythology", and Jackie Chan plays a general, which is very new to Jackie Chan. But the most important thing for Jackie Chan to take this play is that there is a plot in it, which is a scene in which the cultural relics are returned to the country.

Jackie Chan hopes to use his influence to do something for the public good, and Jackie Chan feels that this plot is very valuable.