The lyrics of cross talk and the singing of cross talk generally refer to Taiping lyrics and countin

You are asking about Ma Zhiming and Huang Zumin's cross talk "Counting Treasures".

Because no one sings it.

Taiping lyrics and counting treasures.

And cross talk inherited him.

Count the Noble Treasures. Shulaibao, also known as Shunkou, slippery rut, Lianzizui, popular in the north and south of China. Originally, it was used by artists to walk the streets and alleys, sing in front of the store and ask for money.

Because the artist praised the abundant and exquisite goods in the store, the "number" was as if "come" (added) "treasure", hence the name. It is said that as early as the beginning of the Ming Dynasty, there was a teacher-student relationship and 13 portals of Shulaibao: there were 3 families in Beijing: Suo, Li and Zhu; Jiangbei has 5 Ding, Guo, Fan, Gao and Qi; There are 5 peach, plum, apricot, flower and spring in Jiangnan.

Shulaibao entered the small theater to sing at the end of the Qing Dynasty and the beginning of the Ming Dynasty, when the more famous artists were Cao Dekui, Liu Mazi, Huo Mazi and so on.

Features of Noble Count.

With a wide range of life knowledge, the number of treasure artists see the scene, improvise and sing, and some can also talk about the present than the past, quote the classics, and discuss the narrative, and accumulate some fixed sets of words. Later, it absorbed the expression techniques of lip-sync comedy, formed a counterpoint number treasure, further improved the artistic expression, and some new singing sections appeared. Witty and witty is one of the artistic characteristics of Shulaibao.

The basic sentence structure of the number of treasures is six up and seven down, the six characters in the previous sentence are three three, and the seven characters in the next sentence are.

Four. III.II.

Five, two, two, three. The last word of the upper and lower sentences should rhyme with each other and be in the same tone. A group of two sentences can be the same in a group, or several or more than a dozen sentences in a row. You can also insert some monologues into the singing, such as over-the-mouth dialogue, sandwich white, etc.

In the course of its evolution, Shulaibao has used a variety of percussion instruments, such as sorghum poles, money plates, salars, cow hip bones, three plates, three bowls, and hoe boards (also known as slabs). Now it is common to use seven boards, two large bamboo boards are called big boards, and five small bamboo boards are called knots. There are a variety of ways to play the big bamboo board, there are the opening board before the singing and the small pass in the singing, and you can also play all kinds of flowers to create anger, and sometimes imitate some sounds, which helps to express the content of the lyrics.

Count the bibliography of Lybour.

The traditional bibliography of Shulaibao includes "Cross Slope" and "Yangzhi Selling Knives", as well as books such as "Zhifeng War" and "Fighting Nankou", which condemn warlord melee; During the War of Resistance Against Japanese Aggression and the War of Liberation, the Shandong Anti-Japanese Base Area and the Jiaodong Liberated Area circulated works such as "Big Bug" and "Settle Accounts" written by Luan Shaoshan, a number of noble artists. After the founding of the People's Republic of China, Shulaibao was generally popular in the army's literary and artistic activities, and "The Home of the Soldier", "The Story of the Army", "Learning from Lei Feng", "Coincidental Encounter with the Eighth Company", "Top Gun", and "The Battle Flag of the Hard-Headed Sixth Company" appeared.

Shulaibao is not a song, it is a kind of smooth talk!

Yes, singing songs or something belongs to learning.